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Author: James R. Hartman
Publisher: AuthorHouse
ISBN: 146781671X
Category : Language Arts & Disciplines
Languages : en
Pages : 518
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Book Description
An Actor’s Edition of Shakespeare Revisited is a book for actors, directors, professors of theatre and the general public. Each of the plays has been edited for more understandability and length. The intent of the book was to make the works more accessible without making the language modern. When audiences see a Shakespeare play, they have only one time to grasp the words as they are spoken. Audience members do not have time to look at lengthy explanations or notes about words or expressions. Therefore, this edition of these five plays, presents the plays so that audience members as well as actors can follow the plays with little difficulty. Some words have been changed to accomplish this. In certain speeches, subjects or verbs were supplied for understandability. Because Shakespeare used many pronouns, these plays make use of more nouns so that the meaning of who or what is being spoken about becomes more clear. The book also has some useful tools for the director and actors. A chart has been provided for each play that lists each character by act and scene. This can be very useful when there is a need to double cast actors. In addition, a “combination roles” page has also been added which gives suggestions for doubling parts for a smaller company. To help at rehearsals, page numbers for the beginning of each act and scene is provided on a single page for each play. Finally, each play has been broken into “beats” for the actor and the director. It is the hope of the author of this book that more people will find excitement in reading, performing, staging, or viewing Shakespeare because of the edited versions for understandability. Enjoy the plays---either reading or performing.
Author: James R. Hartman
Publisher: AuthorHouse
ISBN: 146781671X
Category : Language Arts & Disciplines
Languages : en
Pages : 518
Get Book Here
Book Description
An Actor’s Edition of Shakespeare Revisited is a book for actors, directors, professors of theatre and the general public. Each of the plays has been edited for more understandability and length. The intent of the book was to make the works more accessible without making the language modern. When audiences see a Shakespeare play, they have only one time to grasp the words as they are spoken. Audience members do not have time to look at lengthy explanations or notes about words or expressions. Therefore, this edition of these five plays, presents the plays so that audience members as well as actors can follow the plays with little difficulty. Some words have been changed to accomplish this. In certain speeches, subjects or verbs were supplied for understandability. Because Shakespeare used many pronouns, these plays make use of more nouns so that the meaning of who or what is being spoken about becomes more clear. The book also has some useful tools for the director and actors. A chart has been provided for each play that lists each character by act and scene. This can be very useful when there is a need to double cast actors. In addition, a “combination roles” page has also been added which gives suggestions for doubling parts for a smaller company. To help at rehearsals, page numbers for the beginning of each act and scene is provided on a single page for each play. Finally, each play has been broken into “beats” for the actor and the director. It is the hope of the author of this book that more people will find excitement in reading, performing, staging, or viewing Shakespeare because of the edited versions for understandability. Enjoy the plays---either reading or performing.
Author: James R. Hartman
Publisher:
ISBN: 9781491817339
Category :
Languages : en
Pages : 0
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Book Description
Shakespearean Tragedies Revisited: An Actor's Edition is an eloquent restatement of three of Shakespeare's tragedies for actors, directors, professors of theatre, and the general public. Each of the plays has been edited word by word for more understandability and length. The intent of the book was to make the works more accessible without making the language modern in order to help the audience member and actors follow the plays with little difficulty in order to find the richness of plots and characters. Each of the plays was tested on stage with very positive results. In fact, a few samples of the responses from the audiences include: "Inherently accessible." "First time I could follow a Shakespearean play." "As someone new to Shakespeare, this production helped me appreciate his genius." "I believe The Bard himself would have approved this lucid revision of his work for modern English speakers." In addition to the editing word by word, the book also contains a unit on how to act Shakespeare with some tips for the actor with little or no training in Shakespearean acting. The material is also a good review for the more experienced Shakespearean actor.
