Author: Angelus Politianus
Publisher: BRILL
ISBN: 9004185909
Category : History
Languages : en
Pages : 288
Book Description
This book presents the first English translation of an important Renaissance Latin text: Angelo Poliziano s Lamia, an opening oration to a 1492 course at the University of Florence that amounts to a rethinking of the mission and nature of philosophy. An edition of the Latin text is also offered, as are four contextualizing studies.
Angelo Poliziano's Lamia
Author: Angelus Politianus
Publisher: BRILL
ISBN: 9004185909
Category : History
Languages : en
Pages : 288
Book Description
This book presents the first English translation of an important Renaissance Latin text: Angelo Poliziano s Lamia, an opening oration to a 1492 course at the University of Florence that amounts to a rethinking of the mission and nature of philosophy. An edition of the Latin text is also offered, as are four contextualizing studies.
Publisher: BRILL
ISBN: 9004185909
Category : History
Languages : en
Pages : 288
Book Description
This book presents the first English translation of an important Renaissance Latin text: Angelo Poliziano s Lamia, an opening oration to a 1492 course at the University of Florence that amounts to a rethinking of the mission and nature of philosophy. An edition of the Latin text is also offered, as are four contextualizing studies.
The Intellectual World of the Italian Renaissance
Author: Christopher S. Celenza
Publisher: Cambridge University Press
ISBN: 1107003628
Category : History
Languages : en
Pages : 455
Book Description
This book offers a new view of Italian Renaissance intellectual life, linking philosophy and literature as expressed in both Latin and Italian.
Publisher: Cambridge University Press
ISBN: 1107003628
Category : History
Languages : en
Pages : 455
Book Description
This book offers a new view of Italian Renaissance intellectual life, linking philosophy and literature as expressed in both Latin and Italian.
Medievalia et Humanistica, No. 43
Author: Reinhold F. Glei
Publisher: Rowman & Littlefield
ISBN: 1538100452
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 43 showcases the interdisciplinary nature of the series with articles on death in Middle High German maeren (verse narratives), narrative technique (‘involved narrating’) in a fifth-century cento on a biblical theme (Eudocia’s Homeric centos), philological methods and argumentative strategies in Poliziano’s Miscellanea (a case study of the chapter ‘Elephanti’), and the treatment of time (based on Paul Ricoeur’s techniques) in Jan Długosz’s fifteenth-century historical and hagiographical works. Volume 43 also includes seven review notices that illustrate the journal’s interdisciplinary scope.
Publisher: Rowman & Littlefield
ISBN: 1538100452
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 43 showcases the interdisciplinary nature of the series with articles on death in Middle High German maeren (verse narratives), narrative technique (‘involved narrating’) in a fifth-century cento on a biblical theme (Eudocia’s Homeric centos), philological methods and argumentative strategies in Poliziano’s Miscellanea (a case study of the chapter ‘Elephanti’), and the treatment of time (based on Paul Ricoeur’s techniques) in Jan Długosz’s fifteenth-century historical and hagiographical works. Volume 43 also includes seven review notices that illustrate the journal’s interdisciplinary scope.
Angelo Poliziano, Lamia Praelectio in priora Aristotelis Analytica
Author: Angelo Poliziano
Publisher: BRILL
ISBN: 9004474439
Category : History
Languages : en
Pages : 162
Book Description
Publisher: BRILL
ISBN: 9004474439
Category : History
Languages : en
Pages : 162
Book Description
A Philosopher at the Crossroads
Author: Amos Edelheit
Publisher: BRILL
ISBN: 9004509461
Category : Philosophy
Languages : en
Pages : 578
Book Description
This book offers a fresh account of one of the remarkable figures in the Renaissance, Giovanni Pico della Mirandola (1463-1494), by focusing on a neglected aspect of his work; his reading of scholasticism and its reception in the fifteenth century.
Publisher: BRILL
ISBN: 9004509461
Category : Philosophy
Languages : en
Pages : 578
Book Description
This book offers a fresh account of one of the remarkable figures in the Renaissance, Giovanni Pico della Mirandola (1463-1494), by focusing on a neglected aspect of his work; his reading of scholasticism and its reception in the fifteenth century.
The Italian Renaissance and the Origin of the Humanities
Author: Christopher S. Celenza
Publisher: Cambridge University Press
ISBN: 1108833403
Category : History
Languages : en
Pages : 341
Book Description
Connecting to issues in the humanities today, this book shows how the Italian Renaissance influenced and changed Early Modern Europe.
Publisher: Cambridge University Press
ISBN: 1108833403
Category : History
Languages : en
Pages : 341
Book Description
Connecting to issues in the humanities today, this book shows how the Italian Renaissance influenced and changed Early Modern Europe.
