Antitrust in the Motion Picture Industry PDF Download
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Author: Michael Conant
Publisher: Univ of California Press
ISBN:
Category : Antitrust law
Languages : en
Pages : 264
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Book Description
Author: Michael Conant
Publisher: Univ of California Press
ISBN:
Category : Antitrust law
Languages : en
Pages : 264
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Book Description
Author: Michael Conant
Publisher: Legare Street Press
ISBN: 9781022882508
Category :
Languages : en
Pages : 0
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Book Description
An analysis of the antitrust implications of the Hollywood studio system, revealing the monopolistic practices that dominated the film industry in its early years. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Barak Orbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Since the 1970s, at any given movie theater, one price has been charged for all movies, seven days a week, throughout the year. This Article studies the economic and legal causes that led to the formation of this peculiar phenomenon of uniform pricing for differentiated goods. The Article studies the history of the motion picture industry's pricing systems in their legal, economic, and technological contexts. It shows that, despite intensive antitrust scrutiny and litigation, forces with considerable market power have almost always shaped the industry's pricing systems. Uniform pricing, it is argued, is a consequence of the industry's history, structure, and governing legal rules. In particular, the Article argues that the uniform pricing regime has been maintained by the same forces that have always controlled the market. The Article explores the justifications for the uniform pricing regime and concludes that the vertical restraints that perpetuate this regime are the industry's response to the broad 1948 Paramount prohibitions on vertical restraints. The enforcement of uniform pricing is generally less observable than the enforcement of other forms of vertical restraints and has never been challenged by the government or private parties. More generally, the Article illustrates how inefficient pricing systems may form, evolve, and survive in the shadow of antitrust law, even in a high-profile industry such as the motion picture industry.
Author: Peter D. Matthews
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Mark Allen Brubaker
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 330
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Book Description
Author: Barak Y. Orbach
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 45
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Book Description
Author: Ralph Cassady
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 32
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Book Description
Author: Jerrold Philip Bahn
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mary Gelsey Samuelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 433
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Book Description
This dissertation examines the role antitrust law played in the collaboration between the motion picture industry and the U.S. government during Franklin D. Roosevelt's presidency. It is largely an industrial analysis that incorporates legal, political, and social histories in its attempt to investigate the impact of antitrust law on the industry during the Great Depression and World War II. Antitrust law in the U.S. was relatively new when the first round of lawsuits were filed against the Hollywood studios in the 1910s, and it played a key role in the development of the business and economic structure of the industry. This study offers a basis for a more complete understanding of how antitrust shaped the motion picture industry by addressing three areas of historical specificity: first, government-industry relations during the Great Depression; second, antitrust law and its on the structure and behavior of the motion picture industry throughout the decade; and, finally, the reasons behind (1) the Department of Justice issuing a consent decree in the middle of the United States v. Paramount; (2) the subsequent creation of the Motion Picture Committee Cooperating for National Defense (later renamed the War Activities Committee-- Motion Picture Industry); and (3) Hollywood's substantial efforts to aid the government in its national defense work for the duration of the war. Ultimately, this dissertation argues that the motion picture industry's close relationship with the Roosevelt administration played a key role in its ability to stave off the commencement of government actions against them until the postwar period.
