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Author: Maciej Jochymczyk
Publisher: Musica Iagellonica
ISBN: 8370992072
Category : Music
Languages : en
Pages : 531
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Book Description
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited. This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch. (From the Epilogue)
Author: Maciej Jochymczyk
Publisher: Musica Iagellonica
ISBN: 8370992072
Category : Music
Languages : en
Pages : 531
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Book Description
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited. This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch. (From the Epilogue)
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Publisher: Walter de Gruyter
ISBN: 3110278715
Category : Reference
Languages : en
Pages : 3064
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Book Description
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
Author:
Publisher:
ISBN:
Category : Cataloging of music
Languages : en
Pages : 174
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Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 704
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Author: North Texas State University. Music Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 202
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Author: Bertil van Boer
Publisher: Scarecrow Press
ISBN: 0810873869
Category : Music
Languages : en
Pages : 665
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Book Description
When we speak of “classical music” it often refers rather loosely to serious “art” music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today’s repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.
Author: Michelle S. Koth
Publisher: Scarecrow Press
ISBN: 9780810852815
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Uniform Titles for Music explains the concept and practice of uniform titles for musical works by a single composer and works of unknown or collective authorship. The book provides a step-by-step approach to establishing uniform titles.
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Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 546
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 762
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Author:
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ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 1036
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