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Author: Pierre d' Hancarville
Publisher:
ISBN:
Category : Art, Etruscan
Languages : fr
Pages : 268
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Book Description
- Scènes: mythologie.
Author: Pierre d' Hancarville
Publisher:
ISBN:
Category : Art, Etruscan
Languages : fr
Pages : 268
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Book Description
- Scènes: mythologie.
![Antiquités Etrusques, Grecques et Romaines, [from the collection of Sir William Hamilton] PDF](https://books.google.com/books/content/images/frontcover/NmMdBkKcyGgC?fife=w80-h100)
Author: François-Anne David
Publisher:
ISBN:
Category :
Languages : fr
Pages : 286
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Book Description
Analyse : Illustrations (eau-forte, couleur, 18e s.).
Author: Pierre François Hugues Hancarville (called d')
Publisher:
ISBN:
Category : Art, Etruscan
Languages : fr
Pages : 298
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Book Description
Author: Pierre d' Hancarville
Publisher:
ISBN:
Category : Art, Etruscan
Languages : fr
Pages : 272
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Book Description
Author: François Anne David
Publisher:
ISBN:
Category :
Languages : fr
Pages : 144
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Book Description
Author: François Anne David
Publisher:
ISBN:
Category : Art, Etruscan
Languages : fr
Pages : 300
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
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Book Description
Author:
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ISBN:
Category : Periodicals
Languages : en
Pages : 420
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Book Description
Author: M. L. Clarke
Publisher: Cambridge University Press
ISBN: 1107452635
Category : Education
Languages : en
Pages : 263
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Book Description
Originally published in 1945, this book contains a history of Ancient Greek scholarship in England from 1700 until 1830. Clarke examines the influence of Greek literature and design on English thinking and architecture, including Lord Byron's views on ancient and modern Greece and Lord Elgin's controversial acquisition of the Parthenon Marbles. This book will be of value to anyone with an interest in Classical reception and the history of Classical education.
Author: Daniel Orrells
Publisher: Bloomsbury Publishing
ISBN: 135040778X
Category : Literary Collections
Languages : en
Pages : 369
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Book Description
Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.
