Antonio and Mellida and Antonios Revenge, 1602 (1922) PDF Download
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Author: Principal Lecturer School of Law John Marston
Publisher: Literary Licensing, LLC
ISBN: 9781498139168
Category :
Languages : en
Pages : 172
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Book Description
This Is A New Release Of The Original 1922 Edition.
Author: Principal Lecturer School of Law John Marston
Publisher: Literary Licensing, LLC
ISBN: 9781498139168
Category :
Languages : en
Pages : 172
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Book Description
This Is A New Release Of The Original 1922 Edition.
Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
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Book Description
Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Marston (b.1576)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719057038
Category : Drama
Languages : en
Pages : 196
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Book Description
This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.
Author: Kevin A. Quarmby
Publisher: Routledge
ISBN: 1317035569
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
Author: John Marston
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 764
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Book Description
Vols. 30-54 include 1932-56 of "Victorian bibliography," prepared by a committee of the Victorian Literature Group of the Modern Language Association of America.
Author: C. Loomis
Publisher: Springer
ISBN: 0230112137
Category : History
Languages : en
Pages : 238
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Book Description
The death of Queen Elizabeth I in 1603 was greeted by an outpouring of official proclamations, gossip-filled letters, tense diary entries, diplomatic dispatches, and somber sermons. English poets wrote hundreds of elegies to Elizabeth, and playwrights began bringing her onto the stage. This book uses these historical and literary sources, including a maid of honor's eyewitness account of the explosion of the Queen's corpse, to provide a detailed history of Elizabeth's final illness and death, and to show Elizabeth's subjects - peers and poets, bishops and beggars, women and men - responding to their loss by remembering and reconstructing their Queen.
