An Analysis of Four Sonatas of Paul Hindemith PDF Download
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Author: John C. Beck
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: John C. Beck
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: Ksenia Ilinykh
Publisher:
ISBN:
Category : Sonatas (Piano, 4 hands)
Languages : en
Pages : 26
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Book Description
"Sonata for piano four hands did not gain as much popularity as his other piano works, but it stands out among his piano works as a unique cycle. A recorded interpretation of the composer's rendition of the sonata, and the only recording of Hindemith at the piano, provides invaluable insight into Hindemith's performing style and interpretative intentions. Chapter One provides a profile of the composer and his views on the piano as an instrument. Chapter Two provides data on the historic background of the sonata and information on the collaborative partnership between the composer and pianist Jesús Sanromá. It is based upon his letters and impressions from the contemporaries. Chapter Three delves into Hindemith's performing style and analyzes a few important points heard in the recording. It primarily focuses on such specific details as articulation and phrasing, and their relevance to the printed score"--Abstract.
Author: Tara Locher
Publisher:
ISBN:
Category : Sonatas (Flute and piano)
Languages : en
Pages : 262
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Book Description
Author: Ruth Emerson Harris
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Peter Vike
Publisher:
ISBN:
Category :
Languages : en
Pages : 230
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Book Description
Author: Stephen Luttmann
Publisher: Routledge
ISBN: 1135848416
Category : Music
Languages : en
Pages : 578
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Book Description
Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
Author: John Samuel Wannamaker
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
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Book Description
Author: Blake Taylor
Publisher:
ISBN:
Category : Harmonic analysis (Music)
Languages : en
Pages : 91
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Book Description
This thesis examines analytical facets in Paul Hindemith’s sonatas for brass and piano, ranging in date of composition from 1938 to 1955, while also considering Hindemith’s role as a neoclassicist and how these works help inform and shape our knowledge of Hindemith’s neoclassicism. The document is divided into four chapters: Hindemith and Tonality, Analytical Concerns and Methods, Brass Sonata Analyses, and Hindemith and Neoclassicism. As a fundamentally neoclassical composer, Hindemith combined traditional aspects of form with new applications of tonality, establishing within his music various levels of what he termed “key areas.” Through analyzing the corpus of sonatas for solo brass and piano, mid-level cadential and transitional phenomena become apparent. In particular, the descending half step is frequently used to navigate key areas that occupy multiple hierarchical levels of tonal space. These mid-level structures are revealed to have overarching hierarchical implications and ultimately inform our knowledge of Hindemith’s neoclassical style.
Author: Stephanie Ann Slobodzian
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Michael Ray Beard
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
The works of Paul Hindemith have become a staple of the wind band repertoire. The number of works is just a handful but there have been some interest in transcribing more of his works for teh wind band. This document explores and discusses a new transcription by Mark Spede of Hindemith's Piano Sonata for Four Hands that will expand teh available the available repertoire for wind ensembles. During this process, the biographical information about Hindemith, his compositional style as it relates to the Sonata, and an analysis of the work. Also discussed is the progression Dr. Spede went through to create the transcription, from his first exposure to the piece, the research, orchestration methods, and reflections on the transcription. The document will also assist conductors in the preparation of the piece for performance.
