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Author: Karen A. Sherry
Publisher: Pomegranate
ISBN: 9780764962653
Category : Art
Languages : en
Pages : 128
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Book Description
During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.
Author: Karen A. Sherry
Publisher: Pomegranate
ISBN: 9780764962653
Category : Art
Languages : en
Pages : 128
Get Book Here
Book Description
During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.
Author: Edward J. Sullivan
Publisher: Laurence King Publishing
ISBN: 9781786271556
Category : Art
Languages : en
Pages : 0
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Book Description
This book presents an audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century. Rather than viewing modernization as a steady progression from one "ism" to another, Edward Sullivan adopts a comparative approach, drawing his examples from North America, the Caribbean, Central, and South America. By considering the Americas in this hemispheric sense he is able to tease out many stories of art and focus on the ways in which artists from different regions not only adapted and experimented with visual expression, but also absorbed trans-national as well as international influences. He shows how this rich diversity is most evident in the various forms of abstract art that emerged throughout the Americas and which in turn had an impact on art throughout the world.
Author: Christine Stansell
Publisher: Macmillan
ISBN: 9780805067354
Category : History
Languages : en
Pages : 436
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Book Description
In the early years of the 20th century, a band of talented individualists living in Greenwich Village set out to change the world. Committed to free speech, free love, and political art, they swept away sexual prudery, stodgy bourgeois art, and political conservatism. Stansell offers a comprehensive history of this period that flourished briefly until America entered the First World War and patriotism trumped self-expression. Illustrations.
Author: Marianna Kistler Beach Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Author: Gerald Horne
Publisher: NYU Press
ISBN: 081473667X
Category : History
Languages : en
Pages : 285
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Book Description
Drawing on archives on both sides of the border, the author chronicles the political currents which created and then undermined the Mexican border as a relative safe haven for African Americans.
Author: Cherie Fehrman
Publisher: Fehrman Books
ISBN: 9780984200108
Category : Architecture
Languages : en
Pages : 244
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Book Description
A scholarly review of the prominent designers and designs from 1910-1960 covering the Organic Design Movement, methods and materials of construction and in-depth measurements with hundreds of archival photographs.
Author: Ross Wetzsteon
Publisher: Simon and Schuster
ISBN: 9780684869964
Category : History
Languages : en
Pages : 668
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Book Description
Chronicles the New York City neighborhood's role as a bohemian enclave that became the home of and transformed the lives of individuals who came to the neighborhood to pursue their individual artistic, personal, and political dreams.
Author: Julia María Schiavone Camacho
Publisher: Univ of North Carolina Press
ISBN: 0807835404
Category : History
Languages : en
Pages : 246
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Book Description
"Published in association with the William P. Clements Center for Southwest Studies, Southern Methodist University."
Author: John M. McCarthy
Publisher:
ISBN: 9780875803944
Category : City planning
Languages : en
Pages : 0
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Book Description
Progressive Era city planners are best known for grandiose civic designs, boosterish planning reports, and promoting technical expertise. Traditionally, Milwaukee has not been considered a national standout in these early endeavors; however, the planners in this city are distinctive precisely because they prioritized solving the social problem of overcrowding in lieu of more conventional planning goals. Another unique characteristic of this period is the long tenure of socialist city government. McCarthy offers fresh new insights into socialism's impact on Milwaukee, studying the planning and growth policies of all three of the city's socialist mayors and finding striking continuity in the movement's metropolitan visions. While most of its Midwest counterparts saw their urban boundaries frozen, Milwaukee grew dramatically during this crucial era in American urban history. Its growth, however, drew the ire of increasingly hostile suburban neighbors, resulting in a prolonged conflict between city and suburbs that reached a crescendo in the 1950s, when suburbanization overwhelmed Milwaukee's capacity to grow. McCarthy concludes his study with thoughtful observation on Milwaukee's relationship to its suburbs at the beginning of the twenty-first century. Making Milwaukee Mightier amplifies the importance of some historical figures rarely discussed by urban historians, including Charles Whitnall, the city's most influential planner, and Frank Zeidler, the last socialist mayor in modern U.S. history whose views on urban redevelopment differed greatly from his postwar contemporaries in other cities. McCarthy takes such issues as planning, housing, annexation, and suburbanization--often viewed in isolation from one another--and examines the roles each played in the battle for Milwaukee's growth. He also situates Milwaukee's metropolitan history nationally and illuminates the city's role as a forerunner for some of urban America's most unique policies. Urban historians, city planners, practitioners, and those interested in the history of Milwaukee will enjoy McCarthy's highly original work.
Author: Heather Hole
Publisher: Yale University Press
ISBN: 9780300121490
Category : Art
Languages : en
Pages : 200
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Book Description
A revelatory look at Hartley's New Mexico landscapes and the darker side of postwar American modernism Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.
