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Author: Philippe Garner
Publisher:
ISBN: 9783869300238
Category : Blowup
Languages : en
Pages : 0
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Book Description
Michelangelo Antonioni's 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the director's questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonioni's masterpiece. It reassembles and re-tells - through onset stills and the original blow-ups - the film's key narrative and pictorial strands in a focused visual investigation that is complemented by the authors' analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonioni's screenplay and art direction - on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film.
Author: Philippe Garner
Publisher:
ISBN: 9783869300238
Category : Blowup
Languages : en
Pages : 0
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Book Description
Michelangelo Antonioni's 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the director's questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonioni's masterpiece. It reassembles and re-tells - through onset stills and the original blow-ups - the film's key narrative and pictorial strands in a focused visual investigation that is complemented by the authors' analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonioni's screenplay and art direction - on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film.
Author: Michelangelo Antonioni
Publisher:
ISBN: 9783775737371
Category : Blowup
Languages : en
Pages : 0
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Book Description
Blow Up, the 1966 cult film, can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thought he has seen, Thomas, a fashion photographer, enlarges his pictures, pushing the envelope of the medium's boundaries. Michelangelo Antonioni's milestone in film history revolves around the issue of how much truth exists in perception, inquires into the ways that media reproductions can be manipulated.This publication examines Blow Up from a photographic perspective, investigating in detail the photographic and art-historical stances presented in the film as well as the genres is represents. The stylistic devices discussed range from social reportage, fashion photography, and Pop Art to abstract photography--and how, incidentally, Antonioni discovers soft focus as an artistic device. (German edition ISBN 978-3-7757-3736-4) Exhibition schedule: Albertina, Vienna April 30-August 24, 2014 - Fotomuseum Winterthur September 13-November 30, 2014 - C/O Berlin December 13, 2014-March 8, 2015
Author: Seymour Chatman
Publisher: Univ of California Press
ISBN: 0520907663
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the "opacity" of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including Il mistero di Obertwald (1980) and Identificazione di una donna (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic "language," is especially full. In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of L'avventura, L'eclisse, and Il deserto rosso, Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture—both important elements of Antonioni's work.
Author: Peter Brunette
Publisher: Cambridge University Press
ISBN: 9780521389921
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
An analysis of the life and work of the Italian director, Michelangelo Antonioni.
Author: David Hemmings
Publisher: Robson
ISBN: 9781861057891
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
In 1967 Antonioni's 'Blow Up' was received by stunned audiences across the world. It was one of the most beautiful and enigmatic pictures to capture the zeitgeist and by the end of '60s, David Hemmings who played the central role, was one of the biggest movie stars in the world. From ordinary beginnings, with a doting mother and a father bitterly determined to see his son succeed where he had failed, Hemmings was launched early into an extraordinary life at the age of 12, when he was picked by Benjamin Britten to sing in his new operatic version of 'The Turn of the Screw'. Becoming something of a muse to Britten, a normal life was impossible and, going on to stage school in London, David was soon appearing regularly on films and television. His relationship with his father though, had deteriorated beyond repair, and he was left to look after himself. Hemmings's career spanned 50 years, from a quintessentially charismatic icon of the swinging sixties, to a hugely influential television director and producer, of the 'A-Team', 'Quantum Leap' and 'Airwolf', among others.The book has a 16 page plate section of exclusive colour and black and white photos from the family album, as well as previously unseen pictures from friends. Anecdotes from the sets of films from 'Barbarella' and 'Blow Up' to 'Gladiator' and 'Gangs of New York', and insights into Hollywood and the lives of his numerous famous friends and acquaintances make this the essentail reference to one of Britain's most accomplished actors.
Author: Murray Pomerance
Publisher: Univ of California Press
ISBN: 0520948300
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Michelangelo Antonioni, who died in 2007, was one of cinema’s greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s—L’avventura, La Notte, L‘eclisse—are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni’s greatest works. Writing in an accessible style that evokes Antonioni’s expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the director’s subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni’s signature.
Author: Seymour Chatman
Publisher: Taschen
ISBN: 9783822830895
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
"Containing many illustrations from Michelangelo Antonioni's own archives, this text explores his life and career from his earliest documentaries to his latest collaborations"--Publisher's description.
Author: Bert Cardullo
Publisher: Univ. Press of Mississippi
ISBN: 9781934110669
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
Collected interviews with the Italian filmmaker who directed L'avventura, La notte, Blow Up, and Zabriskie Point
Author: Michelangelo Antonioni
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 462
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Book Description
Publisher description
Author: David Boyd
Publisher: University of Texas Press
ISBN: 029271338X
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.
