An Essay to the Advancement of Musick, by Casting Away the Perplexity of Different Cliffs. And Uniting All Sorts of Musick ... in One Universal Character ... [With Preface by John Birchensha]. PDF Download
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Author: Thomas Salmon
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Languages : en
Pages :
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![An Essay to the Advancement of Musick, by Casting Away the Perplexity of Different Cliffs. And Uniting All Sorts of Musick ... in One Universal Character ... [With Preface by John Birchensha]. PDF](https://books.google.com/books/content/images/frontcover/V49-PAAACAAJ?fife=w80-h100)
Author: Thomas Salmon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Thomas Salmon
Publisher:
ISBN:
Category : Musical notation
Languages : en
Pages : 138
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Author: Thomas Salmon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Thomas Salmon
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Benjamin Wardhaugh
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668442
Category : Music
Languages : en
Pages : 300
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Book Description
Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles.
Author: Thomas SALMON (Rector of Mepsall.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Thomas Lowndes
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 346
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Author: Carl Engel
Publisher: London : Novello, Ewer
ISBN:
Category : Music
Languages : en
Pages : 244
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Author: Carl Engel
Publisher: e-artnow
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
"Musical Myths and Facts" in 2 volumes is one of the best-known works by a German author Carl Engel. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Volume 1:_x000D_ A Musical Library_x000D_ Elsass-Lothringen_x000D_ Music and Ethnology_x000D_ Collections of Musical Instruments_x000D_ Musical Myths and Folk-lore _x000D_ The Studies of our Great Composers_x000D_ Superstitions concerning Bells _x000D_ Curiosities in Musical Literature_x000D_ The English Instrumentalists_x000D_ Musical Fairies and their Kinsfolk _x000D_ Sacred Songs of Christian Sects…_x000D_ Volume 2:_x000D_ Mattheson on Handel_x000D_ Diabolic Music _x000D_ Royal Musicians_x000D_ Composers and Practical Men_x000D_ Music and Medicine_x000D_ Popular Stories with Musical Traditions _x000D_ Dramatic Music of Uncivilized Races_x000D_ A Short Survey of the History of Music_x000D_ Chronology of the History of Music_x000D_ The Musical Scales in Use at the Present Day...
Author: Rebecca Herissone
Publisher: Routledge
ISBN: 1351547321
Category : Music
Languages : en
Pages : 271
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Book Description
Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
