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Author: Chia-Ling Yang
Publisher: Bloomsbury Publishing USA
ISBN: 1501358359
Category : Art
Languages : en
Pages : 359
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Book Description
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.
Author: Chia-Ling Yang
Publisher: Bloomsbury Publishing USA
ISBN: 1501358359
Category : Art
Languages : en
Pages : 359
Get Book Here
Book Description
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.
Author: Freya Gowrley
Publisher: Princeton University Press
ISBN: 0691253757
Category : Art
Languages : en
Pages : 402
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Book Description
A beautifully illustrated global history of collage from the origins of paper to today While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world’s oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity. Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims’ religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion. Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.
Author: Michael Dillon
Publisher: Bloomsbury Publishing
ISBN: 0755601874
Category : History
Languages : en
Pages : 513
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Book Description
In this complete guide to modern China, Michael Dillon takes students through its social, political and economic changes, from the Qing Empire, through the civil war and the Communist state, to its incarnation as a hybrid capitalist superpower. Key features of the new edition include: - A brand new chapter on the Xi Jinping premiership - Coverage of the recent developments in Hong Kong - Unique analysis of Tibet and Xinjiang - Teaching aides including biographies of leading figures, timelines and a glossary Clearly and compelling written, this textbook is essential for any student of the history or politics of modern China.
Author: Michael Dillon
Publisher: Bloomsbury Publishing
ISBN: 085773539X
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
One of the most important figures in global politics during the second half of the 20th century; Deng Xiaoping is generally considered the central figure behind China's economic liberalization programme that produced historically unprecedented growth rates and development beginning in the late 1970s. Lifting nearly a billion people out of poverty, Deng Xiaoping's 'Four Modernisations' called for reform in agriculture, industry, military, and science and technology. Today these reforms are considered to be the crucial turning point in modern Chinese history, enabling China to effectively harness its previously-latent power in its quest to become a global economic superpower. Just ten years after this tremendous achievement, Deng's brutal suppression of the democracy movement at Tiananmen Square severely undermined his international and domestic reputation. To explain the seeming contradictions between Deng Xiaoping's desire for economic liberalization and political conservatism, Michael Dillon's biography utilizes recently-released Chinese sources to detail Deng Xiaoping's emergence from a minority, second-class community in the Sichuan province, via education in France, to his meteoric rise to the top of the CCP's political hierarchy, illustrating the ways in which his life of struggle and survival shaped his political career. Dillon's biography addresses Xiaoping as both an intensely committed communist capable of playing a principal role in the Great Leap Forward from 1958 to 1961, while incurring the wrath of Mao only ten years later as he was exiled and purged during the Cultural Revolution. Emphasizing Deng Xiaoping's effectiveness as a party operator and political bruiser rather than an intellectual capable of formulating the reforms for which he eventually took credit, this book sheds light on Deng's ability to capitalize upon the planning expertise of other party members. This biography of the central figure in China's economic liberalization is essential for any reader interested in or affected by China's rise to global prominence.
Author: Kerry Brown
Publisher: Bloomsbury Publishing
ISBN: 1838609679
Category : Business & Economics
Languages : en
Pages : 123
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Book Description
China is now the most powerful country on earth. Its manufacturing underpins the world's economy; its military is growing at the fastest rate of any nation and its leader - Xi Jinping - is to set the pace and tone of world affairs for decades. In 2017 Xi Jinping became part of the constitution - an honour not seen since Chairman Mao. Here, China expert Kerry Brown guides us through the world according to Xi: his plans to make China the most powerful country on earth and to eradicate poverty for its citizens. In this captivating book we discover Xi's beliefs, how he thinks about communism, and how far he is willing to go to defend it.
Author:
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 52
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
This book brings together some of the worlds finest "meiren hua" (paintings of beautiful women), a genre of Chinese painting spanning the countrys last imperial dynasty (1644-1912). Often dismissed as decorative or misinterpreted as highbrow portraits of ladies, these enigmatic and relatively unexamined works are the subject of close scholarly scrutiny in this publication.
Author: Jorge Tomás García
Publisher: Routledge
ISBN: 1000574210
Category : Art
Languages : en
Pages : 273
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Book Description
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
Author: Thomas Maissen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110576392
Category : History
Languages : en
Pages : 258
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Book Description
Concepts of historical progress or decline and the idea of a cycle of historical movement have existed in many civilizations. In spite of claims that they be transnational or even universal, periodization schemes invariably reveal specific social and cultural predispositions. Our dialogue, which brings together a Sinologist and a scholar of early modern History in Europe, considers periodization as a historical phenomenon, studying the case of the “Renaissance.” Understood in the tradition of J. Burckhardt, who referred back to ideas voiced by the humanists of the 14th and 15th centuries, and focusing on the particularities of humanist dialogue which informed the making of the “Renaissance” in Italy, our discussion highlights elements that distinguish it from other movements that have proclaimed themselves as “r/Renaissances,” studying, in particular, the Chinese Renaissance in the early 20th century. While disagreeing on several fundamental issues, we suggest that interdisciplinary and interregional dialogue is a format useful to addressing some of the more far-reaching questions in global history, e.g. whether and when a periodization scheme such as “Renaissance” can fruitfully be applied to describe non-European experiences.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 688
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Book Description
