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Author: Margarete Rubik
Publisher: LIT Verlag Münster
ISBN: 3643800967
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
"This collection of essays casts new light at Aphra Behn's poetry, drama, prose and literary criticism. The contributors analyse her creative response to the literary theories, genres and motifs of her age and point out remarkable analogies to the writings of her female successors, some of whom have not hitherto been viewed in relation to this Restoration pioneer of female authorship. Her influence on modern writers can still be felt in texts as diverse as Virginia Woolf's Orlando, Molly Brown's historical thriller set in Restoration England, and Joan Anim-Addo's adaptation of Oroonoko."--Publisher's description.
Author: Margarete Rubik
Publisher: LIT Verlag Münster
ISBN: 3643800967
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
"This collection of essays casts new light at Aphra Behn's poetry, drama, prose and literary criticism. The contributors analyse her creative response to the literary theories, genres and motifs of her age and point out remarkable analogies to the writings of her female successors, some of whom have not hitherto been viewed in relation to this Restoration pioneer of female authorship. Her influence on modern writers can still be felt in texts as diverse as Virginia Woolf's Orlando, Molly Brown's historical thriller set in Restoration England, and Joan Anim-Addo's adaptation of Oroonoko."--Publisher's description.
Author: Heidi Hutner
Publisher: University of Virginia Press
ISBN: 9780813914435
Category : Drama
Languages : en
Pages : 356
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Book Description
Aphra Behn was the first Englishwoman to earn her living from writing. This collection of critical essays explores the different genres in Behn's canon, including her plays, criticism, fiction and poetry, from a wide variety of feminist theoretical approaches.
Author: Jane Spencer
Publisher: Oxford University Press on Demand
ISBN: 9780198184942
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Aphra Behn is significant as an early example of a successful professional woman writer. This analysis of her influence on literature argues the need for a feminist revision of the writer who had literary sons as well as daughters.
Author: Katrin Berndt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110649896
Category : Literary Criticism
Languages : en
Pages : 593
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Book Description
The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.
Author: Andrew J. Power
Publisher: Routledge
ISBN: 0429859465
Category : Language Arts & Disciplines
Languages : en
Pages : 189
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Book Description
The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print authorship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversation with the critical history of the author up to and beyond the crisis of Barthes' 'Death of the Author'. As a multi-authored history of authorship itself, each subsequent chapter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, "the Water Poet" (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin).
Author: Pilar Cuder-Dominguez
Publisher: Cambria Press
ISBN: 1604978821
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This book examines the theories and practices of narrative and drama in England between 1650 and 1700, a period that, in bridging the Renaissance and the Enlightenment, has been comparatively neglected, and on which, at the time of writing, there is a dearth of new approaches. Critical consensus over these two genres has failed to account for its main features and evolution throughout the period in at least two ways. First, most approaches omit the manifold contradictions between the practice and the theory of a genre. Writers were generally aware of working within a tradition of representation which they nevertheless often challenged, even while the theory was being drafted (e.g., by John Dryden). The ideal and the real were in unacknowledged conflict. Second, critical readings of these late Stuart texts have fitted them proactively into a neat evolutionary pattern that reached eighteenth-century genres without detours or disjunctions, or else they have oversimplified the wealth of generic conventions deployed in the period, so that to the present-day reader, for instance, Restoration drama consists only of either city comedies or Dryden's tragedies. A cursory survey of the critical history of seventeenth-century drama and fiction confirms these views. Although the 1970s and 1980s brought about a crop of interesting reassessments of the field, fiction continues to be seen as a genre that emerged in the eighteenth century. Most critics still treat earlier manifestations as marginal or as prenovelistic experiments; and in most instances it is even possible to discern a sexist bias to justify this treatment, as these works were written by women, unlike much of the canonical fiction of the eighteenth century. A revision of the critical foundations hitherto held and a re-evaluation of the works of fiction written in the seventeenth century is therefore in order. This study adopts, as a basic and essential methodological tenet, the need to decenter the analysis of Restoration fiction and drama from the traditional canon, too limited and conservative and featuring works that are not always suitable as paradigmatic instances of the literary production of the period. These studies have thus been based on a larger than usual--if not on a full--corpus of works produced within the period, and have sought to ascertain the role played in the development of each of the genres under consideration by works, topics, or even by authors hitherto somewhat outside mainstream literary criticism. This opens the field of English literature further through the framing of new questions or revising of old ones, as well as to beginning a dialogue, yet again, as to the meanings of these literary works and also to their circulation from their inception up to the present time. In addition, the rare attention given to works by women makes this all the more an important book for collections in English literature of the period.
