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Author: Fiona Johnstone
Publisher: Bloomsbury Publishing
ISBN: 1350192767
Category : Art
Languages : en
Pages : 237
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Book Description
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Author: Fiona Johnstone
Publisher: Bloomsbury Publishing
ISBN: 1350192767
Category : Art
Languages : en
Pages : 237
Get Book Here
Book Description
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Author: Chris Knight
Publisher: Rocky Nook, Inc.
ISBN: 1681982161
Category : Photography
Languages : en
Pages : 351
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Book Description
Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision. In
The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:
• The qualities of light: hard, soft, and the spectrum in between
• The relationships between light, subject, and background, and how to control them
• Lighting patterns such as Paramount, Rembrandt, loop, and split
• Lighting ratios and how they affect contrast in your image
• Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels
• Multiple setups for portrait shoots, including those that utilize one, two, and three lights
• How color contributes to drama and mood, eliciting an emotional response from the viewer
• How to approach styling your portrait, from wardrobe to background
• The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and dodging and burning for heightened drama and effect
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• How all of these elements culminate to help you define your personal style and create your own narrative
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 812
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Book Description
Author: Amy Freund
Publisher: Penn State Press
ISBN: 0271066733
Category : Art
Languages : en
Pages : 312
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Book Description
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
Author: John Lehmann
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1288
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Book Description
Author:
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 58
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Book Description
Author: Agnes Lugo-Ortiz
Publisher: Cambridge University Press
ISBN: 1107354781
Category : History
Languages : en
Pages : 489
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Book Description
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Author: Center for Creative Photography (Series)
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 612
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Book Description
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 762
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Book Description
Author: Peter Sutherland
Publisher: powerHouse Books
ISBN:
Category : Graffiti
Languages : en
Pages : 120
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Book Description
Sutherland captures the gritty glory and glamour of this controversial art form in New York, presenting a unique portrait of the graf scene in the metropolis. He features the work of 53 artists, from the present and past generations.
