Author: Louise Meintjes
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Sound of Africa!
Author: Louise Meintjes
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Publisher: Duke University Press
ISBN: 9780822330141
Category : Business & Economics
Languages : en
Pages : 364
Book Description
DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div
Sounding the Cape
Author: Denis Martin
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471
Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471
Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Soweto Blues
Author: Gwen Ansell
Publisher: A&C Black
ISBN: 9780826417534
Category : Music
Languages : en
Pages : 364
Book Description
Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.
Publisher: A&C Black
ISBN: 9780826417534
Category : Music
Languages : en
Pages : 364
Book Description
Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.
Musical Echoes
Author: Carol Ann Muller
Publisher: Duke University Press Books
ISBN: 9780822348917
Category : Music
Languages : en
Pages : 0
Book Description
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.
Publisher: Duke University Press Books
ISBN: 9780822348917
Category : Music
Languages : en
Pages : 0
Book Description
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.
Kwaito's Promise
Author: Gavin Steingo
Publisher: University of Chicago Press
ISBN: 022636268X
Category : Music
Languages : en
Pages : 328
Book Description
In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country’s urban black youth developed kwaito—a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today—who face high unemployment, extreme inequality, and widespread crime—Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa’s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren’t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that “music is always political,” Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.
Publisher: University of Chicago Press
ISBN: 022636268X
Category : Music
Languages : en
Pages : 328
Book Description
In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country’s urban black youth developed kwaito—a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today—who face high unemployment, extreme inequality, and widespread crime—Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa’s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren’t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that “music is always political,” Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.
The World of South African Music
Author: Christine Lucia
Publisher: Cambridge Scholars Publishing
ISBN: 1443807796
Category : Music
Languages : en
Pages : 383
Book Description
The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.
Publisher: Cambridge Scholars Publishing
ISBN: 1443807796
Category : Music
Languages : en
Pages : 383
Book Description
The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.
In Township Tonight!
Author: David Bellin Coplan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 496
Book Description
David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era. In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gumboot dances of mineworkers, and touring minstrelsy and vaudeville acts.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 496
Book Description
David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era. In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gumboot dances of mineworkers, and touring minstrelsy and vaudeville acts.
Unsung
Author: Chatradari Devroop
Publisher: AFRICAN SUN MeDIA
ISBN: 1920109668
Category : Biography & Autobiography
Languages : en
Pages : 139
Book Description
In recent years, several texts have been published on South African jazz by various authors, but attention has been focused largely on the musicians who went into exile. Unsung is a book on jazz in our country, but from the performer?s perspective. The musicians featured are the musicians who stayed. These men have had rich, enriching lives, and the best way to explore their story would be to give them the opportunity to tell it themselves.
Publisher: AFRICAN SUN MeDIA
ISBN: 1920109668
Category : Biography & Autobiography
Languages : en
Pages : 139
Book Description
In recent years, several texts have been published on South African jazz by various authors, but attention has been focused largely on the musicians who went into exile. Unsung is a book on jazz in our country, but from the performer?s perspective. The musicians featured are the musicians who stayed. These men have had rich, enriching lives, and the best way to explore their story would be to give them the opportunity to tell it themselves.
Lothagam
Author: Meave G. Leakey
Publisher: Columbia University Press
ISBN: 0231507607
Category : Science
Languages : en
Pages : 689
Book Description
Located at the southwest corner of Lake Turkana in northern Kenya, Lothagam represents one of the most important intervals in African prehistory. Early human remains are restricted in distribution to Africa and the acquisition of an upright bipedal striding gait, the hallmark of humanity, appears to be at least circumstantially linked to the reduction of equatorial forests and the spread of grasslands on that continent. The diverse Lothagam fauna documents the end-Miocene transition from forested to more open habitats that were exploited by grazing horses and antelopes, hippos, giant pigs, and true elephants. It also includes spectacularly complete fossil carnivore skeletons and some of the oldest human remains. Enlisting a team of highly qualified specialists, this book provides the geologic context and dating framework for the Lothagam fossiliferous sequences, describes the immense diversity of vertebrate fossils recovered from the Late Miocene and Early Pliocene sediments, and synthesizes the results to interpret the changing paleoenvironments that prevailed at this site. The book will interest anthropologists, paleontologists, geologists, and anyone interested in human origins.
Publisher: Columbia University Press
ISBN: 0231507607
Category : Science
Languages : en
Pages : 689
Book Description
Located at the southwest corner of Lake Turkana in northern Kenya, Lothagam represents one of the most important intervals in African prehistory. Early human remains are restricted in distribution to Africa and the acquisition of an upright bipedal striding gait, the hallmark of humanity, appears to be at least circumstantially linked to the reduction of equatorial forests and the spread of grasslands on that continent. The diverse Lothagam fauna documents the end-Miocene transition from forested to more open habitats that were exploited by grazing horses and antelopes, hippos, giant pigs, and true elephants. It also includes spectacularly complete fossil carnivore skeletons and some of the oldest human remains. Enlisting a team of highly qualified specialists, this book provides the geologic context and dating framework for the Lothagam fossiliferous sequences, describes the immense diversity of vertebrate fossils recovered from the Late Miocene and Early Pliocene sediments, and synthesizes the results to interpret the changing paleoenvironments that prevailed at this site. The book will interest anthropologists, paleontologists, geologists, and anyone interested in human origins.
Intercultural Music: The composer's approach to creativity ; Contemporary perspectives on historical attitudes ; Confronting interculturalism in music education ; Music within the context of government policy, political conflicts and resolution ; Theoretical concepts, social function, rhythmic norms and contextual practice
Author: Cynthia Tse Kimberlin
Publisher: Bayreuth African Studies
ISBN:
Category : Ethnomusicology
Languages : en
Pages : 286
Book Description
Publisher: Bayreuth African Studies
ISBN:
Category : Ethnomusicology
Languages : en
Pages : 286
Book Description