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Author: Jean-Pierre Chupin
Publisher: Bloomsbury Publishing
ISBN: 1350343625
Category : Architecture
Languages : en
Pages : 257
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Book Description
Since the turn of the 21st century, "design thinking" has permeated many fields outside of the design disciplines. It is expected to succeed whenever disciplinary boundaries need to be transcended, and it is imperative when thinking "outside the box." This book argues that these qualities have long been supported by "analogical thinking"-an agile way of reasoning in which symbolic connections allow designers to address the complexities of the design process. An active field in cognitive sciences, artificial intelligence, psychology, and philosophy, "analogical thinking" has yet to be theorized within the built environment. Analogical Thinking in Architecture looks at how this approach offers an agile way to respond to the heterogeneous, and often contradictory, value systems prevalent in architectural design. The book is organized into four case studies: the first reviews analogies in current models of design thinking; the second surveys the revivals of biological analogies from the 19th to the 21st century; the third probes cult architect Aldo Rossi's theory of the Città Analoga (Analogous City); while the fourth uncovers the role of analogies in critical and theoretical writing. Offering a reappraisal of theories on the role of "analogical thinking" by prominent architects, including Rossi, Peter Eisenman, and Frederick Kiesler; historians Peter Colins and Philip Steadman; and theoreticians Geoffrey Broadbent, Colin Rowe, Peter G. Rowe, Chris Abel and Donald A. Schön; the book provides both a comprehensive introduction to the concept of "analogical thinking" in architecture and the first theorization of analogy specifically within the field of the built environment.
Author: Jean-Pierre Chupin
Publisher: Bloomsbury Publishing
ISBN: 1350343625
Category : Architecture
Languages : en
Pages : 257
Get Book Here
Book Description
Since the turn of the 21st century, "design thinking" has permeated many fields outside of the design disciplines. It is expected to succeed whenever disciplinary boundaries need to be transcended, and it is imperative when thinking "outside the box." This book argues that these qualities have long been supported by "analogical thinking"-an agile way of reasoning in which symbolic connections allow designers to address the complexities of the design process. An active field in cognitive sciences, artificial intelligence, psychology, and philosophy, "analogical thinking" has yet to be theorized within the built environment. Analogical Thinking in Architecture looks at how this approach offers an agile way to respond to the heterogeneous, and often contradictory, value systems prevalent in architectural design. The book is organized into four case studies: the first reviews analogies in current models of design thinking; the second surveys the revivals of biological analogies from the 19th to the 21st century; the third probes cult architect Aldo Rossi's theory of the Città Analoga (Analogous City); while the fourth uncovers the role of analogies in critical and theoretical writing. Offering a reappraisal of theories on the role of "analogical thinking" by prominent architects, including Rossi, Peter Eisenman, and Frederick Kiesler; historians Peter Colins and Philip Steadman; and theoreticians Geoffrey Broadbent, Colin Rowe, Peter G. Rowe, Chris Abel and Donald A. Schön; the book provides both a comprehensive introduction to the concept of "analogical thinking" in architecture and the first theorization of analogy specifically within the field of the built environment.
Author: Jean-Pierre Chupin
Publisher: Bloomsbury Publishing
ISBN: 1350343633
Category : Architecture
Languages : en
Pages : 257
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Book Description
This book provides an in-depth exploration of the rich and persistent use of analogical thinking in the built environment. Since the turn of the 21st century, “design thinking” has permeated many fields outside of the design disciplines. It is expected to succeed whenever disciplinary boundaries need to be transcended in order to think “outside the box.” This book argues that these qualities have long been supported by “analogical thinking”-an agile way of reasoning in which think the unknown through the familiar. The book is organized into four case studies: the first reviews analogical models that have been at the heart of design thinking representations from the 1960s to the present day; the second investigates the staying power of biological analogies; the third explores the paradoxical imaginary of "analogous cities" as a means of integrating contemporary architecture with heritage contexts; while the fourth unpacks the critical and theoretical potential of linguistic metaphors and visual comparisons in architectural discourse. Comparing views on the role of analogies and metaphors by prominent voices in architecture and related disciplines from the 17th century to the present, the book shows how the “analogical world of the project” is revealed as a wide-open field of creative and cognitive interactions. These visual and textual operations are explained through 36 analogical plates which can be read as an inter-text demonstrating how analogy has the power to reconcile design and theories.
Author: Andrea Ponsi
Publisher:
ISBN: 9780813937656
Category : Analogy
Languages : en
Pages : 0
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Book Description
Analogical thought is fundamental to creativity. The use of analogy can help to solve problems, make connections between disciplines, and use those relations to form original solutions. In Analogy and Design, Andrea Ponsi considers the role of analogical thought in architectural design. Almost all work in design and architecture is the result of analogical thinking, with respect to systems derived from nature, technical and scientific models, artistic experiences, and above all past models of architecture or objects. Ponsi considers the history of architecture through a series of examples that demonstrate the value of analogy as both creative technique and didactic tool. As an architect and product designer, Ponsi himself operates on a set of principles he terms "analogous design"--a theory he developed that involves breaking down images into abstract elements, analyzing them, and then conceptually reassembling them in another form as a sort of parallel composition. In Analogy and Design, he looks at the principal models designers have utilized as their reference from the beginning to our own day: primary analogies, that is to say the human body, nature, and the abstract universe of signs; disciplinary analogies, taken from already existing examples of architecture and design; and analogies from outside the field, such as from music, literature, and the visual arts. The components are very different, but they maintain a similar relationship to each other. This methodology, Ponsi maintains, can be applied to compositions of a wide variety of types, including buildings, landscapes, household products, furniture, music, and literature. Merging scientific and academic research--so often limited to a specialized audience--Analogy and Design lays down the principles of analogous design, enabling a student or practitioner to "see" works and materials in a new way.
