Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 66
Book Description
American Music Center Newsletter
Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 66
Book Description
American Music Center Newsletter
Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 82
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 82
Book Description
Music Today Newsletter
Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
Book Description
AMC Newsletter
Author: American Music Center (New York, N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 174
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 174
Book Description
Newsletter - Institute for Studies in American Music
Author: Brooklyn College. Institute for Studies in American Music
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
LA MúsiCa
Author:
Publisher:
ISBN:
Category : Latin Americans
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Latin Americans
Languages : en
Pages : 44
Book Description
Institute for Studies in American Music Newsletter
Author: Brooklyn College. Institute for Studies in American Music
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Catalog of the American Music Center Library
Author: American Music Center. Library
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 246
Book Description
Industry
Author: William Robin
Publisher: Oxford University Press
ISBN: 0190068671
Category : Music
Languages : en
Pages : 288
Book Description
Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers--David Lang, Michael Gordon, and Julia Wolfe--nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived--and thrived--in a tumultuous and idealistic moment that made new music what it is today.
Publisher: Oxford University Press
ISBN: 0190068671
Category : Music
Languages : en
Pages : 288
Book Description
Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers--David Lang, Michael Gordon, and Julia Wolfe--nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived--and thrived--in a tumultuous and idealistic moment that made new music what it is today.
Newsletter - American Musical Instrument Society
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 20
Book Description