Author: E. Nesbit
Publisher: HarperCollins
ISBN: 0062468340
Category : Juvenile Fiction
Languages : en
Pages : 120
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Book Description
A beautifully illustrated collection of prose retellings of seven Shakespeare plays will bring the Bard to life for young readers. Not only is this a beautiful keepsake edition, full of gorgeous illustrations by Antonio Javier Caparo, but the prose retellings by beloved classic children’s book author E. Nesbit are an excellent tool to introduce children to the complex language of Shakespeare. A foreword by John Lithgow touches on his own childhood as a Shakespearean actor and the importance of Shakespeare. The book contains extensive support materials, including a biography, a timeline of Shakespeare’s life, and further recommended readings. In this volume, you will find: Romeo and Juliet A Midsummer Night’s Dream Twelfth Night Hamlet Macbeth The Tempest Much Ado About Nothing
Author: Sam Wright, Jr.
Publisher:
ISBN: 9781434367327
Category : Political Science
Languages : en
Pages : 276
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Book Description
YOU ARE BEING BETRAYED BY THE U.S. GOVERNMENT is a must read book for all Americans written by an American about the Constitution of the United States, the unconstitutional acts of the Government of the United States, and the abuses We the People suffer because of the Government's unconstitutional behavior. Every citizen of this country has a personal stake in our Government's unconstitutional conduct. This book explains step-by-step in simple, clear, and easy to understand language the unconstitutional behavior of the U.S. Government and how YOUR RIGHTS are being trampled upon. The unconstitutional acts described within are not the result of the Government's attempt to protect YOU from terror or anything else. Each Branch of the Federal Government is ignoring the Rights and the principles in the Constitution. The behavior of officials in each Branch of the Government proves that when our Constitution becomes inconvenient for them, they simply ignore it. The Executive Branch is out of control because Government officials are not held accountable for failing to support the Constitution. The Executive Branch is running amuck and fails to follow the rules and laws written by Congress. Congress fails to take the action necessary when it is perfectly clear to Congress that the Executive Branch is not upholding the Constitution or the laws. Federal judges, including the Justices of the Supreme Court, have repeatedly issued decisions that ignore the Constitution and the laws written by Congress. Congress can remove Federal judges, but the threat of removal has not deterred Federal judges. Federal judges do as they please!! Why? Because Congress permits them to!! Congress is our defense against oppressive Government officials. Congress is our watchdog for the store (the store being our Rights). Congress has failed to attend to its responsibilities. The checks and balances are no longer fully operative because Congress does not perform its watchdog function.
Author: Barry Edelstein
Publisher: Theatre Communications Group
ISBN: 155936890X
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Author: James Shapiro
Publisher: Simon and Schuster
ISBN: 1416541632
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
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Book Description
Author: NA NA
Publisher: Springer
ISBN: 1349622710
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Method Acting is one of the most popular and controversial approaches to acting in the United States. It has not only shaped important schools of acting, but has been a fundamental constant of all American acting. This insightful volume explores Method Acting from a broad perspective, focusing on a point of equilibrium between the principles of the Method and its relationship to other theories of performance. David Krasner has gathered together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.
Author: William Shakespeare
Publisher: Redbrick Books
ISBN: 1914927176
Category : Drama
Languages : en
Pages : 335
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Book Description
Tackling Othello? Easily understand every line and quickly master Shakespeare’s daunting text. Does Shakespeare’s 400-year-old language often leave you confused? Do you wish there was an easier way to get to the heart of the story without tedious cross-referencing? Award-winning Shakespearean author James Anthony unlocks each line of Othello via a modern, versified retelling alongside the brilliant original, empowering you to excel at this formidable text. In this book, you’ll discover: What each line of the complete original text means via a retelling printed directly below it. The precise meaning of each character motive, plot twist, convoluted phrase and befuddling reference. The rhythm and pacing Shakespeare uses to drive this classic story forward. How to form your own views by understanding the hidden subtleties of Shakespeare’s verse. How to sail through exams by quickly and easily transforming your knowledge of the text. Buy this Shakespeare Retold book today and enjoy Hamlet as you quickly learn this timeless masterpiece! PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU
Author: Deborah C. Payne
Publisher: Springer
ISBN: 3319465147
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.
