Annibale Carracci, the Farnese Gallery, Rome

Annibale Carracci, the Farnese Gallery, Rome PDF Author: Charles Dempsey
Publisher: George Braziller
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 112

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Book Description
The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

Annibale Carracci, the Farnese Gallery, Rome

Annibale Carracci, the Farnese Gallery, Rome PDF Author: Charles Dempsey
Publisher: George Braziller
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 112

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Book Description
The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

The Drawings of Annibale Carracci

The Drawings of Annibale Carracci PDF Author: Daniele Benati
Publisher: Lund Humphries Publishers
ISBN: 9780853317647
Category : Art
Languages : en
Pages : 304

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Book Description
Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature as his principal inspiration. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. The fruit of this intensive study is abundantly evident in his magnificent drawings of the human figure - from his early works in Bologna to those made in preparation for his greatest commission, the decoration of the Farnese Gallery in Rome. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.

The Invention of Annibale Carracci

The Invention of Annibale Carracci PDF Author: Clare Robertson
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 430

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Book Description
Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali

Ekphrastic Image-making in Early Modern Europe, 1500–1700

Ekphrastic Image-making in Early Modern Europe, 1500–1700 PDF Author: Arthur J. DiFuria
Publisher: BRILL
ISBN: 9004462066
Category : Art
Languages : en
Pages : 884

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Book Description
This volume examines how and why many early modern pictures operate in an ekphrastic mode.

Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects

Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects PDF Author: Giovanni Pietro Bellori
Publisher: Cambridge University Press
ISBN: 9780521781879
Category : Art
Languages : en
Pages : 532

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Book Description
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.

Seventeenth-century Art & Architecture

Seventeenth-century Art & Architecture PDF Author: Ann Sutherland Harris
Publisher: Laurence King Publishing
ISBN: 9781856694155
Category : Architecture
Languages : en
Pages : 452

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Book Description
Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.

Making a Prince's Museum

Making a Prince's Museum PDF Author: Carole Paul
Publisher: Getty Publications
ISBN: 9780892365395
Category : Architecture
Languages : en
Pages : 184

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Book Description
In 1775 Prince Marcantonio Borghese IV and the architect Antonio Asprucci embarked upon a decorative renovation of the Villa Borghese. Initially their attention focused on the Casino, the principal building at the villa, which had always been a semi-public museum. By 1625 it housed much of the Borghese's outstanding collection of sculpture. Integrating this statuary with vast baroque ceiling paintings and richly ornamented surfaces, Asprucci created a dazzling and unified homage to the Borghese family, portraying its legendary ancestors as well as its newly born heir. In this book, Carole Paul reads the inventive decorative program as a set of exemplary scenes for the education of the ideal Borghese prince. Her wide-ranging essay also situates the Villa Borghese among the sumptuous palaces and suburban villas of Rome's collectors of antiquities and outlines the renovated Casino's pivotal role in the historic transition from the princely collection to the public museum. Rounding out this volume is a catalog of the Getty Research Institute's fifty-nine drawings for the refurbishing of the Villa Borghese and Alberta Campitelli's discussion of sketches for the short-lived Museo di Gabii, the Villa's other antiquities museum.

Gray Collection

Gray Collection PDF Author: Art Institute of Chicago
Publisher:
ISBN: 9780300166262
Category : Art
Languages : en
Pages : 0

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Book Description
Published in conjunction with an exhibition organized by and presented at The Art Institute of Chicago, Sept. 25, 2010-Jan. 2, 2011.

Titian Remade

Titian Remade PDF Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 089236873X
Category : Imitation in art
Languages : en
Pages : 218

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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

Baroque

Baroque PDF Author: Peter J. Burgard
Publisher: Wilhelm Fink Verlag
ISBN: 9783846764008
Category : Art
Languages : en
Pages : 385

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Book Description
"What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative ? expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is."--Page 4 of cover.