Author: Kate Nesbitt
Publisher: Princeton Architectural Press
ISBN: 9781568980546
Category : Architecture
Languages : en
Pages : 610
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Book Description
Theorizing a New Agenda for Architecture: An Anthology of ArchitecturalTheory collects in a single volume the most significant essays on architectural theory of the last thirty years. A dynamic period of reexamination of the discipline, the postmodern eraproduced widely divergent and radical viewpoints on issues of making, meaning, history, and the city. Among the paradigms presented arearchitectural postmodernism, phenomenology, semiotics, poststructuralism, deconstruction, and feminism. By gathering these influential articles from a vast array of books and journals into a comprehensive anthology, Kate Nesbitt has created a resource of great value. Indispensable to professors and students of architecture and architectural theory, Theorizing a New Agenda also serves practitioners and the general public, as Nesbitt provides an overview, a thematic structure, and a critical introduction to each essay. The list of authors in Theorizing a New Agenda reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Sol-Morales Rubi, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included.
Author: Alberto Pérez Gómez
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773514072
Category : Architecture
Languages : en
Pages : 340
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Book Description
In this second volume in the Chora series, contributing authors explore critical questions for the theory and practice of architecture. They take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions.
Author: Paul Davies
Publisher: Routledge
ISBN: 075065967X
Category : Architecture
Languages : en
Pages : 418
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Book Description
Behind the scenes look at how to become a star architect!
Author: Jean-Pierre Chupin
Publisher: Potential Architecture Books
ISBN: 0992131707
Category : Architecture
Languages : en
Pages : 406
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Book Description
[Winner of the 2016 Bronze medal in Architecture, Independent Publisher Book Awards] This book comprises a series of 22 case studies by renowned experts and new scholars in the field of architecture competition research. In 2015, it constitutes the most comprehensive survey of the dynamics behind the definition, organization, judging, archiving and publishing of architectural, landscape and urban design competitions in the world. These richly documented contributions revolve around a few questions that can be summarized in a two-fold critical interrogation: How can design competitions - these historical democratic devices, both praised and dreaded by designers - be considered laboratories for the production of environmental design quality, and, ultimately, for the renewing of culture and knowledge? Includes 340 illustrations, bibliographical references and index of over 200 cited competitions. Keywords: Architecture / International competitions / Architectural judgment / Design thinking / Digital archiving (databases) / Architectural publications / Architectural experimentation / Landscape architecture / Urban studies
Author: Harry Francis Mallgrave
Publisher: Routledge
ISBN: 1135094241
Category : Architecture
Languages : en
Pages : 225
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Book Description
In recent years we have seen a number of dramatic discoveries within the biological and related sciences. Traditional arguments such as "nature versus nurture" are rapidly disappearing because of the realization that just as we are affecting our environments, so too do these altered environments restructure our cognitive abilities and outlooks. If the biological and technological breakthroughs are promising benefits such as extended life expectancies, these same discoveries also have the potential to improve in significant ways the quality of our built environments. This poses a compelling challenge to conventional architectural theory... This is the first book to consider these new scientific and humanistic models in architectural terms. Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design. Drawing upon a wealth of research, Mallgrave argues that we should turn our focus away from the objectification of architecture (treating design as the creation of objects) and redirect it back to those for whom we design: the people inhabiting our built environments.
Author: Cameron McEwan
Publisher: punctum books
ISBN: 1685711227
Category : Architecture
Languages : en
Pages : 279
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Book Description
In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of Imagination, Transformation, City, Multitude, and Project. McEwan argues that the analogical city is critical, collective, and emancipatory. Analogical thought and understanding cities as analogical might open the conditions of possibility for rethinking the critical project in architecture. At a time when the humanities and the sciences are threatened by irrational thought, from climate denial to post-truth narratives, and when architecture has seemingly disavowed its critical capacity and political possibility through its commodification as an instrument of the neoliberal city, McEwan offers critical strategies, conceptual tools, figures of thought, and knowledge practices to articulate modes of thinking and acting differently within architectural criticism and practice. Today, knowledge is a common terrain of struggle and thought requires constant reinvention. The task of architecture, and critique more broadly, must be to interpret the world in order to change it. Consequently Analogical City proposes modes for imagining the city, the subject, and the world otherwise — towards a more egalitarian and critical architecture of the city. Ultimately, the analogical city is not a fully developed theory, nor is it only an intuitive, poetic, or purely formal practice, as some critics propose. McEwan argues that the analogical city is poetic and political: it always refers beyond itself towards a collective and critical project of the city, and yet it invites a series of formal, spatial, and graphic operations comprising erasure and negativity followed by substitution and remontage.
Author: Federica Goffi
Publisher: Taylor & Francis
ISBN: 100055032X
Category : Architecture
Languages : en
Pages : 869
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Book Description
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites of knowledge construction: drawing, office, construction site; the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting; tools of making: architectural representations and their apparatus over time; and the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy. The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.
