Author: Eleanor Jones Harvey
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
Celebrates a remarkable collection of paintings amassed in the late 1980s by Texans Hugh and Marie Halff.
An Impressionist Sensibility
Author: Eleanor Jones Harvey
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
Celebrates a remarkable collection of paintings amassed in the late 1980s by Texans Hugh and Marie Halff.
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
Celebrates a remarkable collection of paintings amassed in the late 1980s by Texans Hugh and Marie Halff.
Rimbaud's Impressionist Poetics
Author: Aimée Israel-Pelletier
Publisher: University of Wales Press
ISBN: 1783163135
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.
Publisher: University of Wales Press
ISBN: 1783163135
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.
Bernhard Gutmann
Author: Percy North
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
The last decades of his life were spent in Connecticut, where he raised his family, and in traveling to Europe with his wife and daughters.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
The last decades of his life were spent in Connecticut, where he raised his family, and in traveling to Europe with his wife and daughters.
Sister Wendy's Impressionist Masterpieces
Author: Wendy Beckett
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Provides the art critic's commentary on more than fifty Impressionist paintings, including Manet's "Olympia", Whistler's "Nocturne", and "The Harbor at Lorient" by Morisot.
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Provides the art critic's commentary on more than fifty Impressionist paintings, including Manet's "Olympia", Whistler's "Nocturne", and "The Harbor at Lorient" by Morisot.
A Studio of One's Own
Author: Roberta White
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640722
Category : Art
Languages : en
Pages : 276
Book Description
This working space is a measure of the claim that the artist makes upon the world."--Jacket.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640722
Category : Art
Languages : en
Pages : 276
Book Description
This working space is a measure of the claim that the artist makes upon the world."--Jacket.
European Film Theory and Cinema
Author: Ian Aitken
Publisher: Indiana University Press
ISBN: 9780253215055
Category : Performing Arts
Languages : en
Pages : 284
Book Description
European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.
Publisher: Indiana University Press
ISBN: 9780253215055
Category : Performing Arts
Languages : en
Pages : 284
Book Description
European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.
Wallace Stevens
Author: Robert Buttel
Publisher: Princeton University Press
ISBN: 1400879477
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
The years between 1900 and 1915 were a crucial period in Wallace Stevens' poetic career. But until Robert Buttel was given access to 30 manuscript poems written during this time, these years constituted the largest gap in our knowledge of Stevens’ artistic development. These poems, as well as those printed in the Harvard Advocate, are presented in a sequence which allows the reader to view the changes in Stevens’ art during this period. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400879477
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
The years between 1900 and 1915 were a crucial period in Wallace Stevens' poetic career. But until Robert Buttel was given access to 30 manuscript poems written during this time, these years constituted the largest gap in our knowledge of Stevens’ artistic development. These poems, as well as those printed in the Harvard Advocate, are presented in a sequence which allows the reader to view the changes in Stevens’ art during this period. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Hardy and the Sister Arts
Author: Joan Grundy
Publisher: Springer
ISBN: 1349039438
Category : Fiction
Languages : en
Pages : 215
Book Description
Publisher: Springer
ISBN: 1349039438
Category : Fiction
Languages : en
Pages : 215
Book Description
Critical Readings in Impressionism and Post-Impressionism
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Gustave Caillebotte
Author: Kirk Varnedoe
Publisher: Yale University Press
ISBN: 0300082797
Category : Art
Languages : en
Pages : 232
Book Description
A stunning study of the life and work of Gustave Caillebotte -- until recently the "forgotten man" of Impressionism but now recognized as one of the most interesting and attractive artists in the group and as the painter of some of its most powerful and memorable images. The book includes beautiful color reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.
Publisher: Yale University Press
ISBN: 0300082797
Category : Art
Languages : en
Pages : 232
Book Description
A stunning study of the life and work of Gustave Caillebotte -- until recently the "forgotten man" of Impressionism but now recognized as one of the most interesting and attractive artists in the group and as the painter of some of its most powerful and memorable images. The book includes beautiful color reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.