Antonio and Piero Pollaiuolo

Antonio and Piero Pollaiuolo PDF Author: Leopold David Ettlinger
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 206

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Book Description
This book contains a historical and stylistic appraisal of the work of Florentine Quattrocento artists Antionio and Piero Pollaiuolo.

Antonio and Piero Pollaiuolo

Antonio and Piero Pollaiuolo PDF Author: Leopold David Ettlinger
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 206

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Book Description
This book contains a historical and stylistic appraisal of the work of Florentine Quattrocento artists Antionio and Piero Pollaiuolo.

Antonio and Piero Del Pollaiuolo

Antonio and Piero Del Pollaiuolo PDF Author: Andrea Di Lorenzo
Publisher:
ISBN: 9788857224749
Category : Art
Languages : en
Pages : 0

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Book Description
"Focuses on the distinct personalities of the Pollaiuolo brothers, among the greatest figures of the fifteenth-century Florentine art scene. A thorough review of their works as well as of documents and scholarly literature provides the reader with a new, more carefully defined assessment of Antonio, who used a full range of techniques to express his boundless creativity, and of Piero, a painter of great elegance, who was highly sensitive to the art of the Low Countries"--Jacket.

“The” Development of the Italian Schools of Painting

“The” Development of the Italian Schools of Painting PDF Author: Raimond van Marle
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 668

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Book Description


Botticelli Past and Present

Botticelli Past and Present PDF Author: Ana Debenedetti
Publisher: UCL Press
ISBN: 1787354598
Category : Art
Languages : en
Pages : 334

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Book Description
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.

Practice and Theory in the Italian Renaissance Workshop

Practice and Theory in the Italian Renaissance Workshop PDF Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367

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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.

Leonardo Da Vinci Master Draftsman

Leonardo Da Vinci Master Draftsman PDF Author: Leonardo (da Vinci)
Publisher: Metropolitan Museum of Art
ISBN: 1588390330
Category : Drawing, Italian
Languages : en
Pages : 802

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Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.

Art and Violence in Early Renaissance Florence

Art and Violence in Early Renaissance Florence PDF Author: Scott Nethersole
Publisher: Yale University Press
ISBN: 0300233515
Category : Art
Languages : en
Pages : 320

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Book Description
This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.

Frame Work

Frame Work PDF Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354

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Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.

The Renaissance Portrait

The Renaissance Portrait PDF Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434

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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.