Author: Chris Mansell
Publisher:
ISBN: 9781904263562
Category : Art, Prehistoric
Languages : en
Pages : 56
Book Description
Artist and petroglyph hunter Chris Mansell discusses the possible purpose and meaning of these archaeic and enigmatic markings, using his own drawings and old lithographs.
Ancient British Rock Art
Author: Chris Mansell
Publisher:
ISBN: 9781904263562
Category : Art, Prehistoric
Languages : en
Pages : 56
Book Description
Artist and petroglyph hunter Chris Mansell discusses the possible purpose and meaning of these archaeic and enigmatic markings, using his own drawings and old lithographs.
Publisher:
ISBN: 9781904263562
Category : Art, Prehistoric
Languages : en
Pages : 56
Book Description
Artist and petroglyph hunter Chris Mansell discusses the possible purpose and meaning of these archaeic and enigmatic markings, using his own drawings and old lithographs.
Rock Art and the Prehistory of Atlantic Europe
Author: Mr Richard Bradley
Publisher: Routledge
ISBN: 1134708920
Category : Social Science
Languages : en
Pages : 300
Book Description
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Publisher: Routledge
ISBN: 1134708920
Category : Social Science
Languages : en
Pages : 300
Book Description
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Design and Connectivity
Author: Joana Valdez-Tullett
Publisher: BAR International Series
ISBN:
Category : Art
Languages : en
Pages : 292
Book Description
Archaeology of Prehistoric Art, Volume 1 Atlantic Rock Art is a rock art tradition which includes emblematic motifs such as cup-marks, cup-and-rings and lines, known to several countries on the Atlantic seaboard. Design and Connectivity springs from an inter-regional study of this tradition, based on an original and innovative methodology applied to an empirical dataset. The project builds on Richard Bradley's work, investigating differences and similarities in Atlantic Art over study areas in five countries: Scotland, England, Ireland, Spain and Portugal. It applies a multi-scalar methodology developed under the principles of Relational Ontology and Assemblage Theory, providing a dynamic perspective on the empirical data. A thorough categorical scheme was scrutinised using a Presence/Absence Matrix, spatial analysis (fieldwork and GIS) and the development of Social Network Analysis (SNA) to relate and explore the relationships and connectivity between study areas. Concepts of developmental psychology support the idea of intentional teaching and cultural transmission.
Publisher: BAR International Series
ISBN:
Category : Art
Languages : en
Pages : 292
Book Description
Archaeology of Prehistoric Art, Volume 1 Atlantic Rock Art is a rock art tradition which includes emblematic motifs such as cup-marks, cup-and-rings and lines, known to several countries on the Atlantic seaboard. Design and Connectivity springs from an inter-regional study of this tradition, based on an original and innovative methodology applied to an empirical dataset. The project builds on Richard Bradley's work, investigating differences and similarities in Atlantic Art over study areas in five countries: Scotland, England, Ireland, Spain and Portugal. It applies a multi-scalar methodology developed under the principles of Relational Ontology and Assemblage Theory, providing a dynamic perspective on the empirical data. A thorough categorical scheme was scrutinised using a Presence/Absence Matrix, spatial analysis (fieldwork and GIS) and the development of Social Network Analysis (SNA) to relate and explore the relationships and connectivity between study areas. Concepts of developmental psychology support the idea of intentional teaching and cultural transmission.
British Prehistoric Rock Art
Author: Stan Beckensall
Publisher: Tempus Pub Limited
ISBN: 9780752425146
Category : Social Science
Languages : en
Pages : 160
Book Description
Stan Beckensall's enthusiasm for rock art makes him the ideal author for this guide to the abstract motifs and symbols spread across the landscape. Here he focuses on detailed regional surveys carried out in Northumberland, Yorkshire, southwest England and Wales, Galloway, Argyll, Tayside, the Highlands and Grampians, and on rock art associated with standing stones, stone circles, burial monuments and rock shelters. The history of recording and studying the art is discussed, and a good collation of examples and descriptions are given that will form a useful companion to the more speculative discussion of the interpretation of the motifs put forward by others.