Author: Yael Shapira
Publisher: Springer
ISBN: 3319764845
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Inventing the Gothic Corpse shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira’s book tracks this change at it unfolds in eighteenth-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver. In tracing this long historical arc, Shapira illuminates a hidden side of the history of the novel: the dead body, she shows, helps the fledgling literary form confront its own controversial ability to entertain. Her close scrutiny of fictional corpses across the long eighteenth century reveals how the dead body functions as a test of the novel’s intentions, a chance for novelists to declare their allegiances in the battle between the didactic and the “merely” pleasurable.
Author: Michael L. Stapleton
Publisher: University of Delaware Press
ISBN: 9780874138498
Category : History
Languages : en
Pages : 256
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Book Description
Admired and Understood analyzes Behn's only pure verse collection, Poems upon Several Occasions (1684), and situates her in her literary milieu as a poet. Behn's book demonstrates her desire for acceptance in her literary culture, to be admired and understood, as she puts its, the antitheses of what many surmise from reading her other works - that she saw herself primarily as a guerilla critic of her culture's views on race, class, and gender. The introduction to Admired and Understood argues that her colleagues thought of her as poet first, rather than as a dramatist, reviews current criticism about Behn, and provides a brief overview of late seventeenth-century poetical theory. The first chapter explains the intricately interwoven structure of Behn's collection. The next two chapters concern intertextual linkages between Behn and Abraham Cowley, as well as the influence of Thomas Creech's translations of Horace, Theocritus, and Lucretius on her poetics. The ensuing chapters concern Behn's response to Rochester's libertine aesthetic, a close reading of On a Juniper-Tree (a poem central to her collection), Katherine Philips as Behn's most important predecessor as a woman writin
Author: Gerd Bayer
Publisher: Manchester University Press
ISBN: 1526100495
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
Novel horizons analyses how narrative prose fiction developed during the English Restoration. It argues that after 1660, generic changes within dramatic texts occasioned an intense debate within prologues and introductions. This discussion about the poetics of a genre was echoed in the paratextual material of prose fictions. In the absence of an official poetics that defined prose fiction, paratexts fulfilled this function and informed readers about the budding genre. This study traces the piecemeal development of these boundaries and describes the generic competence of readers through the analysis of paratexts and prose fictions. Novel horizons covers the surviving textual material widely, focusing on narrative prose fictions published between 1660 and 1710. In addition to tracing the paratextual poetics of Restoration fiction, this book also covers the state of the art of fiction-writing during the period, discussing character development, narrative point of view and questions of fictionality and realism.
Author:
Publisher: Hotei Publishing
ISBN: 9004292306
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
Through the great diversity of topics and methodologies the essays in this volume make a seminal contribution to an under-researched field at the intersection of literary and cultural criticism, comparative literature, and theatre as well as translation studies. The essays cover a wide range of texts from the eighteenth to the twenty-first century. From a broad variety of perspectives the exchange between drama and theatre of the Anglophone and the Germanophone worlds and their mutual influence are explored. While there is a focus on the successful or unsuccessful bridging of the cultural gaps, due consideration is given to the nexus between intercultural translation and mise en scène as well as the intricacies of intermedial reshaping. Always placing the analyses within the political and socio-historical contexts the essays make an innovative contribution to the aesthetics of Anglo-German theatrical exchange as well as to European cultural history.
