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Author: Margot Liberty
Publisher: Editorial Galaxia
ISBN: 9780806133720
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
Based on papers delivered at the 1976 meeting of the American Ethnological Society, American Indian Intellectuals of the Nineteenth and Early Twentieth Centuries offers biographical sketches of major American Indian scholars and historians between 1828 and 1975. Edited by Margot Liberty, this book includes important individuals from throughout the United States, including the Northwest Coast (William Beynon), the Great Basin(Sarah Winnemucca), the Southwest(Flora Zuni), the Northeast (Jesse Cornplanter, Alexander General, Arthur Parker, and Ely Parker), and the Plains (George Bushotter, Charles Eastman, Francis La Flesche, John Joseph Mathews, James Murie, and Bill Shakespeare). As liberty notes in her introduction, the biographies of these individuals are marked by the "awareness of life-ways precious because they were unique, each in its own way, and more precious because they were rapidly vanishing. Linked to this awareness was dedication to the task of preserving at least something for the future ....There is no more poignant record of the pressures of acculturation than some of the personal vignettes presented here."
Author: Margot Liberty
Publisher: Editorial Galaxia
ISBN: 9780806133720
Category : Biography & Autobiography
Languages : en
Pages : 292
Get Book Here
Book Description
Based on papers delivered at the 1976 meeting of the American Ethnological Society, American Indian Intellectuals of the Nineteenth and Early Twentieth Centuries offers biographical sketches of major American Indian scholars and historians between 1828 and 1975. Edited by Margot Liberty, this book includes important individuals from throughout the United States, including the Northwest Coast (William Beynon), the Great Basin(Sarah Winnemucca), the Southwest(Flora Zuni), the Northeast (Jesse Cornplanter, Alexander General, Arthur Parker, and Ely Parker), and the Plains (George Bushotter, Charles Eastman, Francis La Flesche, John Joseph Mathews, James Murie, and Bill Shakespeare). As liberty notes in her introduction, the biographies of these individuals are marked by the "awareness of life-ways precious because they were unique, each in its own way, and more precious because they were rapidly vanishing. Linked to this awareness was dedication to the task of preserving at least something for the future ....There is no more poignant record of the pressures of acculturation than some of the personal vignettes presented here."
Author: Margot Liberty
Publisher: St. Paul : West Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
"The present volume represents an effort to bring together biographical sketches of some of the most outstanding North American Indian intellectuals of the nineteenth and early twentieth centuries--individuals who for the most part made lasting contributions to the enterprise of anthropology, although a few were more involved politically, or as writers, than they were scientific scholars. They represent a wide range of kinds of human beings--from different historical periods, different educational and tribal backgrounds, and very different views of the world surrounding them, as well as personal roles played within it."--Page 1.
Author: Steven Conn
Publisher: University of Chicago Press
ISBN: 0226114953
Category : History
Languages : en
Pages : 289
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Book Description
Answers thought-provoking questions about who Native Americans were, where they came from, and how long ago, and explains how such issues have forced Americans to confront not only the meaning of the history of Native Americans, but of their own history as well.
Author: Kiara M. Vigil
Publisher: Cambridge University Press
ISBN: 131635217X
Category : History
Languages : en
Pages : 379
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Book Description
In the United States of America today, debates among, between, and within Indian nations continue to focus on how to determine and define the boundaries of Indian ethnic identity and tribal citizenship. From the 1880s and into the 1930s, many Native people participated in similar debates as they confronted white cultural expectations regarding what it meant to be an Indian in modern American society. Using close readings of texts, images, and public performances, this book examines the literary output of four influential American Indian intellectuals who challenged long-held conceptions of Indian identity at the turn of the twentieth century. Kiara M. Vigil traces how the narrative discourses created by these figures spurred wider discussions about citizenship, race, and modernity in the United States. Vigil demonstrates how these figures deployed aspects of Native American cultural practice to authenticate their status both as indigenous peoples and as citizens of the United States.
Author: Frederick E. Hoxie
Publisher: Oxford University Press
ISBN: 0190614021
Category : History
Languages : en
Pages :
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Book Description
"Everything you know about Indians is wrong." As the provocative title of Paul Chaat Smith's 2009 book proclaims, everyone knows about Native Americans, but most of what they know is the fruit of stereotypes and vague images. The real people, real communities, and real events of indigenous America continue to elude most people. The Oxford Handbook of American Indian History confronts this erroneous view by presenting an accurate and comprehensive history of the indigenous peoples who lived-and live-in the territory that became the United States. Thirty-two leading experts, both Native and non-Native, describe the historical developments of the past 500 years in American Indian history, focusing on significant moments of upheaval and change, histories of indigenous occupation, and overviews of Indian community life. The first section of the book charts Indian history from before 1492 to European invasions and settlement, analyzing US expansion and its consequences for Indian survival up to the twenty-first century. A second group of essays consists of regional and tribal histories. The final section illuminates distinctive themes of Indian life, including gender, sexuality and family, spirituality, art, intellectual history, education, public welfare, legal issues, and urban experiences. A much-needed and eye-opening account of American Indians, this Handbook unveils the real history often hidden behind wrong assumptions, offering stimulating ideas and resources for new generations to pursue research on this topic.
Author: Philip L. Kohl
Publisher: University of Arizona Press
ISBN: 0816531129
Category : Social Science
Languages : en
Pages : 257
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Book Description
Nature and Antiquities analyzes how the study of indigenous peoples was linked to the study of nature and natural sciences. Leading scholars break new ground and entreat archaeologists to acknowledge the importance of ways of knowing in the study of nature in the history of archaeology.
Author: David Martinez
Publisher:
ISBN: 9780801449284
Category : American prose literature
Languages : en
Pages : 0
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Book Description
Thirty-one essays that exemplify Native American thinking on such issues as identity, autonomy, and sovereignty over two centuries.
Author: Lee D. Baker
Publisher: Duke University Press Books
ISBN: 9780822346982
Category : Social Science
Languages : en
Pages : 292
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Book Description
In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not. Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Lucy Maddox
Publisher: Cornell University Press
ISBN: 9780801443541
Category : History
Languages : en
Pages : 168
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Book Description
By the 1890s, white Americans were avid consumers of American Indian cultures. At heavily scripted Wild West shows, Chautauquas, civic pageants, expositions, and fairs, American Indians were most often cast as victims, noble remnants of a vanishing race, or docile candidates for complete assimilation. However, as Lucy Maddox demonstrates in Citizen Indians, some prominent Indian intellectuals of the era--including Gertrude Bonnin, Charles Eastman, and Arthur C. Parker--were able to adapt and reshape the forms of public performance as one means of entering the national conversation and as a core strategy in the pan-tribal reform efforts that paralleled other Progressive-era reform movements.Maddox examines the work of American Indian intellectuals and reformers in the context of the Society of American Indians, which brought together educated, professional Indians in a period when the "Indian question" loomed large. These thinkers belonged to the first generation of middle-class American Indians more concerned with racial categories and civil rights than with the status of individual tribes. They confronted acute crises: the imposition of land allotments, the abrogation of the treaty process, the removal of Indian children to boarding schools, and the continuing denial of birthright citizenship to Indians that maintained their status as wards of the state. By adapting forms of public discourse and performance already familiar to white audiences, Maddox argues, American Indian reformers could more effectively pursue self-representation and political autonomy.
