American Color Woodcuts PDF Download
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Author: James Watrous
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 142
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Book Description
Author: James Watrous
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 142
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Book Description
Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
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Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Author: Blanche Lazzell
Publisher: MFA Publications
ISBN:
Category : Architecture
Languages : en
Pages : 104
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Book Description
"Published to accompany an exhibition at the Museum of Fine Arts, Boston, From Paris to Provincetown tells the story of both Lazzell and the remarkably innovative circle of which she was a part."--BOOK JACKET.
Author: Elizabeth Savage
Publisher:
ISBN: 9781911300755
Category : Color prints
Languages : en
Pages : 0
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Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
Author: Shane Weller
Publisher: Courier Corporation
ISBN: 0486134113
Category : Art
Languages : en
Pages : 158
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Book Description
Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists.
Author: Library of Congress
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
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Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Author: Chiura Obata
Publisher: Yosemite Conservancy
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
This volume includes 80 full-color reproductions of Obata's pencil sketches, watercolor paintings, and day-by-day narratives woven through his correspondences.
Author: David Martin
Publisher:
ISBN: 9780998911205
Category : Art
Languages : en
Pages : 160
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Book Description
Territorial Hues: The Color Print and Washington State, 1920-1960 will consist of prints that display the cultural and stylistic influences used by Washington State artists to produce highly exceptional works that reflect the color, light, and atmosphere that is unique to this region. The book focuses on several mediums including color woodcut, intaglio, serigraphy, and lithography. The influences of Japanese prints and regional appropriations of international movements will be examined as well as the local production of white-line prints.
Author: Naoko Takahatake
Publisher: National Geographic Books
ISBN: 3791357395
Category : Art
Languages : en
Pages : 0
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Book Description
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
Author: Roberta Rice Treseder
Publisher: Pomegranate Communications
ISBN: 9780764948039
Category : California
Languages : en
Pages : 0
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Book Description
William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.
