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Author: Samuel Pittman
Publisher: Pelican Publishing
ISBN: 9781455624225
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Alligator Slim gives up the blues, moves to the city, and gets a job playing jazz saxophone at the zoo, but fellow performer Weasel is not happy about his success.
Author: Samuel Pittman
Publisher: Pelican Publishing
ISBN: 9781455624225
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Alligator Slim gives up the blues, moves to the city, and gets a job playing jazz saxophone at the zoo, but fellow performer Weasel is not happy about his success.
Author: Samuel E. Pittman II
Publisher: Arcadia Publishing
ISBN: 1455626198
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
With a text that flows like the lyrics to a great song, and lush, atmospheric illustrations that bring the characters to life, the second of Alligator Slim's adventures helps even the youngest of fans see themselves in this story of acceptance and overcoming prejudice. Alligator Slim and his jazz band have played themselves out--so it's back to the swamp for Slim. His band has decided to take a break, enjoy time with family, and in one year meet again to make more movin', groovin' music. As Slim heads back to the big city, someone catches his ear. It's a croonin' baboon! Slim brings Baboon Crooner with him to meet his friends and join the band. When it's time for the band's first performance with their newest member, she's not what the audience expected! Will they accept Baboon and her oh-so-smooth croons?
Author: Bruce Iglauer
Publisher: University of Chicago Press
ISBN: 022612990X
Category : Music
Languages : en
Pages : 346
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Book Description
It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.
Author:
Publisher: Pelican Publishing
ISBN: 9781455604753
Category : Alligators
Languages : en
Pages : 68
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Book Description
Author: Doug Alderson
Publisher: Rowman & Littlefield
ISBN: 1493048279
Category : Nature
Languages : en
Pages : 153
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Book Description
People have long been fascinated by the American alligator. Ever since humans arrived on the continent more than 15,000 years ago, the American alligator has been both feared and revered, celebrated and scorned, and often hunted for food and hide. Once tourism began to take hold in the South as a real industry, especially in Florida, the alligator took on iconic and even mythical status. “One of the most picturesque features of Florida has always been that uncouth and fierce-looking reptile called the alligator,” wrote Nevin O. Winter in 1918. “Everybody who comes down here to the peninsula has an ambition to see one in the wild.” Seminole Indians wrestled alligators for show. Alligator souvenirs and mascots often took what people feared—a sharp-toothed predator—and made it into something cute and cuddly. Alligator-themed songs were recorded and released, including “See You Later Alligator” by Bill Haley and His Comets. Hollywood into created alligator-themed movies such as Alligator People. Alligators were also reportedly kept in the White House under two presidencies. And perhaps the most unusual alligator story was one that helped to nab Ma Barker and her son Fred when they were hiding out along Florida’s Lake Weir. America’s Alligator examines the colorful and sometimes conflicted relationship our species has had with Alligator mississippiensis. Doug Alderson explores the country’s rich alligator mythology and how it inspired various forms of art, stories, photography, tourism and even humor.
Author: Neil Powell
Publisher: Taylor & Francis
ISBN: 9781579582777
Category : Language Arts & Disciplines
Languages : en
Pages : 156
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Book Description
The word "jazz" did not appear in print until around 1915 and was only grudgingly admitted into polite discourse.The Language of Jazzexplores the vocabulary that has grown up around it. It includes words unique to jazz (bebop, Dixieland, ragtime); ordinary words with specific jazz meanings (cool, jam, stride); musical terms adopted by jazz (bar, rhythm, swing); instruments associated with jazz (alto, clarinet, trombone); nicknames of outstanding musicians (Bird, Duke, Satchmo); place-names linked to movements in jazz (Chicago, Harlem, Storyville); record labels (Dial, Okeh, Savoy); and notable venues (Birdland, Cotton Club, Blue Note, Minton's). Neil Powell's book is for jazz lovers and provides for the unconverted, too, a witty, informative tour of the subject.
Author: Martha Strawn
Publisher:
ISBN: 9780801852893
Category : Nature
Languages : en
Pages : 240
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Book Description
"Alligators" offers a selection of 160 of Strawn's photographs in a unique book that combines art, science, history, folklore, land ethics, and literature to tell the story of America's southern landscape and one of its most evocative creatures.
Author: Mike Rowe
Publisher: Da Capo Press
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues-more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta--a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor--all of these giants played throughout the city and created a musical style that had imitators and influence all over the world.
Author: Lauren Child
Publisher: Penguin
ISBN: 1101646950
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
Lola has a favorite alligator costume that she wants to wear absolutely everywhere. Charlie tells her she can't wear it ALL the time, but Lola argues that she can. Much to Charlie's embarrassment, Lola wears her alligator costume to the supermarket and the park. She even plans to wear it for her school talk called "All about Me!" Can Charlie stop Lola from making a fool of herself in front of the whole school?
Author: Charles Suhor
Publisher: Scarecrow Press
ISBN: 1461660025
Category : Music
Languages : en
Pages : 382
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Book Description
Jazz in New Orleans provides accurate information about, and an insightful interpretation of, jazz in New Orleans from the end of World War II through 1970. Suhor, relying on his experiences as a listener, a working jazz drummer, and writer in New Orleans during this period, has done a great service to lovers of New Orleans music by filling in some gaping holes in postwar jazz history and cutting through many of the myths and misconceptions that have taken hold over the years. Skillfully combining his personal experiences and historical research, the author writes with both authority and immediacy. The text, rich in previously unpublished anecdotes and New Orleans lore, is divided into three sections, each with an overview essay followed by pertinent articles Suhor wrote for national and local journals—including Down Beat and New Orleans Magazine. Section One, "Jazz and the Establishment," focuses on cultural and institutional settings in which jazz was first battered, then nurtured. It deals with the reluctance of power brokers and the custodians of culture in New Orleans to accept jazz as art until the music proved itself elsewhere and was easily recognizable as a marketable commodity. Section Two, "Traditional and Dixieland Jazz," highlights the music and the musicians who were central to early jazz styles in New Orleans between 1947 and 1953. Section Three, "An Invisible Generation," will help dispel the stubborn myth that almost no one was playing be-bop or other modern jazz styles in New Orleans before the current generation of young artists appeared in the 1980s.
