Author: Christopher Bigsby
Publisher: Bloomsbury Publishing
ISBN: 1350340502
Category : Performing Arts
Languages : en
Pages : 225
Book Description
In American Dramatists in the 21st Century: Opening Doors, Christopher Bigsby examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their plays, including several as yet unpublished, he notes their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. The writers studied come from a diverse range of racial, religious and immigrant backgrounds. Five of the seven are women. Together, they open doors on a changing theatre and a changing America, as ever concerned with identity, both personal and national. This is the third in a series of books which, together, have explored the work of twenty-four American playwrights who have emerged in the current century.
American Dramatists in the 21st Century
Author: Christopher Bigsby
Publisher: Bloomsbury Publishing
ISBN: 1350340502
Category : Performing Arts
Languages : en
Pages : 225
Book Description
In American Dramatists in the 21st Century: Opening Doors, Christopher Bigsby examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their plays, including several as yet unpublished, he notes their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. The writers studied come from a diverse range of racial, religious and immigrant backgrounds. Five of the seven are women. Together, they open doors on a changing theatre and a changing America, as ever concerned with identity, both personal and national. This is the third in a series of books which, together, have explored the work of twenty-four American playwrights who have emerged in the current century.
Publisher: Bloomsbury Publishing
ISBN: 1350340502
Category : Performing Arts
Languages : en
Pages : 225
Book Description
In American Dramatists in the 21st Century: Opening Doors, Christopher Bigsby examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their plays, including several as yet unpublished, he notes their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. The writers studied come from a diverse range of racial, religious and immigrant backgrounds. Five of the seven are women. Together, they open doors on a changing theatre and a changing America, as ever concerned with identity, both personal and national. This is the third in a series of books which, together, have explored the work of twenty-four American playwrights who have emerged in the current century.
Twenty-First Century American Playwrights
Author: Christopher Bigsby
Publisher: Cambridge University Press
ISBN: 1108419585
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.
Publisher: Cambridge University Press
ISBN: 1108419585
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.
American Dramatists in the 21st Century
Author: C. W. E. Bigsby
Publisher:
ISBN: 1350340529
Category : African American dramatists
Languages : en
Pages : 0
Book Description
"Analyzing the work of 7 American playwrights whose careers began in the present century, each chapter of this book focuses on a different playwright: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their works, and providing a sense of their critical reception, Bigsby also includes brand new interviews with the playwrights themselves, and exclusive discussions of unpublished works, the texts having been supplied by the authors. Bigsby argues that the diverse range of racial, religious, gendered, and, in several instances, immigrant backgrounds from which these playwrights come means that they all see America from a different perspective. These playwrights differ in their styles but share an interest in identity, as well as a desire to break the fourth wall, often seeing the audience as intimately involved with the work on stage. Their careers have all advanced through development, staged readings, and small venues to major stages, and they have picked up many awards along the way (including Pulitzers, Obies and in one case a McArthur 'Genius Grant'). The book, therefore, is in part an account of how North American theatre works from the point of view of those who commit to the challenging task of making their living by writing for it. At a time when, as a result of the Covid-19 pandemic, theatre has been under greater pressure than ever, it is a reminder of what a present tense art has to offer, as it holds a mirror up to a society ever concerned with its own sense of itself in a changing world"--
Publisher:
ISBN: 1350340529
Category : African American dramatists
Languages : en
Pages : 0
Book Description
"Analyzing the work of 7 American playwrights whose careers began in the present century, each chapter of this book focuses on a different playwright: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their works, and providing a sense of their critical reception, Bigsby also includes brand new interviews with the playwrights themselves, and exclusive discussions of unpublished works, the texts having been supplied by the authors. Bigsby argues that the diverse range of racial, religious, gendered, and, in several instances, immigrant backgrounds from which these playwrights come means that they all see America from a different perspective. These playwrights differ in their styles but share an interest in identity, as well as a desire to break the fourth wall, often seeing the audience as intimately involved with the work on stage. Their careers have all advanced through development, staged readings, and small venues to major stages, and they have picked up many awards along the way (including Pulitzers, Obies and in one case a McArthur 'Genius Grant'). The book, therefore, is in part an account of how North American theatre works from the point of view of those who commit to the challenging task of making their living by writing for it. At a time when, as a result of the Covid-19 pandemic, theatre has been under greater pressure than ever, it is a reminder of what a present tense art has to offer, as it holds a mirror up to a society ever concerned with its own sense of itself in a changing world"--
The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Focus On: 100 Most Popular English-language Film Directors
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1455
Book Description
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1455
Book Description
Historical Dictionary of Contemporary American Theater
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Focus On: 100 Most Popular Deaths from Pneumonia
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1584
Book Description
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1584
Book Description
Focus On: 100 Most Popular United States National Medal of Arts Recipients
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN: 4057664149
Category :
Languages : en
Pages : 1452
Book Description
Publisher: e-artnow sro
ISBN: 4057664149
Category :
Languages : en
Pages : 1452
Book Description
Focus On: 100 Most Popular RCA Records Artists
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1630
Book Description
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1630
Book Description
Model Minority Masochism
Author: Takeo Rivera
Publisher: Oxford University Press
ISBN: 0197557481
Category : Performing Arts
Languages : en
Pages : 225
Book Description
There are few grand narratives that loom over Asian Americans more than the "model minority." While many Asian Americanist scholars and activists are quick to disprove the model minority as "myth," author Takeo Rivera instead rethinks the model minority as cultural politics. Rather thandisproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to the model minority relation that Rivera terms "model minority masochism." With specific attention to hegemonic masculine Asian American culturalproduction, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all.
Publisher: Oxford University Press
ISBN: 0197557481
Category : Performing Arts
Languages : en
Pages : 225
Book Description
There are few grand narratives that loom over Asian Americans more than the "model minority." While many Asian Americanist scholars and activists are quick to disprove the model minority as "myth," author Takeo Rivera instead rethinks the model minority as cultural politics. Rather thandisproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to the model minority relation that Rivera terms "model minority masochism." With specific attention to hegemonic masculine Asian American culturalproduction, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all.