"Apollinaire, Cubism and Orphism " PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download "Apollinaire, Cubism and Orphism " PDF full book. Access full book title "Apollinaire, Cubism and Orphism " by Adrian Hicken. Download full books in PDF and EPUB format.
Author: Adrian Hicken
Publisher: Routledge
ISBN: 1351576364
Category : Art
Languages : en
Pages : 404
Get Book Here
Book Description
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Author: Adrian Hicken
Publisher: Routledge
ISBN: 1351576364
Category : Art
Languages : en
Pages : 404
Get Book Here
Book Description
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Author: Guillaume Apollinaire
Publisher: Parkstone International
ISBN: 1783103876
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th century: from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity’s crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.
Author: Guillaume Apollinaire
Publisher: Univ of California Press
ISBN: 9780520243545
Category : Art
Languages : en
Pages : 306
Get Book Here
Book Description
This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque, Cubism, and the beginnings of modern art.
Author: Guillaume Apollinaire
Publisher: New York : Viking Press
ISBN:
Category : Art
Languages : en
Pages : 600
Get Book Here
Book Description
Poet, critic, impresario, gadfly, visionary, tastemaker: more than anyone, Guillaume Apollinaire embodies the frenzied art world of Paris in the early 20th century. His rampant enthusiasms and antipathies, and his remarkable acumen, make him still today the most evocative commentator on the intellectual ferment of the time. In 1905 he championed Picasso and in 1907 he promoted Braque in reviews that were amazingly sharp and prescient. He first identified the importance of Delaunay, Duchamp, and Rousseau, coined the word "Surrealism," and almost singlehandedly pushed Cubism into the mainstream. With a new preface by Roger Shattuck, this edition of Apollinaire on Art is the only collection in English of these seminal and ever fresh writings.
Author: John Wesley Cameron
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Get Book Here
Book Description
Author: Harry E. Buckley
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 368
Get Book Here
Book Description
Author: Vivien Greene
Publisher:
ISBN: 9780892075645
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Willard Bohn
Publisher: SUNY Press
ISBN: 9780791431955
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
Author: Guillaume Apollinaire
Publisher:
ISBN:
Category : Cubism
Languages : en
Pages : 40
Get Book Here
Book Description
Author: Guillaume Apollinaire
Publisher: JHU Press
ISBN: 1421401568
Category : Poetry
Languages : en
Pages : 97
Get Book Here
Book Description
First Place, Large Not-for-Profit Publisher, Typographic Text, 2011 Washington Book Publishers Design and Effectiveness Awards Guillaume Apollinaire’s first book of poems has charmed readers with its brief celebrations of animals, birds, fish, insects, and the mythical poet Orpheus since it was first published in 1911. Though Apollinaire would go on to longer and more ambitious work, his Bestiary reveals key elements of his later poetry, among them surprising images, wit, formal mastery, and wry irony. X. J. Kennedy’s fresh translation follows Apollinaire in casting the poems into rhymed stanzas, suggesting music and sudden closures while remaining faithful to their sense. Kennedy provides the English alongside the original French, inviting readers to compare the two and appreciate the fidelity of the former to the latter. He includes a critical and historical essay that relates the Bestiary to its sources in medieval “creature books,” provides a brief biography and summation of the troubled circumstances surrounding the book’s initial publication, and places the poems in the context of Apollinaire’s work as a poet and as a champion of avant garde art. This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.
