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Author: John Henry Schlegel
Publisher: Univ of North Carolina Press
ISBN: 0807864366
Category : History
Languages : en
Pages : 433
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Book Description
John Henry Schlegel recovers a largely ignored aspect of American Legal Realism, a movement in legal thought in the 1920s and 1930s that sought to bring the modern notion of empirical science into the study and teaching of law. In this book, he explores individual Realist scholars' efforts to challenge the received notion that the study of law was primarily a matter of learning rules and how to manipulate them. He argues that empirical research was integral to Legal Realism, and he explores why this kind of research did not, finally, become a part of American law school curricula. Schlegel reviews the work of several prominent Realists but concentrates on the writings of Walter Wheeler Cook, Underhill Moore, and Charles E. Clark. He reveals how their interest in empirical research was a product of their personal and professional circumstances and demonstrates the influence of John Dewey's ideas on the expression of that interest. According to Schlegel, competing understandings of the role of empirical inquiry contributed to the slow decline of this kind of research by professors of law. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: John Henry Schlegel
Publisher: Univ of North Carolina Press
ISBN: 0807864366
Category : History
Languages : en
Pages : 433
Get Book Here
Book Description
John Henry Schlegel recovers a largely ignored aspect of American Legal Realism, a movement in legal thought in the 1920s and 1930s that sought to bring the modern notion of empirical science into the study and teaching of law. In this book, he explores individual Realist scholars' efforts to challenge the received notion that the study of law was primarily a matter of learning rules and how to manipulate them. He argues that empirical research was integral to Legal Realism, and he explores why this kind of research did not, finally, become a part of American law school curricula. Schlegel reviews the work of several prominent Realists but concentrates on the writings of Walter Wheeler Cook, Underhill Moore, and Charles E. Clark. He reveals how their interest in empirical research was a product of their personal and professional circumstances and demonstrates the influence of John Dewey's ideas on the expression of that interest. According to Schlegel, competing understandings of the role of empirical inquiry contributed to the slow decline of this kind of research by professors of law. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Matthew Specter
Publisher: Stanford University Press
ISBN: 150362997X
Category : History
Languages : en
Pages : 409
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Book Description
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
Author: Mahonri Sharp Young
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 216
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Book Description
Author: Robert Rebein
Publisher: University Press of Kentucky
ISBN: 0813184592
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Robert Rebein argues that much literary fiction of the 1980s and 90s represents a triumphant, if tortured, return to questions about place and the individual that inspired the works of Hawthorne, Melville, Twain, Faulkner, and other giants of American literature. Concentrating on the realist bent and regional orientation in contemporary fiction, he discusses in detail the various names by which this fiction has been described, including literary postmodernism, minimalism, Hick Chic, Dirty Realism, ecofeminism, and more. Rebein's clearly written, nuanced interpretations of works by Raymond Carver, Cormac McCarthy, Don DeLillo, Louise Erdrich, Dorothy Allison, Barbara Kingsolver, E. Annie Proulx, Chris Offut, and others, will appeal to a wide range of readers.
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 80
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Book Description
Author: Stacy I. Morgan
Publisher: University of Georgia Press
ISBN: 9780820325798
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author: Joel H. Rosenthal
Publisher: LSU Press
ISBN: 9780807128046
Category : Political Science
Languages : en
Pages : 224
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Book Description
Political realism in post-World War II America has not been about power alone, but about reconciling power with moral and ethical considerations. The caricature of realism as an expression of amoral realpolitik has been inadequate and false, for realism in the nuclear age has pivoted as much on moral principles as on power politics. Joel H. Rosenthal’s survey of five noteworthy self-proclaimed political realists explores the realists’ overarching commitment to transforming traditional power politics into a form of “responsible power” commensurate with American values. Hans Morgenthau, George Kennan, Reinhold Niebuhr, Walter Lippman, and Dean Acheson—the most important and prolific of the American realists—all fought the excesses of crusading moralism while simultaneously promoting a concept of power politics that retained a moral component at its core. This is the story of how architects of containment, present at the creation of the new bipolar world shaped by the threat of “mutual assured destruction,” became ardent critics of that world. It describes realism as a product of a particular time and place—a set of values, assumptions, processes of moral reasoning, and views about America’s role in the world. Much of the current scholarship on the modern American realists dwells on the alleged inconsistencies of realism as a political theory, and the tortuous mixture of piety and detachment exhibited in the lives of the realists themselves. Rosenthal takes the opposite tack, assembling the ties that bind realism into a coherent world view, rather than deconstructing it into irreconcilable fragments. Rosenthal maintains that the postwar American realists may be best understood as products of the historical and cultural context from which they emerged. Their attempts to articulate a “public philosophy” and integrate values into decision making in international affairs reflected their views on both the way the world “is” and the way the world “ought to be.” This study explains realism as an effort to articulate a prescriptive framework for working toward the ideal while living in the real. In doing so, it reveals the realists’ insistence on evaluating competing claims and on accepting paradox as an inevitable component of moral choice.
Author: William W. Fisher, III
Publisher: OUP USA
ISBN: 9780195071238
Category : Law
Languages : en
Pages : 344
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Book Description
A comprehensive, in-depth discussion of the most influential movement in American legal history, and one which remains more than fifty years later the subject of lively debate, this collection of readings, written largely between 1900 and 1940, includes works from prominent writers on the subject that have never before been generally available. Introduced and edited by noted scholars in the field, the anthology includes such contributors as Oliver Wendell Holmes, James Thayer, Roscoe Pound, John Chipman Gray, Wesley Hohfeld, Karl Llewellyn, Arthur Corbin, Nathan Issacs, Robert Hale, Harold Laski, Max Radin, and others. With concise biographical notes as well as introductions to provide historical context, each selection addresses a different debate involving Legal Realism. Included is a selective bibliography, making the text valuable to a broad range of scholars.
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 0870997009
Category : Impressionism (Art)
Languages : en
Pages : 400
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Book Description
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Author: Michael Davitt Bell
Publisher: University of Chicago Press
ISBN: 9780226042022
Category : Education
Languages : en
Pages : 260
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Book Description
Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of "realism" and "naturalism" as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent "realist" and "naturalist" literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell argues that in America, "realism" and "naturalism" never achieved the sort of theoretical rigor that they did in European literary debate. Instead, the function of these ideas in America was less aesthetic than ideological, promoting as "reality" a version of social normalcy based on radically anti-"literary" and heavily gendered assumptions. What effects, Bell asks, did ideas about realism and naturalism have on writers who embraced and resisted them? To answer this question, he devotes separate chapters to the work of Howells and Frank Norris (the principal American advocates of realism and naturalism in the 1880s and 1890s), Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett. Bell reveals that a chief function of claiming to be a realist or a naturalist was to provide assurance that one was a "real" man rather than an "effeminate" artist. Since the 1880s, Bell asserts, all serious American fiction writers have had to contend with this problematic conception of literary realism. The true story of the transformation of American fiction after the Civil War is the history of this contention - a history of individual accommodations, evasions, holding actions, and occasional triumphs.
