Author: Catherine Costello Hirata
Publisher:
ISBN:
Category :
Languages : en
Pages : 282

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Author: Thomas DeLio
Publisher: Psychology Press
ISBN: 9780935016161
Category : Biography & Autobiography
Languages : en
Pages : 270

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Book Description
Morton Feldman was one of the most original and important American composeres of the 20th century. His work has never been analyzed in detail (nor systematically) until this book.

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706

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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Author: Catherine Costello Hirata
Publisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category : Music
Languages : en
Pages : 308

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Author: Alistair Noble
Publisher: Routledge
ISBN: 1317162676
Category : Music
Languages : en
Pages : 228

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Book Description
American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.

Author: Nicholas W. Miskey
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Many commentators experience difficulties describing and analyzing Morton Feldman's String Quartet no. 2 (1983), implying that the quartet eludes stable ascriptions of meaning. Feldman's own philosophy frames these difficulties as symptoms of an antagonism between direct experience and post-hoc understanding of music, a dichotomy tacitly supported in much related discourse. I critique this proposed rift between understanding and experience by analyzing how String Quartet no. 2 prompts listeners to repeatedly reconsider their own experiences. Obfuscated instrumentation, transformations of repeated phrases, and disorienting formal returns challenge one's perception, pattern recognition, and musical memory, leading audiences to return to linguistic interpretation in an effort to comprehend what they hear. Drawing on writing by Lawrence Kramer, I show that the compulsion to voice these uncertainties is not a result of a separation of understanding and experience, but of the blurring of these categories. Vacillation between close listening and interpretation also typifies experiences of the music of Helge Sten, produced under the pseudonym Deathprod. For the album Imaginary Songs from Tristan da Cunha (1996), Sten transfers recorded violin improvisations to wax phonograph cylinders, clouding attributions of the music's manner of production. Incorporating Brian Kane's theory of acousmatic sound, I demonstrate that the resultant spacing of sound and source provokes listeners to oscillate between attending to the music's material properties and struggling to identify its meaning and cause. Work by Jonathan Sterne indicates that historical techniques of hearing associated with the antiquated medium of the phonograph cylinder prolong and complicate this mode of listening. As with Feldman's quartet, auditors of Imaginary Songs endlessly fluctuate between attempting to understand and striving to listen closely to the music.

Author: David Cline
Publisher: Cambridge University Press
ISBN: 110710923X
Category : Art
Languages : en
Pages : 405

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Book Description
David Cline provides a detailed analysis of Morton Feldman's graph works and how they changed the course of post-war music.

Author: Ray Fields
Publisher: Rowman & Littlefield
ISBN: 1538172283
Category : Music
Languages : en
Pages : 137

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Book Description
Morton Feldman viewed Piano and String Quartet as his capstone work—the culminating example of the aesthetic that Feldman spent his life seeking. Written in 1985, the year before Feldman’s death, this single movement, roughly eighty-minute composition was heralded by Steve Reich as “the most beautiful work [of Feldman’s] I know.” Ray Fields presents a detailed analysis of the complete piece and examines the elements that contribute to its formal and expressive design. He discusses the sonic experience of the music itself and provides insights into Feldman’s aesthetic influences. The book also includes basic biographical information about Feldman; descriptions of the music of his early, middle, and late periods; and an overview of analyses of other Feldman works. In examining this beloved piece, the book addresses the question: what was everything Feldman wanted in his music? Also included are interviews with Kronos Quartet’s David Harrington about the origins of Piano and String Quartet and crucial information from pianist Aki Takahashi about performing the work.

Author: David Cline
Publisher:
ISBN: 9781316568613
Category : Graphic notation (Music)
Languages : en
Pages : 390

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Book Description
David Cline provides a detailed analysis of Morton Feldman's graph works and how they changed the course of post-war music.

Author: Bálint András Varga
Publisher: University Rochester Press
ISBN: 1580463797
Category : Music
Languages : en
Pages : 356

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Book Description
Do today's composers draw inspiration from life experiences? What has influenced recent composers? How essential is it for a composer to develop a personal style? This book reveals the spontaneous thoughts of some of the most famous composers from around the world about their own development as composers and their reactions to the outside world.