Publisher: Tempus Pub Limited
ISBN: 9780752425146
Category : Social Science
Languages : en
Pages : 160
Book Description
Stan Beckensall's enthusiasm for rock art makes him the ideal author for this guide to the abstract motifs and symbols spread across the landscape. Here he focuses on detailed regional surveys carried out in Northumberland, Yorkshire, southwest England and Wales, Galloway, Argyll, Tayside, the Highlands and Grampians, and on rock art associated with standing stones, stone circles, burial monuments and rock shelters. The history of recording and studying the art is discussed, and a good collation of examples and descriptions are given that will form a useful companion to the more speculative discussion of the interpretation of the motifs put forward by others.
Signalling and Performance: Ancient Rock Art in Britain and Ireland
Author: Aron Mazel
Publisher: Archaeopress Publishing Ltd
ISBN: 180327252X
Category : Art
Languages : en
Pages : 344
Book Description
This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.
Publisher: Archaeopress Publishing Ltd
ISBN: 180327252X
Category : Art
Languages : en
Pages : 344
Book Description
This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.
Mind in the Cave: Consciousness and the Origins of Art
Author: David Lewis-Williams
Publisher: Thames & Hudson
ISBN: 0500770441
Category : Art
Languages : en
Pages : 347
Book Description
The breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers. Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals. Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged. Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.
Publisher: Thames & Hudson
ISBN: 0500770441
Category : Art
Languages : en
Pages : 347
Book Description
The breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers. Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals. Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged. Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.
The Oxford Handbook of the Archaeology and Anthropology of Rock Art
Author: Bruno David
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
African Rock Art
Author: David Coulson
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Prehistoric Rock Art in Britain
Author: Stan Beckensall
Publisher: Amberley Publishing Limited
ISBN: 1445619962
Category : Social Science
Languages : en
Pages : 271
Book Description
In this latest book the prolific Stan Beckensall returns to his principal specialism, Britains prehistoric rock art.
Publisher: Amberley Publishing Limited
ISBN: 1445619962
Category : Social Science
Languages : en
Pages : 271
Book Description
In this latest book the prolific Stan Beckensall returns to his principal specialism, Britains prehistoric rock art.
Perspectives on Differences in Rock Art
Author: Jan Magne Gjerde
Publisher: Equinox Publishing (Indonesia)
ISBN: 9781781795606
Category : Petroglyphs
Languages : en
Pages : 448
Book Description
Rock art is a global phenomenon with an enormous variation in shapes and figures and the research interest is wide and inclusive. The volume aims to explain differences observed in rock art through time and space, synchronically or diachronically. Differences can for example be in form, content, space (macro and micro), where explanations might relate to a large variety of factors such as political, societal, beliefs and rituals. Issues connected with authenticity and presentation where efforts and choices taken to preserve and present rock art are indeed many sided and complex are discussed. The wide-range papers in this volume are by scholars from across the globe with different perspectives on differences in Rock Art. This volume will be of interest to students, archaeologists and researchers from related disciplines.
Publisher: Equinox Publishing (Indonesia)
ISBN: 9781781795606
Category : Petroglyphs
Languages : en
Pages : 448
Book Description
Rock art is a global phenomenon with an enormous variation in shapes and figures and the research interest is wide and inclusive. The volume aims to explain differences observed in rock art through time and space, synchronically or diachronically. Differences can for example be in form, content, space (macro and micro), where explanations might relate to a large variety of factors such as political, societal, beliefs and rituals. Issues connected with authenticity and presentation where efforts and choices taken to preserve and present rock art are indeed many sided and complex are discussed. The wide-range papers in this volume are by scholars from across the globe with different perspectives on differences in Rock Art. This volume will be of interest to students, archaeologists and researchers from related disciplines.