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Author: Kathy Ryan
Publisher: Amilus
ISBN: 9781886212282
Category : Commercial photography
Languages : en
Pages : 0
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Book Description
The world is swimming in a sea of photographic images--on billboards, in magazines, glutting the Internet...American Photography has been bravely diving into that sea for the last two decades, emerging with the most innovative images of the year. This year's jury--composed of Kathy Ryan, Photo Editor of The New York Times Magazine; Stephen Frailey of the School of Visual Arts Photography Department; David Harris, Design Director of Vanity Fair; Lesley A. Martin, Executive Editor of Aperture; Stephen Mayes of Image Source and World Press Photo; and Greg Pond, Photo Editor for Fortune magazine--has found a treasure trove of images by seasoned professionals and talented emerging photographers. With the near-ubiquity of digital cameras, photographers are testing very new equipment and challenging us with results that are continually pushing this medium further than it has gone before. These photographers may be familiar to the art world, or the pages of fashion magazines, or they may be out on the front line, getting heart-stopping journalistic shots that convey the true cost of conflict. American Photography explores what it means to use photographic images to communicate--how what we are saying and how we are saying it changes by degrees year after year. Among this year's roster are Yael Ben-Zion, Paolo Pellegrin, Martin Parr, Annie Leibovitz, Brigitte Lacombe, Lauren Greenfield, Nan Goldin, Lee Friedlander, Luc Delahaye, Jean Paul Goude, Vincent Laforet, Spencer Platt, Martin Schoeller and Stephanie Sinclair.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 620
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Book Description
Author: Lisa Hostetler
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
This in-depth and generously illustrated look at six postwar photographers, along with a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. Street Seen, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model s unflinching look at the urban environment; Louis Faurer s portraits of eccentrics in Times Square; Ted Croner s haunting night images; Saul Leiter s evocative glimpses of daily life; William Klein s graphic, confrontational style; and Robert Frank s documentation of American ideals gone awry these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America. An essay by Lisa Hostetler explores the aesthetic revolution that took place after the war and reveals the principles of spontaneity and subjective interpretation that guided these photographers as they sought to make sense of new realities. A timeline, brief biographies, and bibliography are also included in this valuable compilation of the mid-century s most influential photography.
Author: James Guimond
Publisher: UNC Press Books
ISBN: 9780807843086
Category : Social Science
Languages : en
Pages : 368
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Book Description
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Author: David Campany
Publisher: Aperture
ISBN: 9781597112406
Category : Photography
Languages : en
Pages : 0
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Book Description
After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Many photographers embarked on trips across the U.S. in order to create work, including Robert Frank, whose seminal 1955 road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma later became Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato and Nico Krebs. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany's introduction to the genre and eighteen chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made on the road from The Americans to present day.
Author: American illustration-American photography (New York, N.Y.).
Publisher: Amilus
ISBN: 9781886212381
Category : Advertising photography
Languages : en
Pages : 0
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Book Description
"Presents the winning images from our annual competition held in February 2012 in New York City"--Colophon.
Author: Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9780292753013
Category : Photography
Languages : en
Pages : 0
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Book Description
Capturing the world in color was one of photography’s greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston’s photographs at the Museum of Modern Art, did the art world embrace color. By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography’s documentary foundations with the creative flexibility of painting. Sylvie Pénichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.
Author: John Szarkowski
Publisher:
ISBN: 9780870704765
Category :
Languages : en
Pages : 0
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Author: Sharon Corwin
Publisher: Univ of California Press
ISBN: 0520265629
Category : Art
Languages : en
Pages : 212
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Book Description
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 660
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Book Description
Author: Gretchen Garner
Publisher: JHU Press
ISBN: 9780801871672
Category : Art
Languages : en
Pages : 344
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Book Description
In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
