Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
American Drama and the Postmodern
Author:
Publisher: Cambria Press
ISBN: 1621969843
Category :
Languages : en
Pages : 393
Book Description
Publisher: Cambria Press
ISBN: 1621969843
Category :
Languages : en
Pages : 393
Book Description
The Routledge Introduction to American Drama
Author: Paul Thifault
Publisher: Routledge
ISBN: 1000598691
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This volume provides an accessible and engaging guide to the study of American dramatic literature. Designed to support students in reading, discussing, and writing about commonly assigned American plays, this text offers timely resources to think critically and originally about key moments on the American stage. Combining comprehensive coverage of the core plays from the post-Revolutionary era to the present, each chapter includes: historical and cultural context of each of the plays and their distinctive literary features clear introductions to the ongoing critical debates they have provoked collaborative prompts for classroom or online discussion annotated bibliographies for further research With its accessible prose style and clear structure, this introduction spotlights specific plays while encouraging students to contemplate timely questions of American identity across its selected span of US theatrical history.
Publisher: Routledge
ISBN: 1000598691
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This volume provides an accessible and engaging guide to the study of American dramatic literature. Designed to support students in reading, discussing, and writing about commonly assigned American plays, this text offers timely resources to think critically and originally about key moments on the American stage. Combining comprehensive coverage of the core plays from the post-Revolutionary era to the present, each chapter includes: historical and cultural context of each of the plays and their distinctive literary features clear introductions to the ongoing critical debates they have provoked collaborative prompts for classroom or online discussion annotated bibliographies for further research With its accessible prose style and clear structure, this introduction spotlights specific plays while encouraging students to contemplate timely questions of American identity across its selected span of US theatrical history.
American Drama in the Age of Film
Author: Zander Brietzke
Publisher: University of Alabama Press
ISBN: 0817315713
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Filmexamines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet'sGlengarry Glen Ross, Sam Shepard'sTrue West, Edward Albee'sWho's Afraid of Virginia Woolf, Margaret Edson'sWit, Tony Kushner'sAngels in America, Tennessee Williams'sCat on a Hot Tin Roof, Arthur Miller'sDeath of a Salesman, and August Wilson'sThe Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater's former thunder, by making drama more intimate, and visceral than most live events. But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
Publisher: University of Alabama Press
ISBN: 0817315713
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Filmexamines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet'sGlengarry Glen Ross, Sam Shepard'sTrue West, Edward Albee'sWho's Afraid of Virginia Woolf, Margaret Edson'sWit, Tony Kushner'sAngels in America, Tennessee Williams'sCat on a Hot Tin Roof, Arthur Miller'sDeath of a Salesman, and August Wilson'sThe Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater's former thunder, by making drama more intimate, and visceral than most live events. But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
American Drama
Author: Jacqueline Foertsch
Publisher: Bloomsbury Publishing
ISBN: 1137605294
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
An essential introductory textbook that guides students through 300 years of American plays, as well as their remarkable engagement with texts from across the Atlantic. Divided into seven historical periods, Jacqueline Foertsch offers unique overviews of 38 American plays and their reception, from Robert Hunter's Androboros (c.1714) to Lin-Manuel Miranda's Hamilton (2015). Each historical section begins with an overseas play that proved influential to American playwrights in that period, demonstrating to students an astonishing dialogue taking place across the Atlantic. This is an ideal core text for modules on American Drama – or a supplementary text for broader modules on American Literature – which may be offered at the upper levels of an undergraduate literature, drama, theatre studies or American studies degree. In addition it is a crucial resource for students who may be studying American drama as part of a taught postgraduate degree in literature, drama or American studies.
Publisher: Bloomsbury Publishing
ISBN: 1137605294
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
An essential introductory textbook that guides students through 300 years of American plays, as well as their remarkable engagement with texts from across the Atlantic. Divided into seven historical periods, Jacqueline Foertsch offers unique overviews of 38 American plays and their reception, from Robert Hunter's Androboros (c.1714) to Lin-Manuel Miranda's Hamilton (2015). Each historical section begins with an overseas play that proved influential to American playwrights in that period, demonstrating to students an astonishing dialogue taking place across the Atlantic. This is an ideal core text for modules on American Drama – or a supplementary text for broader modules on American Literature – which may be offered at the upper levels of an undergraduate literature, drama, theatre studies or American studies degree. In addition it is a crucial resource for students who may be studying American drama as part of a taught postgraduate degree in literature, drama or American studies.
New Essays on American Drama
Author: Gilbert Debusscher
Publisher: Rodopi
ISBN: 9789051831078
Category : American drama
Languages : en
Pages : 248
Book Description
Publisher: Rodopi
ISBN: 9789051831078
Category : American drama
Languages : en
Pages : 248
Book Description
The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Modern American Drama: Playwriting in the 1990s
Author: Sharon Friedman
Publisher: Bloomsbury Publishing
ISBN: 1350153656
Category : Literary Criticism
Languages : en
Pages : 333
Book Description
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).
Publisher: Bloomsbury Publishing
ISBN: 1350153656
Category : Literary Criticism
Languages : en
Pages : 333
Book Description
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).
American Drama
Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 376
Book Description
Bulletin
Author: Salem Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Book Description
Notes from a Black Woman's Diary
Author: Kathleen Collins
Publisher: HarperCollins
ISBN: 0062800965
Category : Fiction
Languages : en
Pages : 420
Book Description
Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short-story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.” That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s striking short stories, which explore the ways in which relationships both are formed and come undone. Also collected here is the work Collins wrote for the screen and stage, including the screenplay of her pioneering film Losing Ground and the script for The Brothers, which powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African American experience. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of the works of an inimitable talent, and a rich portrait of a writer hard at work.
Publisher: HarperCollins
ISBN: 0062800965
Category : Fiction
Languages : en
Pages : 420
Book Description
Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short-story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.” That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s striking short stories, which explore the ways in which relationships both are formed and come undone. Also collected here is the work Collins wrote for the screen and stage, including the screenplay of her pioneering film Losing Ground and the script for The Brothers, which powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African American experience. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of the works of an inimitable talent, and a rich portrait of a writer hard at work.