Author: Sir John Wyndham Pope-Hennessy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
For the fourth edition of this introduction to Italian sculpture, the authoras thoroughly revised the text, notes and bibliographies, incorporating allhe significant new research and publications since the last major revisionn 1970-2.;Volume I covers the period from about 1150 to 1400. The sculptorsealt with include Nicola and Giovanni Pisano, Arnolfo di Cambio, Andrea andino Pisano, Lorenzo Ghiberti and Jacopo della Quercia. The monumentsllustrated include the great Pisano pulpits, the facades of the cathedralsf Siena, Florence and Orvieto, Milan Cathedral and S. Petronio at Bologna,he Scaliger tombs at Verona, the Angevin monuments in Naples, and Ghiberti'samous door for the Baptistery in Florence.;The new edition of this workrovides an accessible introduction to the subject for scholars, students andll lovers of Italian art. At the same time its scholarly notes make it aaluable reference work. Each volume in the set of three can be enjoyed ints own right.
Author: Roberta J. M. Olson
Publisher: Thames & Hudson
ISBN: 9780500202531
Category : Art
Languages : en
Pages : 216
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Book Description
From the WORLD OF ART series, a survey of the artistic achievements of the Renaissance sculptors from Nicola Pisano through Brunelleschi and Donatello to Michelangelo and Cellini.
Author: Peta Motture
Publisher: Yale University Press
ISBN: 0300090803
Category : Art
Languages : en
Pages : 340
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Book Description
Author: Anita Fiderer Moskowitz
Publisher:
ISBN: 9780521444835
Category : Art
Languages : en
Pages : 401
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Book Description
Italian Gothic Sculpture examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, Anita Moskowitz demonstrates that these art works are distinguished by a unique visual language and syntax. Incorporating the most recent archaeological discoveries, this study also addresses questions of politics, patronage, and piety to offer new ways of thinking about these art works.
Author: DavidJ. Drogin
Publisher: Routledge
ISBN: 1351554883
Category : Art
Languages : en
Pages : 474
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Book Description
The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
Author: Sir John Wyndham Pope-Hennessy
Publisher:
ISBN:
Category : Sculpture, Italian
Languages : en
Pages : 436
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Book Description
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
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Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Sandra Berresford
Publisher: Frances Lincoln
ISBN: 9780711223844
Category : Art
Languages : en
Pages : 0
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Book Description
Italian monumental sculpture of the 19th and early 20th centuries is among the most remarkable ever made, and remains surprisingly unknown. Its emotional charge is caught in this collection of specially taken photographs, while the scholarly texts analyse the iconographic, cultural and art historical background to the works.
Author: Umberto Boccioni
Publisher: Getty Publications
ISBN: 1606064754
Category : Art
Languages : en
Pages : 306
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Book Description
Futurist Painting Sculpture (Plastic Dynamism), a truly radical book by Umberto Boccioni (1882–1916), claimed a central position in artistic debates of the 1910s and 1920s, exerting a powerful influence on the Italian Futurist movement as well as on the entire European historical avant-garde, including Dada and Constructivism. Today, Boccioni is best known as an artist whose paintings and sculptures are prized for their revolutionary aesthetic by American and European museums. But Futurist Painting Sculpture demonstrates that he was also the foremost avant-garde theorist of his time. In his distinctive, exhilarating prose style, Boccioni not only articulates his own ideas about the Italian movement’s underpinnings and goals but also systematizes the principles expressed in the vast array of manifestos that the Futurists had already produced. Featuring photographs of fifty-one key works and a large selection of manifestos devoted to the visual arts, Boccioni’s book established the canon of Italian Futurist art for many years to come. First published in Italian in 1914, Futurist Painting Sculpture has never been available in English—until now. This edition includes a critical introduction by Maria Elena Versari. Drawing on the extensive Futurist archives at the Getty Research Institute, Versari systematically retraces, for the first time, the evolution of Boccioni’s ideas and arguments; his attitude toward contemporary political, racial, philosophical, and scientific debates; and his polemical view of Futurism’s role in the development of modern art.
Author: Charles Avery
Publisher: John Murray Pubs Limited
ISBN: 9780719519321
Category : Art
Languages : en
Pages : 274
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Book Description
"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.
