An exact catalogue of all the comedies, tragedies, tragicomedies ... that were ever yet printed and published, till this present year 1680. [Compiled by Gerard Langbaine.] PDF Download
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![An exact catalogue of all the comedies, tragedies, tragicomedies ... that were ever yet printed and published, till this present year 1680. [Compiled by Gerard Langbaine.] PDF](https://books.google.com/books/content/images/frontcover/UFhiAAAAcAAJ?fife=w150-h200)
Author: Gerard LANGBAINE (the Younger.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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![An exact catalogue of all the comedies, tragedies, tragicomedies ... that were ever yet printed and published, till this present year 1680. [Compiled by Gerard Langbaine.] PDF](https://books.google.com/books/content/images/frontcover/UFhiAAAAcAAJ?fife=w80-h100)
Author: Gerard LANGBAINE (the Younger.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Author: Brean Hammond
Publisher: Bloomsbury Publishing
ISBN: 1350144320
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille's Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 560
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Author: Appleton Morgan
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
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Author: Ben Jonson
Publisher:
ISBN: 9780713152111
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Sir Granville George Greenwood
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 620
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Author: William Younger Fletcher
Publisher:
ISBN:
Category : Book collectors
Languages : en
Pages : 544
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Author: Joe Snader
Publisher: University Press of Kentucky
ISBN: 0813184444
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
The captivity narrative has always been a literary genre associated with America. Joe Snader argues, however, that captivity narratives emerged much earlier in Britain, coinciding with European colonial expansion, the development of anthropology, and the rise of liberal political thought. Stories of Europeans held captive in the Middle East, America, Africa, and Southeast Asia appeared in the British press from the late sixteenth through the late eighteenth centuries, and captivity narratives were frequently featured during the early development of the novel. Until the mid-eighteenth century, British examples of the genre outpaced their American cousins in length, frequency of publication, attention to anthropological detail, and subjective complexity. Using both new and canonical texts, Snader shows that foreign captivity was a favorite topic in eighteenth-century Britain. An adaptable and expansive genre, these narratives used set plots and stereotypes originating in Mediterranean power struggles and relocated in a variety of settings, particularly eastern lands. The narratives' rhetorical strategies and cultural assumptions often grew out of centuries of religious strife and coincided with Europe's early modern military ascendancy. Caught Between Worlds presents a broad, rich, and flexible definition of the captivity narrative, placing the American strain in its proper place within the tradition as a whole. Snader, having assembled the first bibliography of British captivity narratives, analyzes both factual texts and a large body of fictional works, revealing the ways they helped define British identity and challenged Britons to rethink the place of their nation in the larger world.
Author: Harry Blamires
Publisher: Bloomsbury Publishing
ISBN: 1349214957
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
The author traces the course of literary criticism from its foundations in classical and medieval precepts to the theorising of the present day. He explores the texts which have been milestones in the history of critical thought, placing them firmly in the context of their time.
Author: John Aubrey
Publisher: Franklin Classics Trade Press
ISBN: 9780344183744
Category :
Languages : en
Pages : 404
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
