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Author: E. Patrick Johnson
Publisher: Duke University Press
ISBN: 9780822331919
Category : Biography & Autobiography
Languages : en
Pages : 388
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Book Description
DIVA consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity./div
Author: E. Patrick Johnson
Publisher: Duke University Press
ISBN: 9780822331919
Category : Biography & Autobiography
Languages : en
Pages : 388
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Book Description
DIVA consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity./div
Author: Ralina L. Joseph
Publisher: Duke University Press
ISBN: 0822352923
Category : History
Languages : en
Pages : 249
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Book Description
The author critiques the depictions of multiracial Americans in contemporary culture.
Author: George J. Sefa Dei
Publisher: Springer
ISBN: 3319530798
Category : Education
Languages : en
Pages : 231
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Book Description
This book grounds particular struggles at the curious interface of skin, body, psyche, hegemonies and politics. Specifically, it adds to current [re]theorizations of Blackness, anti-Blackness and Black solidarities, through anti-colonial and decolonial prisms. The discussion challenges the reductionism of contemporary polity of Blackness in regards to capitalism/globalization, particularly when relegated to the colonial power and privileged experiences of settler. The book does so by arguing that this practice perpetuates procedures of violence and social injustice upon Black and African peoples. The book brings critical readings to Black racial identity, representation and politics informed by pertinent questions: What are the tools/frameworks Black peoples in Euro-American/Canadian contexts can deploy to forge community and solidarity, and to resist anti-Black racism and other social oppressions? What critical analytical tools can be developed to account for Black lived experiences, agency and resistance? What are the limits of the tools or frameworks for anti-racist, anti-colonial work? How do such critical tools or frameworks of Blackness and anti-Blackness assist in anti-racist and anti-colonial practice? The book provides new coordinates for collective and global mobilization by troubling the politics of “decolonizing solidarity” as pointing to new ways for forging critical friends and political workers. The book concludes by offering some important lessons for teaching and learning about Blackness and anti-Blackness confronting some contemporary issues of schooling and education in Euro-American contexts, and suggesting ways to foster dialogic and generative forums for such critical discussions.
Author: E. Patrick Johnson
Publisher: Duke University Press
ISBN: 0822387220
Category : Social Science
Languages : en
Pages : 394
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Book Description
While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project. The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies. Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace
Author: Aaryn L. Green
Publisher: Taylor & Francis
ISBN: 1040098967
Category : Social Science
Languages : en
Pages : 175
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Book Description
This powerfully written and co-authored book creatively engages with the topics of Black and Latinx femininity, motherhood, sexuality, racial and ethnic identity, and political engagement through the life and artistic work of Hip Hop artist Cardi B. The authors highlight examples from Cardi's lived experiences and artistry using a trap feminist framework as a starting point for sociological conversations about Black women and the trap. The authors weave foundational histories of Black sociology, Black feminism, and institutional inequalities along the lines of race, class, and gender. Drawing from moments in Cardi B’s public life—her rap lyrics, her behavior at New York Fashion Week, questions about her racial and ethnic identity, the unveiling of her pregnancy, her engagement with politicians, and her responses to social media comments and critics—this book argues for the merits of addressing Black feminist theory from the bottom up—that is, to take seriously the knowledge production of Black women by attending to and creating space for hood chicks, ghetto girls, and ratchet women. By centering the lived experiences and social positions of the Black women Cardi represents, the authors expand Black feminist discourse and entrust Black women to define themselves for themselves. This book is an important contribution to scholarship for students, scholars, and readers interested in sociology, Hip Hop, pop culture, and women's studies.
Author: Shaka McGlotten
Publisher: State University of New York Press
ISBN: 1438448791
Category : Social Science
Languages : en
Pages : 180
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Book Description
Virtual Intimacies tells the stories of gay men, including the author, who navigate social worlds in which the boundaries between real and virtual have been thoroughly confounded. Shaka McGlotten analyzes intimate connection and disconnection across an array of media sites, including mass mediated public sex scandals, online spaces, Do-It-Yourself porn, and smartphone apps in order to show the ordinary ways people challenge and rework sexuality and technology. The book frames "virtual intimacy" in terms of the mocking disapproval that looks at using technology to connect as something shameful or as a means of last resort. However, where many see a dead end, Virtual Intimacies argues on behalf of more extensive understandings of intimacy, thereby contributing to many feminist and queer approaches that seek to expand the scope of what counts as connection, belonging, or love. The author also highlights the creative and resilient ways that queer people build social worlds using spaces and technologies in ways they were not intended.
Author: Lisa Simone Kingstone
Publisher: Rowman & Littlefield
ISBN: 1786602563
Category : Social Science
Languages : en
Pages : 225
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Book Description
What happens to a country that was built on race when the boundaries of black and white have started to fade? Not only is the literal face of America changing where white will no longer be the majority, but the belief in the firmness of these categories and the boundaries that have been drawn is also disintegrating. In a nuanced reading of culture in a post Obama America, this book asks what will become of the racial categories of black and white in an increasingly multi-ethnic, racially ambiguous, and culturally fluid country. Through readings of sites of cultural friction such as the media frenzy around ‘transracial’ Rachel Dolezal, the new popularity of racially ambiguous dolls, and the confusion over Obama’s race, Fading Out Black and White explores the contemporary construction of race. This insightful, provocative glimpse at identity formation in the US reviews the new frontier of race and looks back at the archaism of the one-drop rule that is unique to America.
Author: Jay Watson
Publisher: Univ. Press of Mississippi
ISBN: 161703021X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
William Faulkner wrote during a tumultuous period in southern racial consciousness, between the years of the enactment of Jim Crow and the beginnings of the civil rights movement in the South. Throughout the writer's career, racial paradigms were in flux, and these shifting notions are reflected in Faulkner's prose. Faulkner's fiction contains frequent questions about the ways in which white Americans view themselves with regard to race along with challenges to the racial codes and standards of the region, and complex portrayals of the interactions between blacks and whites. Throughout his work, Faulkner contests white identity—its performance by whites and those passing for white, its role in shaping the South, and its assumption of normative identity in opposition to non-white “Others.” This is true even in novels without a strong visible African American presence, such as As I Lay Dying, The Hamlet, The Town, and The Mansion. Faulkner and Whiteness explores the ways in which Faulkner's fiction addresses and destabilizes the concept of whiteness in American culture. Collectively, the essays argue that whiteness, as part of the Nobel Laureate's consistent querying of racial dynamics, is a central element. This anthology places Faulkner's oeuvre—and scholarly views of it—in the contexts of its contemporary literature and academic trends exploring race and texts.
Author: Marcus A. Hunter
Publisher: Routledge
ISBN: 0429018053
Category : Social Science
Languages : en
Pages : 294
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Book Description
The New Black Sociologists follows in the footsteps of 1974’s pioneering text Black Sociologists: Historical and Contemporary Perspectives, by tracing the organization of its forbearer in key thematic ways. This new collection of essays revisit the legacies of significant Black scholars including James E. Blackwell, William Julius Wilson, Joyce Ladner, and Mary Pattillo, but also extends coverage to include overlooked figures like Audre Lorde, Ida B. Wells, James Baldwin and August Wilson - whose lives and work have inspired new generations of Black sociologists on contemporary issues of racial segregation, feminism, religiosity, class, inequality and urban studies.
Author: Patrick Burke
Publisher: University of Chicago Press
ISBN: 022676821X
Category : History
Languages : en
Pages : 246
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Book Description
"Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
