An Introductory Study of the Italian Canzona for Instrumental Ensembles and Its Influence Upon the Baroque Sonata PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Introductory Study of the Italian Canzona for Instrumental Ensembles and Its Influence Upon the Baroque Sonata PDF full book. Access full book title An Introductory Study of the Italian Canzona for Instrumental Ensembles and Its Influence Upon the Baroque Sonata by Eunice C. Crocker. Download full books in PDF and EPUB format.
Author: Eunice C. Crocker
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 634
Get Book Here
Book Description
Author: Eunice C. Crocker
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 634
Get Book Here
Book Description
Author: Gregory Barnett
Publisher: Routledge
ISBN: 1351573349
Category : Music
Languages : en
Pages : 415
Get Book Here
Book Description
This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.
Author: Stephen Bonta
Publisher: Taylor & Francis
ISBN: 1040237290
Category : Music
Languages : en
Pages : 352
Get Book Here
Book Description
Stephen Bonta's research on seventeenth-century Italian music, particularly for strings, spans more than 30 years. Included in this selection of his published articles is his seminal study of the early history of the bass violin which proved to be the foundation for his subsequent articles on the early history of the violoncello. In addition to the discussions of secular instrumental music, the volume features essays that explore Italian sacred music of the period, including Monteverdi's Marian Vespers.
Author: Andrew Dell'Antonio
Publisher: Routledge
ISBN: 1135770492
Category : Music
Languages : en
Pages : 342
Get Book Here
Book Description
First Published in 1994. This book contains, previously unpublished, full scores of major works from the Renaissance and Early Baroque; analysing Sixteenth-century Italy, where one of the greatest flowerings of instrumental music in Western culture occurred. The print on which this volume is based, the Sonate a quattro, sei, et otto of 1608, comprises the entirety of Gussago's extant instrumental opus.
Author: Adriano Banchieri
Publisher: A-R Editions, Inc.
ISBN: 0895790564
Category :
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Don Harrán
Publisher: Oxford University Press, USA
ISBN: 0195168135
Category : Composers
Languages : en
Pages : 338
Get Book Here
Book Description
Salamone Rossi occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European music tradition. Working for the Gonzaga dukes in Mantua, yet remaining faithful to his own religious community, Rossi's life provides unique insights on life during the Renaissance and on such contemporary questions as how individuals respond to competing cultural influences.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
Get Book Here
Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643723
Category : Music
Languages : en
Pages : 482
Get Book Here
Book Description
This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: John H Baron
Publisher: Routledge
ISBN: 1135848289
Category : Art
Languages : en
Pages : 797
Get Book Here
Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author: Peter Allsop
Publisher: Routledge
ISBN: 1351572598
Category : Music
Languages : en
Pages : 265
Get Book Here
Book Description
Giovanni Battista Buonamente was among the most original and inventive Italian composers of the seventeenth century. Peter Allsop reveals his importance as part of a tradition that stands in direct antithesis to that of the Corellian sonata today regarded as the 'norm'. This development is traced in a series of likely teacher-pupil relationships from Salamone Rossi to Marco Uccellini, the most prolific Italian composers of instrumental ensemble music in the first half of the seventeenth century. The first half of the book sets out what is known of Buonamente's turbulent career as he moved from the courtly environments of the Gonzaga household and Habsburg court to several less auspicious posts at various religious institutions, ending his life as maestro di cappella at the mother house of his order, S. Francesco in Assisi. A fascinating picture emerges of the nature of musical patronage against a background of war and plague in this time of great political instability. The later chapters comprise detailed discussions, supported with over 100 music examples, of the unusually wide range of genres for which Buonamente wrote: sinfonias, free sonatas, sets of variations, canzonas, dances; and he was the first Italian to cultivate the ensemble suite to any extent. The book concludes with an examination of his influence on his probable pupil Marco Uccellini and the interest Buonamente instigated in canonic writing, which was passed via Uccellini to a succession of Modenese composers.
