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Author: Rosemond Tuve
Publisher: Princeton University Press
ISBN: 069119761X
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
Examining those medieval texts which were extant for sixteenth-century use and reading, Professor Tuve attempts to discover how certain writers at a given time and for reasons we can trace read the allegorical books of the Middle Ages. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Rosemond Tuve
Publisher: Princeton University Press
ISBN: 069119761X
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
Examining those medieval texts which were extant for sixteenth-century use and reading, Professor Tuve attempts to discover how certain writers at a given time and for reasons we can trace read the allegorical books of the Middle Ages. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Matilde Battistini
Publisher: Getty Publications
ISBN: 9780892368181
Category : Allegories
Languages : en
Pages : 384
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Book Description
"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.
Author: Rosemond Tuve
Publisher: Princeton, N.J : Princeton University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Author: Rosemond Tuve
Publisher:
ISBN:
Category : Allegory
Languages : en
Pages : 461
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Book Description
Author: Suk Kwan Wong
Publisher: Wipf and Stock Publishers
ISBN: 1532612230
Category : Religion
Languages : en
Pages : 201
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Book Description
Allegory in the parables of Jesus has never been addressed properly. By studying the allegorical features in parables and evaluating some former parable theories, current study hopes to bring insight to the hermeneutics of allegory in the parables of Jesus.
Author: Eloise K. Goreau
Publisher:
ISBN:
Category : Allegory
Languages : en
Pages : 216
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Book Description
Author: Dorothy Hutchings Chang
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Book Description
Author: Cristelle Baskins
Publisher: Routledge
ISBN: 1351568957
Category : Art
Languages : en
Pages : 364
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Book Description
The first book in over twenty-five years devoted solely to allegory and personification in art history, this anthology complements current literary and cultural studies of allegory. The volume re-examines early modern allegorical imagery in light of crucial material, contextual and methodological questions: how are allegories conceived; for whom; and for what purposes? Contributors consider a wide range of allegorical representations in the visual arts and material culture, of both early modern Europe and the colonial "New World" 1400-1800. Essays included here examine paintings, sculpture, prints, architecture and the spaces of public ritual while discussing the process and theory of interpretation, formation of audiences, reception history, appropriation and censorship. A special focus on the medium of the body in visual allegory unites the volume's diverse materials and methods.
Author: Mindele Anne Treip
Publisher: University Press of Kentucky
ISBN: 0813161665
Category : Poetry
Languages : en
Pages : 392
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Book Description
Literary allegory has deep roots in early reading and interpretation of Scripture and classical epic and myth. In this substantial study, Mindele Treip presents an overview of the history and theory of allegorical exegesis upon Scripture, poetry, and especially the epic from antiquity to the seventeenth and early eighteenth centuries, with close focus on the Renaissance and on the triangular literary relationship of Tasso, Spenser, and Milton. Exploring the different ways in which the term allegory has been understood, Treip finds significant continuities-within-differences in a wide range of critical writings, including texts of postclassical, patristic and rabbinical writers, medieval writers, notably Dante, Renaissance theorists such as Coluccio Salutati, Bacon, Sidney, John Harrington and rhetoricians and mythographers, and the neoclassical critics of Italy, England and France, including Le Bossu. In particular, she traces the evolving theories on allegory and the epic of Torquato Tasso through a wide spectrum of his major discourses, shorter tracts and letters, giving full translations. Treip argues that Milton wrote, as in part did Spenser, within the definitive framework of the mixed historical-allegorical epic erected by Tasso, and she shows Spenser's and Milton's epics as significantly shaped by Tasso's formulations, as well as by his allegorical structures and images in the Gerusalemme liberata. In the last part of her study Treip addresses the complex problematics of reading Paradise Lost as both a consciously Reformation poem and one written within the older epic allegorical tradition, and she also illustrates Milton's innovative use of biblical "Accommodation" theory so as to create a variety of radical allegorical metaphors in his poem. This study brings together a wide range of critical issues -- the Homeric-Virgilian tradition of allegorical reading of epic; early Renaissance theory of all poetry as "translation" or allegorical metaphor; midrashic linguistic techniques in the representation of the Word; Milton's God; neoclassical strictures on Milton's allegory and allegory in general -- all of these are brought together in new and comprehensive perspective.
Author: John T. Slefinger
Publisher:
ISBN:
Category : Allegory
Languages : en
Pages :
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Book Description
Scholars often frame allegory as if it were tied to stable signifiers (i.e. white as purity) and therefore insulated from material concerns. I argue, however, that allegorical clothing is always-already material. That is, it is necessarily tied to material concerns either with respect to fashion or status, and therefore all allegorical costume should be seen as a comment on contemporary material culture. In order to make this argument, this dissertation tracks allegorical costume in English poetry from Langland to Spenser. Starting in the 14th century, there was a rapid expansion of access to and variety in fashion, and there was an increased awareness that identity could be donned and therefore bought and sold. This troubled contemporary moralists, who struggled to define how clothing worked in the public sphere, and it troubled allegorical poets, who struggled to apply stable literary markers in a shifting discursive field. Because allegory is only able to signify through a shared contemporary discourse, I thus argue that fashion both disrupted the discursive field around dress and destabilized allegorical imagery.
