Amédée, The New Tenant, Victims of Duty

Amédée, The New Tenant, Victims of Duty PDF Author: Eugène Ionesco
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190782
Category : Drama
Languages : en
Pages : 144

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Book Description
Three hilarious and provocative plays by the absurdist pioneer who remains “one of the most important and influential figures in the modern theater” (Library Journal). The author of such modern classics as The Bald Soprano, Exit the King, Rhinoceros, and The Chairs, Eugene Ionesco’s plays have become emblematic of Absurdist theatre and the French avant-garde. This essential collection combines The New Tenant with Amédée and Victims of Duty—plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.” In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment. In The New Tenant, a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not a dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.” In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “mallot with a t.”

Amédée, The New Tenant, Victims of Duty

Amédée, The New Tenant, Victims of Duty PDF Author: Eugène Ionesco
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190782
Category : Drama
Languages : en
Pages : 144

Get Book

Book Description
Three hilarious and provocative plays by the absurdist pioneer who remains “one of the most important and influential figures in the modern theater” (Library Journal). The author of such modern classics as The Bald Soprano, Exit the King, Rhinoceros, and The Chairs, Eugene Ionesco’s plays have become emblematic of Absurdist theatre and the French avant-garde. This essential collection combines The New Tenant with Amédée and Victims of Duty—plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.” In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment. In The New Tenant, a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not a dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.” In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “mallot with a t.”

Amédée Or, How to Get Rid of it

Amédée Or, How to Get Rid of it PDF Author: Eugène Ionesco
Publisher: Taylor & Francis
ISBN: 9780714504582
Category : French drama
Languages : en
Pages : 163

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Book Description


Amédée. The new tenant. Victims of duty

Amédée. The new tenant. Victims of duty PDF Author: Eugène Ionesco
Publisher:
ISBN:
Category :
Languages : en
Pages : 184

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Book Description


Amédée

Amédée PDF Author: Eugène Ionesco
Publisher: Grove Press
ISBN: 9780802131010
Category : Drama
Languages : en
Pages : 194

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Book Description
Amédée creates a comic uproar out of a steadily-growing corpse just outside the bedroom of a middle-class couple. In The new tenant , a man moves furniture into his new apartment. Slowly the articles accumulate until there is no room left. In Victims of duty, the playwright has tried to drown the comic in the tragic, to oppose them in order to reunite them in a new synthesis.

Amédée; or, How to get rid of it. The new tenant. Victims of duty

Amédée; or, How to get rid of it. The new tenant. Victims of duty PDF Author: Eugène Ionesco
Publisher:
ISBN:
Category :
Languages : en
Pages : 188

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Book Description


Rhinoceros, and Other Plays

Rhinoceros, and Other Plays PDF Author: Eugène Ionesco
Publisher: Grove Press
ISBN: 9780802130983
Category : Drama
Languages : en
Pages : 162

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Book Description
A collection of three modern plays by the master of the absurd and member of the French Academy.

Amédée; or, How to get rid of it. The new tenant. Victims of duty

Amédée; or, How to get rid of it. The new tenant. Victims of duty PDF Author: Eugène Ionesco
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 188

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Book Description


A Study Guide for Eugene Ionesco's "The Killer"

A Study Guide for Eugene Ionesco's Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410392791
Category : Literary Criticism
Languages : en
Pages : 21

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Book Description
A Study Guide for Eugene Ionesco's "The Killer", excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.

Generating Theatre Meaning

Generating Theatre Meaning PDF Author: Eli Rozik
Publisher: Liverpool University Press
ISBN: 178284726X
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.

The Fictional Arts

The Fictional Arts PDF Author: Eli Rozik
Publisher: Apollo Books
ISBN: 9781845194260
Category : Art
Languages : en
Pages : 316

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Book Description
This book is a comprehensive introduction to the analysis of fictional worlds in a set of fifteen arts, including theatre, opera, figurative ballet, mime, audio drama, figurative drawing/painting, figurative sculpture, strip cartoon, animation, puppet theatre, still photography, photo-novel, silent movie, cinema and TV drama. Due to their extreme differences, the combination of different arts in the description of a single fictional world, and the translation from one medium to another, are considered problematic. While such differences do not concern fictional creativity, which applies the same poetic and rhetoric rules whatever the medium, it is widely accepted that the problem lies in the extreme differences between the mediums of description. In contrast, this study explores their common grounds. These arts are iconic in nature, and if 'iconicity' is re-defined in terms of imprinting images on matter and mediation of language, and as reflecting the common roots of these mediums in a preverbal mode of imagistic thinking, therein is an explanation of their possible combination and translation from one medium to another without impairing the receivers' reading, interpreting and experiencing capacities. Eli Rozik analyses numerous fictional worlds in all these arts, produced during the last 2,500 years of artistic creativity, especially in theatre, art and cinema. This book presupposes that principles underlying the generation of descriptions of fictional worlds by the theatre medium, as proposed in two earlier works (Generating Theatre Meaning and Fictional Thinking), also apply to all the iconic/fictional arts. The text-book format of the volume has been purposefully designed to address the needs of undergraduate and postgraduate students, suiting the structure of university courses and providing all necessary information to access the images/artistic works discussed in the volume via the web and Google. This inter-art journey from theatre theory to the arts is compelling reading for all those involved and engaged in artistic creativity.