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Author: American Laboratory Theatre (New York, N.Y.)
Publisher:
ISBN:
Category : Method acting
Languages : en
Pages :
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Book Description
The American Laboratory Theatre, sometimes referred to as the 'Lab', was founded in 1923 in New York City as both a professional theatrical group and a school. The collection consists mostly of administrative correspondence, as well as production programs, photographs, newspaper clippings, and some student files, all related to the school's efforts. Also in the collection are some secondary research materials about the theatre and school.
Author: American Laboratory Theatre (New York, N.Y.)
Publisher:
ISBN:
Category : Method acting
Languages : en
Pages :
Get Book Here
Book Description
The American Laboratory Theatre, sometimes referred to as the 'Lab', was founded in 1923 in New York City as both a professional theatrical group and a school. The collection consists mostly of administrative correspondence, as well as production programs, photographs, newspaper clippings, and some student files, all related to the school's efforts. Also in the collection are some secondary research materials about the theatre and school.
Author: Richard Boleslavsky
Publisher: Routledge
ISBN: 1136939865
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Acting: The First Six Lessons was first published in 1933 and remains a key text for anyone studying acting today. These dramatic dialogues between teacher and idealistic student explore the field of acting according to one of the original teachers of Stanislavsky’s System in America. This new edition of an essential text is edited by Rhonda Blair and supplemented for the very first time with documents from the American Laboratory Theatre. These collect together a broad range of exciting unpublished material, drawn from Boleslavsky’s pivotal and unprecedented teachings on acting at the American Laboratory Theatre. Included are: "The Creative Theatre Lectures" by Richard Boleslavsky Boleslavsky’s "Lectures from the American Laboratory Theatre" "Acting with Maria Ouspenskaya," four short essays on the work of Ouspenskaya, Boleslavsky’s colleague and fellow actor trainer A new critical introduction and bibliography by the Editor.
Author: American Laboratory Theatre
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: RONALD A. WILLIS
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Richard Boleslavsky
Publisher: Echo Point+ORM
ISBN: 1648371280
Category : Performing Arts
Languages : en
Pages : 116
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Book Description
The classic text on the craft of Method acting by the founder of The American Laboratory Theatre. After studying at the Moscow Art Theatre under Konstantin Stanislavski, Richard Boleslavsky became one of the most important acting teachers of his or any generation. Bringing Stanislavski’s system to America in the 1920s and 30s, he influenced many of the titans of American drama, from his own students—including Lee Strasburg and Stella Adler—to Marlon Brando, Paul Newman, and many others. In Acting: The First Six Lessons, Boleslavsky presents his acting theory and technique in a series of accessible and engaging dialogues. Widely considered a must-have for any serious actor, Boleslavsky’s work has long helped actors better understand their craft.
Author: Cynthia Baron
Publisher: Springer
ISBN: 1137406550
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
Everyone has heard of Method acting . . . but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors’ work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s – and Hollywood’s new role as America’s primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. Decades after Strasberg’s death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron’s examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performing arts if the Actors’ Lab in Hollywood (1941-1950) had survived the Cold War.
Author: Robert A Schanke
Publisher: SIU Press
ISBN: 9780809327478
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures.
Author: Bryan Keith Brown
Publisher: Routledge
ISBN: 9781138680005
Category : Experimental theater
Languages : en
Pages : 0
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Book Description
The term 'theatre laboratory' has entered the regular lexicon of theatre artists, producers, scholars and critics alike. Bryan Brown offers two archetypes of group organisation that can be applied across the arts and sciences, and reveals a complex history of the laboratory's characteristics and functions that support the term's use in theatre.
Author: Harold Clurman
Publisher: Hal Leonard Corporation
ISBN: 9781557832641
Category : Performing Arts
Languages : en
Pages : 1124
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Book Description
(Applause Books). For six decades, Harold Clurman illuminated our artistic, social, and political awareness in thousands of reviews, essays, and lectures. His work appeared indefatigably in The Nation, The New Republic, The London Observer, The New York Times, Harper's, Esquire, New York Magazine , and more. The Collected Works of Harold Clurman captures over six hundred of Clurman's encounters with the most significant events in American theatre as well as his regular passionate embraces of dance, music, art and film. This chronological epic offers the most comprehensive view of American theatre seen through the eyes of our most extraordinary critic. 1102 pages, hardcover.
Author: Helmar Schramm
Publisher: Walter de Gruyter
ISBN: 3110201550
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them. This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).
