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Author: Daniel Katz
Publisher: Edinburgh University Press
ISBN: 0748691227
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book attempts to address the paradoxes inherent in international modernism (a literary movement which at once strove to cross borders of nation, language, and tradition yet which at the same time often endorsed nationalist and 'racial' models of iden
Author: Daniel Katz
Publisher: Edinburgh University Press
ISBN: 0748691227
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book attempts to address the paradoxes inherent in international modernism (a literary movement which at once strove to cross borders of nation, language, and tradition yet which at the same time often endorsed nationalist and 'racial' models of iden
Author: Donald Pizer
Publisher:
ISBN: 9780807120262
Category : Social Science
Languages : en
Pages : 149
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Book Description
Montparnasse and its cafe life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafes along the Seine, and the Right Bank world of the well-to-do...for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not a milieu that through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of "the Paris moment" in their writing is the altogether fresh focus of Donald Pizer's study of seven of their major works. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates' response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work's themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place and innovative self-reflexive forms composes, Pizer maintains the most distinctive contribution of expatriate writing to the literary movement called high modernism.
Author: Joshua L. Miller
Publisher: Cambridge University Press
ISBN: 1107083958
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This Companion offers a comprehensive analysis of U.S. modernism as part of a global literature. Recent writing on U.S. immigration, imperialism, and territorial expansion has generated fresh reasons to read modernist novelists, both prominent and forgotten. Written by a host of leading scholars, this Companion provides unique approaches to modernist texts.
Author: Ahmad Rasmi Qabaha
Publisher: Springer
ISBN: 3319914154
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.
Author: Jason Harding
Publisher: Oxford University Press
ISBN: 019255459X
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book explores the incorporation of untranslated fragments from various languages within modernist writing. It studies non-translation in modernist fiction, poetry, and other forms of writing, with a principally European focus and addresses the following questions: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this key period? This edited volume, written by leading scholars of modernism, explores American, British, and Irish texts, alongside major French and German writers and the wider modernist recovery of Classical languages. The chapters analyse non-translation from the dual perspectives of both 'insider' and 'outsider', unsettling that false opposition and articulating in the process their individuality of expression and experience. The range of voices explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Together, these essays seek to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, thus helping to re-define our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
Author: Alexandra Peat
Publisher: Routledge
ISBN: 1136911820
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Through close readings of works from Henry James to W. E. B. Du Bois, and from Virginia Woolf to Jean Rhys, this book discusses how fictional travelers negotiate and adapt various tropes of travel (such as quest, expatriation, displacement, and exile) as models for their own journeys. Specifically, Peat considers the ethical dimensions of modernist travel from two distinct vantages. The first focuses on the relationship between the secular and the sacred in modernist travel literature, arguing that the recurrent narrative of secular travel is haunted by a desire for spiritual transcendence. The second posits modernist travel fiction as a potentially positive example of transcultural relations, consciously arguing against the received notion that travel during an imperial era is always by nature itself imperialist. Throughout, particular attention is paid to the transnational nature of modernism and the various global flows traced by modernist literature.
Author: Lynn Domina
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
A perfect guide for use in high school classes, this book explores the fascinating literature of the Harlem Renaissance, reviewing classic works in the context of the history, society, and culture of its time. The Harlem Renaissance is one of the most interesting eras in African American literature as well as a highly regarded period in our country's literary history. The works produced during this span reflect a turbulent social climate in America ... a time fraught with both opportunities and injustices for minorities. In this enlightening guide, author and educator Lynn Domina examines the literature of the Harlem Renaissance along with the cultural and societal factors influencing its writers. This compelling book illuminates the cultural conditions affecting the lives of African Americans everywhere, addressing topics such as prohibition, race riots, racism, interracial marriage, sharecropping, and lynching. Each chapter includes historical background on both the literary work and the author and explores several themes through historical document excerpts and thoughtful analysis to illustrate how literature responded to the surrounding social circumstances. Chapters conclude with a discussion of why and how the literary work remains relevant today.
Author: Donald Pizer
Publisher: LSU Press
ISBN: 9780807122204
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
Montparnasse and its café life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafés along the Seine, and the Right Bank world of the well-to-do . . . for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not: a milieu that, through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of “the Paris moment” in their writing is the altogether fresh focus of Donald Pizer’s study of seven of their major works. Pizer elucidates a striking difference between the genres of expatriate autobiography and fiction, and arranges his discussion accordingly. He first examines Ernest Hemingway’s A Moveable Feast, Gertrude Stein’s The Autobiography of Alice B. Toklas, and The Diary of Anaïs Nin, 1931–1934, all of which depict the emergence and triumph of the creative imagination within the Paris context. He then turns to Hemingway’s The Sun Also Rises, John Dos Passos’ Nineteen-Nineteen, and F. Scott Fitzgerald’s Tender Is the Night, which dramatize the tragic potential in seeking a richness and intensity of creative expression within the city’s setting. Henry Miller’s Tropic of Cancer, a relatively late example of American expatriate writing, constitutes a synthesis of the two tendencies, Pizer shows. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates’ response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work’s themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience, that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place, and innovative self-reflexive forms composes, Pizer maintains, the most distinctive contribution of expatriate writing to the literary movement called high modernism.
Author: Eric B White
Publisher: Edinburgh University Press
ISBN: 0748645225
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.
Author: Suzanne del Gizzo
Publisher: Cambridge University Press
ISBN: 1108849148
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
