Author: Alfred W. Pollard
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 138
Book Description
"An Essay on Colophons, with Specimens and Translations" by Alfred W. Pollard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
An Essay on Colophons, with Specimens and Translations
Author: Alfred W. Pollard
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 138
Book Description
"An Essay on Colophons, with Specimens and Translations" by Alfred W. Pollard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 138
Book Description
"An Essay on Colophons, with Specimens and Translations" by Alfred W. Pollard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
An Essay on Colophons
Author: Alfred William Pollard
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 234
Book Description
ESSAY ON COLOPHONS
Author: ALFRED W. POLLARD
Publisher:
ISBN: 9781033144947
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033144947
Category :
Languages : en
Pages : 0
Book Description
An Essay on Colophons
Author: Alfred William Pollard
Publisher:
ISBN:
Category : Colophons
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Colophons
Languages : en
Pages : 198
Book Description
The Printing Art
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 614
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 614
Book Description
Printing Art
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 728
Book Description
Fifteenth-Century Books: A Guide to their Identification
Author: Robert Alexander Peddie
Publisher: Lulu.com
ISBN: 1300874775
Category : History
Languages : en
Pages : 99
Book Description
Antiquæ Libri - The Archaeology of the Book - ATB-1305In this volume Peddie gives a brief account of sources of information on many aspects of fifteenth century books. For such a brief book Peddie provides sources on topics ranging from block prints, woodcuts, engravings, book illustration, maps, initials, printers' marks, colophons, title pages, signatures, water marks, facsimiles, Greek printing, Hebrew printing and music printing. He also outlines bibliographies of national catalogues and general works.
Publisher: Lulu.com
ISBN: 1300874775
Category : History
Languages : en
Pages : 99
Book Description
Antiquæ Libri - The Archaeology of the Book - ATB-1305In this volume Peddie gives a brief account of sources of information on many aspects of fifteenth century books. For such a brief book Peddie provides sources on topics ranging from block prints, woodcuts, engravings, book illustration, maps, initials, printers' marks, colophons, title pages, signatures, water marks, facsimiles, Greek printing, Hebrew printing and music printing. He also outlines bibliographies of national catalogues and general works.
The Oxford Dictionary of the Christian Church
Author: Andrew Louth
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4474
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4474
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
The Prosthetic Tongue
Author: Katie Chenoweth
Publisher: University of Pennsylvania Press
ISBN: 0812296354
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.
Publisher: University of Pennsylvania Press
ISBN: 0812296354
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.
Classified Catalog of the Carnegie Library of Pittsburgh. 1895-1902. In Three Volumes
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 998
Book Description