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Author: Jayne Pilling
Publisher: Columbia University Press
ISBN: 0231161999
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
As critical interest has grown in the unique ways in which art animation explores and depicts subjective experience - particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary - this volume offers detailed analysis of both the process and practice of key contemporary filmmakers, while also raising more general issues around the specificities of animation. Combining critical essays with interview material, visual mapping of the creative process, consideration of the neglected issue of how the use of sound differs from that of conventional live-action, and filmmakers' critiques of each others' work, this unique collection aims to both provoke and illuminate via an insightful multi-faceted approach.
Author: Jayne Pilling
Publisher: Columbia University Press
ISBN: 0231161999
Category : Literary Criticism
Languages : en
Pages : 234
Get Book Here
Book Description
As critical interest has grown in the unique ways in which art animation explores and depicts subjective experience - particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary - this volume offers detailed analysis of both the process and practice of key contemporary filmmakers, while also raising more general issues around the specificities of animation. Combining critical essays with interview material, visual mapping of the creative process, consideration of the neglected issue of how the use of sound differs from that of conventional live-action, and filmmakers' critiques of each others' work, this unique collection aims to both provoke and illuminate via an insightful multi-faceted approach.
Author: Maarten van Gageldonk
Publisher: Springer Nature
ISBN: 3030348881
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Deep Bora
Publisher: CreateSpace
ISBN: 9781469904771
Category : Fiction
Languages : en
Pages : 160
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Book Description
"In due course of time—perhaps a few million years hence—no further evidence of the star which once shone so brightly, will exist ….. While millions, nay billions of other such stars shall continue to shine; in countless and unending galaxies and solar systems of the universe!However, this particular 'series of explosions' further created countless more billions of nuclear explosions; combined with greater devastating proton explosions -- within that star. It measured many times larger than our own sun existing inside our solar system. These explosions continue till today and are not rare to find. Such celestial events occur all of a sudden and leave no trace of their origin or presence in unmapped star walks of our universe. These explosions are also termed as highly resonating super magnetic fields. .....Therefore people, this particular natural explosion of the now extinct star named 'double star hexagon', actually created an "Dimensional Effect." Now, unseen, unheard and bypassing registered, chartered and mapped star walks—even undetected by computer assisted radio-light telescopic radars—such high resonating super magnetic fields occur in almost all known galaxies. Here, I state 'occur' because there exists no other justifiable terminology for expressing this sequence of solar events. My predecessors in the thirtieth century of earth time had brought in irrational theories then! However, earth records provide direct access to their theorized papers. Audiovisual computerized data have proved very effective every now and then. …..You see, I am certain that a collapsing supernova--or a dying star whose inner core collapses totally in due course of elongated time limits-- creates certain unknown electronically induced magnetic fields. It is a star fading away to nothingness in the galaxies of our universe. Some visuals amongst extinct stars are deciphered and photographed by –now obsolete x ray machines. Our modern proton-backed batteries are capable of restructuring the entire series of events, as they must have occurred. In modern technology, we term allied occurrences and happenings as the supernova experience. Of course, you need highly developed computers to recapture such stellar scenes! Applying conventional hi tech methods however, render us incapable in mapping such progress in stellar limits…… Travel with interplanetary voyagers while they explain suspended animation methods applied for hyper deep space voyages. Probe deeper and enrich your i.q. learning about time continuum matters and another dimensional world in an different dimensional universe! A science fiction novella. Book Two. Beyond Time
Author: William McGuire
Publisher: Routledge
ISBN: 113467774X
Category : Psychology
Languages : en
Pages : 195
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Book Description
Based on the Tavistock Lectures of 1930, one of Jung's most accessible introductions to his work.
Author: Seán J. Harrington
Publisher: Indiana University Press
ISBN: 0861969081
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a historical backdrop of studio history, audience reception, and the industrial-organizational apparatus of Disney media, Seán Harrington examines the Disney classics through a psychoanalytical framework to explore the spirit of devotion, fandom, and frenzy that is instilled in consumers of Disney products and that underlie the fantasy of the Magic Kingdom. This compelling study demystifies the unsettling cleanliness and pretensions to innocence that the Disney brand claims to hold.
Author: Dan Bashara
Publisher: Univ of California Press
ISBN: 0520421094
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
In Cartoon Vision Dan Bashara examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of America (UPA), a studio whose graphic, abstract style defined the postwar period, Bashara considers animation akin to a laboratory, exploring new models of vision and space alongside theorists and practitioners in other fields. The links—theoretical, historical, and aesthetic—between animators, architects, designers, artists, and filmmakers reveal a specific midcentury modernism that rigorously reimagined the senses. Cartoon Vision invokes the American Bauhaus legacy of László Moholy-Nagy and György Kepes and advocates for animation’s pivotal role in a utopian design project of retraining the public’s vision to better apprehend a rapidly changing modern world.
Author: Suzanne Buchan
Publisher: Indiana University Press
ISBN: 0861969278
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.
Author: Debbie Olson
Publisher: Routledge
ISBN: 1000541835
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
This volume explores how television has been a significant conduit for the public consumption of changing ideas about children, childhood, and national identity, via a critical examination of programs that prominently feature children and youth in international television. The chapters connect relevant cultural attitudes within their respective countries to an analysis of children and/or childhood in international children’s programming. The collection addresses how international children’s programming in global and local context informs changing ideas about children and childhood, including notions of individual and citizen identity formation. Offering new insights into childhood and television studies, this book will be of great interest to graduate students, scholars, and professionals in television studies, childhood studies, media studies, cultural studies, popular culture studies, and American studies.
Author: Christopher Holliday
Publisher: Routledge
ISBN: 1351681419
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).
Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 0822376814
Category : Performing Arts
Languages : en
Pages : 396
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Book Description
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
