Annual Report on Reforms and Progress in Korea PDF Download
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Author: Japan. Tōkanfu
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 276
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Book Description
Author: Japan. Tōkanfu
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 276
Get Book Here
Book Description
Author: Korea
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 258
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Book Description
Author:
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 268
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Book Description
Author: Korea
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 592
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Book Description
Author:
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 210
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Book Description
Author: Korea
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 266
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Book Description
Author: Korea
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 182
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Book Description
Author: Royal Asiatic Society--Korea Branch
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 652
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Book Description
List of members in v. 1-3, 6-50; constitution and by-laws in v. 1, 10.
Author: Alexis Dudden
Publisher: University of Hawaii Press
ISBN: 082483139X
Category : History
Languages : en
Pages : 234
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Book Description
From its creation in the early twentieth century, policymakers used the discourse of international law to legitimate Japan’s empire. Although the Japanese state aggrandizers’ reliance on this discourse did not create the imperial nation Japan would become, their fluent use of its terms inscribed Japan’s claims as legal practice within Japan and abroad. Focusing on Japan’s annexation of Korea in 1910, Alexis Dudden gives long-needed attention to the intellectual history of the empire and brings to light presumptions of the twentieth century’s so-called international system by describing its most powerful—and most often overlooked—member’s engagement with that system. Early chapters describe the global atmosphere that declared Japan the legal ruler of Korea and frame the significance of the discourse of early twentieth-century international law and how its terms became Japanese. Dudden then brings together these discussions in her analysis of how Meiji leaders embedded this discourse into legal precedent for Japan, particularly in its relations with Korea. Remaining chapters explore the limits of these ‘universal’ ideas and consider how the international arena measured Japan’s use of its terms. Dudden squares her examination of the legality of Japan’s imperialist designs by discussing the place of colonial policy studies in Japan at the time, demonstrating how this new discipline further created a common sense that Japan’s empire accorded to knowledgeable practice. This landmark study greatly enhances our understanding of the intellectual underpinnings of Japan’s imperial aspirations. In this carefully researched and cogently argued work, Dudden makes clear that, even before Japan annexed Korea, it had embarked on a legal and often legislating mission to make its colonization legitimate in the eyes of the world.
Author: Brian Yecies
Publisher: Routledge
ISBN: 113667473X
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.
