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Author: Elizabeth Edwards
Publisher:
ISBN: 9780300059441
Category : Photography
Languages : en
Pages : 275
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Book Description
Traces the use of photography in British anthropological expeditions, and discusses the photograph as document
Author: Elizabeth Edwards
Publisher:
ISBN: 9780300059441
Category : Photography
Languages : en
Pages : 275
Get Book Here
Book Description
Traces the use of photography in British anthropological expeditions, and discusses the photograph as document
Author: Elizabeth Edwards
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 275
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Book Description
Author: Elizabeth Edwards
Publisher: Duke University Press
ISBN: 0822351048
Category : Art
Languages : en
Pages : 346
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Book Description
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Author: Elizabeth Edwards
Publisher: Routledge
ISBN: 1000181294
Category : Social Science
Languages : en
Pages : 207
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Book Description
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. In this context, the book challenges any uniform view of anthropological photography and its resulting archives. Drawing on a variety of examples, largely from the Pacific, the book demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can 'spring leaks' to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public. This book convincingly demonstrates photographs' potential to articulate histories other than those of their immediate appearances, a potential that can no longer be neglected by scholars and institutions.
Author: Amos Morris-Reich
Publisher: University of Chicago Press
ISBN: 022632088X
Category : History
Languages : en
Pages : 295
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Book Description
Historian Amos Morris-Reich here tracks the trajectory of racial photography from 1876 through the Weimar and Nazi periods in Germany and, briefly, after WWII. With a particular focus on German and Jewish contexts, "Race and Photography "reveals the important role of racial photography within academic discourse on race. Photography was not simply a medium of illustration but rather it was a conduit for new forms of visual perception. Approaching the history of racial photography from an epistemic point of view raises questions concerning the similarity and specific difference of photography compared with other scientific media, and makes explicit the scientific and cultural assumptions in which different uses of photography were embedded. Paying particular attention to the effect of photography on concepts of visual perception and also to the intricate relationship between racial photography and the imagination, Morris-Reich examines numerous scientists and scholars, both prominent and obscure, who developed photographic methods for the study of race or made methodical use of photography for its study. His careful reconstruction of individual cases, conceptual genealogies, and emergent patterns points to transformations in the scientific status of photography throughout the late nineteenth and early twentieth centuries and uncovers the agency of photographic media in the history of scientific racism. This work makes a distinctive contribution to the fields of history of science, history of photography, intellectual history, European and Jewish history, and the history of race.
Author: Christopher Pinney
Publisher: Reaktion Books
ISBN: 1780230117
Category : Photography
Languages : en
Pages : 176
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Book Description
Photography and anthropology share strikingly parallel histories. Christopher Pinney's provocative and eminently readable account provides a polemical narrative of anthropologists' use of photography from the 1840s to the present. Walter Benjamin suggested that photography 'make[s] the difference between technology and magic visible as a thoroughly historical variable, ' and Pinney here explores photography as a divinatory practice. Though viewed as modern and rational, this quality of photography in fact propelled anthropologists towards the 'primitive' lives of those they studied. Early anthropology celebrated photography as a physical record, whose authority and permanence promised an escape from the lack of certainty in speech. For later anthropologists, this same quality became grounds to critique an imaging practice that failed to capture movement and process. But throughout these twists and turns, anthropology as a practice of 'being there' has found itself entwined in an intimate engagement with photography as metaphor for the collection of evidence. Photography and Anthropology reveals how anthropology provides the tools to re-imagine the power and magic of all photographic practices. It presents both a history of anthropology's seduction by photography and the anthropological theory of photography. This thoroughly researched book draws upon an intimate knowledge of the history of anthropology, photography and the world's major anthropological practitioners.
Author: Elizabeth Edwards
Publisher: Routledge
ISBN: 1317081102
Category : Social Science
Languages : en
Pages : 311
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Book Description
Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.
Author: Northcote Whitridge Thomas
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 408
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Book Description
Author: Mark Sealy
Publisher: Lawrence & Wishart
ISBN: 9781912064755
Category : Photography
Languages : en
Pages : 267
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Book Description
Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.
Author: Sharon Gmelch
Publisher: University of Pennsylvania Press
ISBN: 9781934536100
Category : History
Languages : en
Pages : 232
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Book Description
"Based on research in 13 North American archives (including the Penn Museum's Shotridge Collection), examination of hundreds of photographs, and extensive oral-history interviews with both Tlingit and non-Natives, Sharon Bohn Gmelch presents valuable insights on the reactions of Native subjects to being photographed and their own early use of photography. Today, these now historical images are being reclaimed from public archives by the Tlingit, contributing to a new sense of empowerment and pride in their rich heritage." "This is the first book to explore the photographic imagery of the Tlingit during a critical period of change, from the 1860s through the 1920s. It also provides the first full treatment of the Tlingit photography of Elbridge W. Merrill, a neglected figure in the history of ethnographic photography." "The author has included 129 rare photographic images, a map, bibliography, and index."--BOOK JACKET.
