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Author: Susan M. Griffin
Publisher: Cambridge University Press
ISBN: 9780521833936
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Griffin analyses anti-Catholic fiction written between the 1830s and the turn of the century in both Britain and America.
Author: Susan M. Griffin
Publisher: Cambridge University Press
ISBN: 9780521833936
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Griffin analyses anti-Catholic fiction written between the 1830s and the turn of the century in both Britain and America.
Author: Elizabeth Fenton
Publisher: Oxford University Press
ISBN: 0199838399
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
In the late eighteenth and nineteenth centuries, Catholicism was often presented in the U.S. not only as a threat to Protestantism but also as an enemy of democracy. Focusing on literary and cultural representations of Catholics as a political force, Elizabeth Fenton argues that the U.S. perception of religious freedom grew partly, and paradoxically, out of a sometimes virulent but often genteel anti-Catholicism. Depictions of Catholicism's imagined intolerance and cruelty allowed writers time and again to depict their nation as tolerant and free. As Religious Liberties shows, anti-Catholic sentiment particularly shaped U.S. conceptions of pluralism and its relationship to issues as diverse as religious privacy, territorial expansion, female citizenship, political representation, chattel slavery, and governmental partisanship. Drawing on a wide range of materials--from the Federalist Papers to antebellum biographies of Toussaint Louverture; from nativist treatises to Margaret Fuller's journalism; from convent exposés to novels by Catharine Sedgwick, Augusta J. Evans, Nathanial Hawthorne, Harriet Beecher Stowe, Herman Melville, and Mark Twain--Fenton's study excavates the influence of anti-Catholic sentiment on both the liberal tradition and early U.S. culture more generally. In concert, these texts suggest how the prejudice against Catholicism facilitated an alignment of U.S. nationalism with Protestantism, thus ensuring the mutual dependence, rather than the putative "separation" of church and state.
Author: D. Peschier
Publisher: Palgrave Macmillan
ISBN: 9781349521821
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
By the middle of the nineteenth century much clearly gendered, anti-Catholic literature was produced for the Protestant middle classes. Nineteenth Century Anti-Catholic Discourses explores how this writing generated a series of popular Catholic images and looks towards the cultural, social and historical foundation of these representations. Diana Peschier places the novels of Charlotte Brontë within the framework of Victorian social ideologies, in particular the climate created by rise of anti-Catholicism and thus provides an alternative reading of her work.
Author: Ari Joskowicz
Publisher: Stanford University Press
ISBN: 0804788405
Category : History
Languages : en
Pages : 388
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Book Description
The most prominent story of nineteenth-century German and French Jewry has focused on Jewish adoption of liberal middle-class values. The Modernity of Others points to an equally powerful but largely unexplored aspect of modern Jewish history: the extent to which German and French Jews sought to become modern by criticizing the anti-modern positions of the Catholic Church. Drawing attention to the pervasiveness of anti-Catholic anticlericalism among Jewish thinkers and activists from the late eighteenth to the early twentieth century, the book turns the master narrative of Western and Central European Jewish history on its head. From the moment in which Jews began to enter the fray of modern European politics, they found that Catholicism served as a convenient foil that helped them define what it meant to be a good citizen, to practice a respectable religion, and to have a healthy family life. Throughout the long nineteenth century, myriad Jewish intellectuals, politicians, and activists employed anti-Catholic tropes wherever questions of political and national belonging were at stake: in theoretical treatises, parliamentary speeches, newspaper debates, the founding moments of the Reform movement, and campaigns against antisemitism.
Author: D. Peschier
Publisher: Springer
ISBN: 0230505023
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
By the middle of the nineteenth century much clearly gendered, anti-Catholic literature was produced for the Protestant middle classes. Nineteenth Century Anti-Catholic Discourses explores how this writing generated a series of popular Catholic images and looks towards the cultural, social and historical foundation of these representations. Diana Peschier places the novels of Charlotte Brontë within the framework of Victorian social ideologies, in particular the climate created by rise of anti-Catholicism and thus provides an alternative reading of her work.
Author: Eileen P. Sullivan
Publisher: University of Notre Dame Pess
ISBN: 0268093032
Category : History
Languages : en
Pages : 360
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Book Description
In The Shamrock and the Cross: Irish American Novelists Shape American Catholicism, Eileen P. Sullivan traces changes in nineteenth-century American Catholic culture through a study of Catholic popular literature. Analyzing more than thirty novels spanning the period from the 1830s to the 1870s, Sullivan elucidates the ways in which Irish immigration, which transformed the American Catholic population and its institutions, also changed what it meant to be a Catholic in America. In the 1830s and 1840s, most Catholic fiction was written by American-born converts from Protestant denominations; after 1850, most was written by Irish immigrants or their children, who created characters and plots that mirrored immigrants’ lives. The post-1850 novelists portrayed Catholics as a community of people bound together by shared ethnicity, ritual, and loyalty to their priests rather than by shared theological or moral beliefs. Their novels focused on poor and working-class characters; the reasons they left their homeland; how they fared in the American job market; and where they stood on issues such as slavery, abolition, and women’s rights. In developing their plots, these later novelists took positions on capitalism and on race and gender, providing the first alternative to the reigning domestic ideal of women. Far more conscious of American anti-Catholicism than the earlier Catholic novelists, they stressed the dangers of assimilation and the importance of separate institutions supporting a separate culture. Given the influence of the Irish in church institutions, the type of Catholicism they favored became the gold standard for all American Catholics, shaping their consciousness until well into the next century.
Author: Rebecca Theresa Reed
Publisher: Purdue University Press
ISBN: 9781557531346
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
Rebecca Reed and Maria Monk may not be well-known authors today, but these women were publishing sensations in nineteenth-century America. Their lurid tales of life in two North American convents, one in Charlestown, Massachusetts, and the other in Montreal, Canada, sold more than one-half million copies. Reed escaped from the Ursuline convent in Charlestown in 1832. Her dramatic renditions of Roman Catholic ritual practice helped spark a night of violence that resulted in the convent being burned to the ground by an angry mob. Reed's published narrative, Six Months in a Convent, appeared just as the trials of the rioters were ending in 1835, and became an instant literary success. Monk's supporters capitalized on the lucrative market in anti-Catholic literature, by bringing out the pseudo-pornographic Awful Disclosures of the Hotel Dieu Nunnery in 1836. Monk, who claimed her infant daughter had been fathered by a Catholic priest, was in fact a Montreal prostitute rather than a nun. She enjoyed the life of a literary star in New York before her hoax was uncovered. These two narratives are now available for the first time in a single paperback edition. Nancy Lusignan Schultz's introduction provides a fascinating glimpse into the history, development, and marketing of these phenomenal best-sellers. The convent tales by Reed and Monk are classics that must be read by those interested in American studies, popular culture, social and religious history, literature, and women's studies.
Author: Ryan K. Smith
Publisher: UNC Press Books
ISBN: 080787728X
Category : History
Languages : en
Pages : 239
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Book Description
Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these elements were viewed with suspicion as foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America. Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism. Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries.
Author: John D. Kerkering
Publisher: Cambridge University Press
ISBN: 1108841899
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
This volume addresses the political contexts in which nineteenth-century American literature was conceived, consumed, and criticized. It shows how a variety of literary genres and forms, such as poetry, drama, fiction, oratory, and nonfiction, engaged with political questions and participated in political debate.
Author: Cassandra L. Yacovazzi
Publisher: Oxford University Press
ISBN: 019088102X
Category : Religion
Languages : en
Pages : 349
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Book Description
Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.