A Sudden Frenzy
Author: James K. Coleman
Publisher: University of Toronto Press
ISBN: 1487563469
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry, which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. Coleman shows how the confluence of humanist culture and the art of oral poetry resulted in an extraordinary turn toward improvisation and spontaneity that profoundly influenced poetry, music, and politics. By examining the culture of improvisation, this book reveals the ways in which Renaissance thinkers transcended cultural dichotomies, both in theory and in practice. Drawing on a wide range of sources, including letters, poetry, visual art, and philosophical texts, A Sudden Frenzy reveals the far-reaching and sometimes surprising ways that these phenomena shaped cultural developments in the Italian Renaissance and beyond.
Publisher: University of Toronto Press
ISBN: 1487563469
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry, which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. Coleman shows how the confluence of humanist culture and the art of oral poetry resulted in an extraordinary turn toward improvisation and spontaneity that profoundly influenced poetry, music, and politics. By examining the culture of improvisation, this book reveals the ways in which Renaissance thinkers transcended cultural dichotomies, both in theory and in practice. Drawing on a wide range of sources, including letters, poetry, visual art, and philosophical texts, A Sudden Frenzy reveals the far-reaching and sometimes surprising ways that these phenomena shaped cultural developments in the Italian Renaissance and beyond.
The Places of Early Modern Criticism
Author: Gavin Alexander
Publisher: Oxford University Press
ISBN: 0192571745
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Publisher: Oxford University Press
ISBN: 0192571745
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Making Mathematical Culture
Author: Richard J. Oosterhoff
Publisher: Oxford University Press
ISBN: 0192556568
Category : History
Languages : en
Pages : 469
Book Description
In 1503, for the first time, a student in Paris was able to spend his entire university career studying only the printed textbooks of his teacher, thanks to the works of the humanist and university reformer Jacques Lefèvre d'Étaples (c. 1455-1536). As printed books became central to the intellectual habits of following generations, Lefèvre turned especially to mathematics as a way to renovate the medieval university. Making Mathematical Culture argues this was a pivatol moment in the cultural history of Europe and explores how the rise of the printed book contributed to the growing profile of mathematics in the region. Using student manuscripts and annotated books, Making Mathematical Culture offers a new account of printed textbooks, as jointly made by masters and students, and how such collaborative practices informed approaches to mathematics.
Publisher: Oxford University Press
ISBN: 0192556568
Category : History
Languages : en
Pages : 469
Book Description
In 1503, for the first time, a student in Paris was able to spend his entire university career studying only the printed textbooks of his teacher, thanks to the works of the humanist and university reformer Jacques Lefèvre d'Étaples (c. 1455-1536). As printed books became central to the intellectual habits of following generations, Lefèvre turned especially to mathematics as a way to renovate the medieval university. Making Mathematical Culture argues this was a pivatol moment in the cultural history of Europe and explores how the rise of the printed book contributed to the growing profile of mathematics in the region. Using student manuscripts and annotated books, Making Mathematical Culture offers a new account of printed textbooks, as jointly made by masters and students, and how such collaborative practices informed approaches to mathematics.
Confabulations : Storytelling in Architecture
Author: Paul Emmons
Publisher: Taylor & Francis
ISBN: 1317162285
Category : Architecture
Languages : en
Pages : 302
Book Description
Confabulation is a drawing together through storytelling. Fundamental to our perception, memory, and thought is the way we join fractured experiences to construct a narrative. Confabulations: Storytelling in Architecture weaves together poetic ideas, objects, and events and returns you to everyday experiences of life through juxtapositions with dreams, fantasies, and hypotheticals. It follows the intellectual and creative framework of architectural cosmopoesis developed and practiced by the distinguished thinker, architect, and professor Dr. Marco Frascari, who thought deeply about the role of storytelling in architecture. Bringing together a collection of 24 essays from a diverse and respected group of scholars, this book presents the convergence of architecture and storytelling across a broad temporal, geographic, and cultural range. Beginning with an introduction framing the topic, the book is organized along a continuous thread structured around four key areas: architecture of stories, stories of architecture, stories of theory and practice of stories. Beautifully illustrated throughout and including a 64-page full colour section, Confabulations is an insightful investigation into architectural narratives.
Publisher: Taylor & Francis
ISBN: 1317162285
Category : Architecture
Languages : en
Pages : 302
Book Description
Confabulation is a drawing together through storytelling. Fundamental to our perception, memory, and thought is the way we join fractured experiences to construct a narrative. Confabulations: Storytelling in Architecture weaves together poetic ideas, objects, and events and returns you to everyday experiences of life through juxtapositions with dreams, fantasies, and hypotheticals. It follows the intellectual and creative framework of architectural cosmopoesis developed and practiced by the distinguished thinker, architect, and professor Dr. Marco Frascari, who thought deeply about the role of storytelling in architecture. Bringing together a collection of 24 essays from a diverse and respected group of scholars, this book presents the convergence of architecture and storytelling across a broad temporal, geographic, and cultural range. Beginning with an introduction framing the topic, the book is organized along a continuous thread structured around four key areas: architecture of stories, stories of architecture, stories of theory and practice of stories. Beautifully illustrated throughout and including a 64-page full colour section, Confabulations is an insightful investigation into architectural narratives.