Author: Smithsonian American Art Museum
Publisher: Giles
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
Tells the colorful story of the Renwick Gallery's initial glory, decline, and rebirth over a period of 160 years
American Louvre
Author: Smithsonian American Art Museum
Publisher: Giles
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
Tells the colorful story of the Renwick Gallery's initial glory, decline, and rebirth over a period of 160 years
Publisher: Giles
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
Tells the colorful story of the Renwick Gallery's initial glory, decline, and rebirth over a period of 160 years
The American School of Empire
Author: Edward Larkin
Publisher: Cambridge University Press
ISBN: 110714020X
Category : Art
Languages : en
Pages : 165
Book Description
This book explores how the idea of empire shaped the culture and politics of the United States from its foundation.
Publisher: Cambridge University Press
ISBN: 110714020X
Category : Art
Languages : en
Pages : 165
Book Description
This book explores how the idea of empire shaped the culture and politics of the United States from its foundation.
A Is for American
Author: Jill Lepore
Publisher: Vintage
ISBN: 0375704086
Category : Language Arts & Disciplines
Languages : en
Pages : 258
Book Description
What ties Americans to one another? What unifies a nation of citizens with different racial, religious and ethnic backgrounds? These were the dilemmas faced by Americans in the eighteenth and nineteenth centuries as they sought ways to bind the newly United States together. In A is for American, award-winning historian Jill Lepore portrays seven men who turned to language to help shape a new nation’s character and boundaries. From Noah Webster’s attempts to standardize American spelling, to Alexander Graham Bell’s use of “Visible Speech” to help teach the deaf to talk, to Sequoyah’s development of a Cherokee syllabary as a means of preserving his people’s independence, these stories form a compelling portrait of a developing nation’s struggles. Lepore brilliantly explores the personalities, work, and influence of these figures, seven men driven by radically different aims and temperaments. Through these superbly told stories, she chronicles the challenges faced by a young country trying to unify its diverse people.
Publisher: Vintage
ISBN: 0375704086
Category : Language Arts & Disciplines
Languages : en
Pages : 258
Book Description
What ties Americans to one another? What unifies a nation of citizens with different racial, religious and ethnic backgrounds? These were the dilemmas faced by Americans in the eighteenth and nineteenth centuries as they sought ways to bind the newly United States together. In A is for American, award-winning historian Jill Lepore portrays seven men who turned to language to help shape a new nation’s character and boundaries. From Noah Webster’s attempts to standardize American spelling, to Alexander Graham Bell’s use of “Visible Speech” to help teach the deaf to talk, to Sequoyah’s development of a Cherokee syllabary as a means of preserving his people’s independence, these stories form a compelling portrait of a developing nation’s struggles. Lepore brilliantly explores the personalities, work, and influence of these figures, seven men driven by radically different aims and temperaments. Through these superbly told stories, she chronicles the challenges faced by a young country trying to unify its diverse people.
American Railroad Journal
Author:
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 896
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 896
Book Description
The Italian Presence in American Art, 1760-1860
Author: Irma B. Jaffe
Publisher: Fordham Univ Press
ISBN: 9780823212491
Category : Art
Languages : en
Pages : 308
Book Description
Annotation. Sixteen essays examine aspects of American art that owe a debt to Italy and Italian artists. A central theme is the tension between perceptions of Italy as a mythic presence, the visual incarnation of spirit, and a contrasting ambivalence felt by many Americans about the cultural ties binding them to Europe despite their political independence. With some 200 illustrations, 36 in color. Not indexed. Pre-publication price, $49.95, until 12-31-90. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
Publisher: Fordham Univ Press
ISBN: 9780823212491
Category : Art
Languages : en
Pages : 308
Book Description
Annotation. Sixteen essays examine aspects of American art that owe a debt to Italy and Italian artists. A central theme is the tension between perceptions of Italy as a mythic presence, the visual incarnation of spirit, and a contrasting ambivalence felt by many Americans about the cultural ties binding them to Europe despite their political independence. With some 200 illustrations, 36 in color. Not indexed. Pre-publication price, $49.95, until 12-31-90. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
Craft for a Modern World
Author: Renwick Gallery
Publisher: Giles
ISBN: 9781907804823
Category : ART
Languages : en
Pages : 0
Book Description
Features over 180 highlights from the Renwick Gallery's remarkable collection of craft objects from the 19th century to the present.
Publisher: Giles
ISBN: 9781907804823
Category : ART
Languages : en
Pages : 0
Book Description
Features over 180 highlights from the Renwick Gallery's remarkable collection of craft objects from the 19th century to the present.
The American Magazine
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 302
Book Description
The Early American Daguerreotype
Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262334100
Category : Photography
Languages : en
Pages : 227
Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Publisher: MIT Press
ISBN: 0262334100
Category : Photography
Languages : en
Pages : 227
Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 536
Book Description
American Artists & the Louvre
Author: Elizabeth Kennedy
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 156
Book Description