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Author: Margarita Tupitsyn
Publisher:
ISBN: 9783960980230
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 256
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Book Description
"A collective of artists, a gallery and a movement, APTART was a series of self-organised 'anti-shows' that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984.These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represent a collective attempt to rethink the politics of exhibition-making and the practice of making public in the absence of a public sphere.The first comprehensive publication on APTART, this book presents extensive photographic documentation of their activities alongside archival texts from contributing artists and documents from the time.Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement's history and guiding concepts; and further contexts and analysis are provided through contributions by Manuel Alcayde, Alexandra Danilova and Elena Kuprina-Lyakhovich, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.Including an introduction by David Morris and interviews with participating artists such as Natalia Abalakova and Anatoly Zhigalov, Nikita Alekseev and Victor Skersis.Published with Afterall Books in association with the Center for Curatorial Studies, Bard College.Part of the Exhibition Histories series."
Author: Margarita Tupitsyn
Publisher:
ISBN: 9783960980230
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 256
Get Book Here
Book Description
"A collective of artists, a gallery and a movement, APTART was a series of self-organised 'anti-shows' that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984.These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represent a collective attempt to rethink the politics of exhibition-making and the practice of making public in the absence of a public sphere.The first comprehensive publication on APTART, this book presents extensive photographic documentation of their activities alongside archival texts from contributing artists and documents from the time.Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement's history and guiding concepts; and further contexts and analysis are provided through contributions by Manuel Alcayde, Alexandra Danilova and Elena Kuprina-Lyakhovich, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.Including an introduction by David Morris and interviews with participating artists such as Natalia Abalakova and Anatoly Zhigalov, Nikita Alekseev and Victor Skersis.Published with Afterall Books in association with the Center for Curatorial Studies, Bard College.Part of the Exhibition Histories series."
Author: Jonathan Gilmore
Publisher: Oxford University Press
ISBN: 0190096365
Category : Philosophy
Languages : en
Pages : 273
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Book Description
How do our engagements with fictions and other products of the imagination compare to our experiences of the real world? Are the feelings we have about a novel's characters modelled on our thoughts about actual people? If it is wrong to feel pleasure over certain situations in real life, can it nonetheless be right to take pleasure in analogous scenarios represented in a fantasy or film? Should the desires we have for what goes on in a make-believe story cohere with what we want to happen in the actual world? Such queries have animated philosophical and psychological theorizing about art and life from Plato's Republic and Aristotle's Poetics to contemporary debates over freedom of expression, ethics and aesthetics, the cognitive value of thought experiments, and the effects on audiences of exposure to violent entertainment. In Apt Imaginings, Jonathan Gilmore develops a new framework to pursue these questions, marshalling a wide range of research in aesthetics, the science of the emotions, moral philosophy, neuroscience, cognitive psychology, and film and literary theory. Gilmore argues that, while there is a substantial empirical continuity in our feelings across art and life, the norms that govern the appropriateness of those responses across the divide are discontinuous. In this view, the evaluative criteria that determine the fit, correctness, or rationality of our emotions and desires for what is internal to a fiction can be contrary to those that govern our affective attitudes toward analogous things in the real world. In short, it can be right to embrace within a story what one would condemn in real life. The theory Gilmore defends in this volume helps to explain our complex and sometimes conflicted attitudes toward works of the imagination; challenges the popular view that fictions serve to refine our moral sensibilities; and exposes a kind of autonomy of the imagination that can render our responses to art immune to standard real-world epistemic, practical, and affective kinds of criticism.
Author: Mary M. Lane
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 336
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Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 532
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Book Description
Author: Robert Klanten
Publisher: Die Gestalten Verlag-DGV
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Turn-around book with one side focusing on cover art and the other revealing experimentation with the creation of book design as artistic objects.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Boris Groys
Publisher: National Geographic Books
ISBN: 1846380049
Category : Art
Languages : en
Pages : 0
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Book Description
An illustrated study of one of Ilya Kabakov's most fantastic installations. The fictitious hero of this 1984 installation is a lonely dreamer who develops an impossible project: to fly alone in cosmic space. But this dream is also an individual appropriation of a collective Soviet project and the official Soviet propaganda connected to it. Having built a makeshift slingshot, the hero apparently flies through the ceiling of his shabby room and vanishes into space. The miserable room and the primitive slingshot suggest the reality behind the Soviet utopia, in which where cosmic vision and the political project of the Communist revolution are seen as indissoluble. The Man who Flew into Space from His Apartment also raises questions of authorship in modernity. All of Kabakov's work is made in the name of other, fictitious artists. This reveals a hidden rule of the modern art system: only an artist who doesn't want to be an artist or who doesn't even know that he is an artist is a real artist—just as only an artwork that does not look like an artwork is a real artwork. The installation is a narrative, the documentation of a fictitious event. Afterall Books are distributed by The MIT Press.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
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Book Description
Author: Sharman Apt Russell
Publisher: Pantheon
ISBN: 1524747254
Category : Social Science
Languages : en
Pages : 336
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Book Description
An important, hopeful book that looks at the urgent problem of childhood malnutrition worldwide and the revolutionary progress being made to end it. A healthy Earth requires healthy children. Yet nearly one-fourth of the world’s children are stunted physically and mentally due to a lack of food or nutrients. These children do not die but endure a lifetime of diminished potential. During the past thirty years, says Sharman Russell, we have seen a revolution in how we treat these sick children and in how—with a new understanding of the human body and approach to nutrition, and new ways to reach out to hungry mothers and babies—we have gone from unwittingly killing severely malnourished children to bringing them back to health through the “miracle” of ready-to-eat therapeutic food. Intertwined with stories of scientists and nutrition experts on the front lines of finding ways to end malnutrition for good, Russell writes of her travels to Malawi, one of the poorest and least-developed countries in the world and also the site of pathbreaking, cutting-edge research into childhood malnutrition. (Eighty percent of Malawians are farmers subsisting on less than an acre of land and coping with erratic weather patterns due to global warming; fifty percent live below the poverty line; and forty-two percent of Malawi’s children are affected by a lack of food or nutrients.) As she writes of her personal exploration of new friendships and insights in a country known as “the warm heart of Africa,” Russell describes the programs that are working best to reduce childhood stunting and explores how malnutrition in children is connected to climate change, how vitamins and minerals are preventing these harmful effects, why the empowerment of women is the single most effective factor in eliminating childhood malnutrition, and what the costs of ending childhood malnutrition are. Sharman Russell, much-admired writer of luminous prose and humane heart, whose writing has been called, “elegant” (The Economist) and “extraordinarily well-crafted, far-reaching, and heart-wrenching” (Booklist), winner of the John Burroughs Medal for distinguished natural history writing, has written an illuminating, inspiring book that makes clear the promise of what is today, gratefully, within our grasp.
Author: Adrian Tchaikovsky
Publisher: Prometheus Books
ISBN: 1616143398
Category : Fiction
Languages : en
Pages : 574
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Book Description
The city states of the Lowlands have lived in peace for decades, bastions of civilization, prosperity and sophistication, protected by treaties, trade and a belief in the reasonable nature of their neighbors. But meanwhile, in far-off corners, the Wasp Empire has been devouring city after city with its highly trained armies, its machines, it killing Art . . . And now its hunger for conquest and war has become insatiable. Only the aging Stenwold Maker, spymaster, artificer and statesman, can see that the long days of peace are over. It falls upon his shoulders to open the eyes of his people, before a black-and-gold tide sweeps down over the Lowlands and burns away everything in its path. But first he must stop himself from becoming the Empire's latest victim.
