Author: Jddn GFT
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
About your notebook : This awesome Notebook makes a great birthday gift for those whose born in JULY to write their best memories and diaries, and for a beautiful look and feel, this journal is also great for write down your new ideas, or journaling , goals, To-do lists diary and memories and more ... Interior : Black and white interior White paper Bleed setting : No bleed Paperback cover finish High quality matte cover for a professional finish Perfect size at 6" X 9" We hope you will be entirely satisfied with this item you have ordered !
All Men Are Created Equal But Only the Best Are Born in July 1921
All Men are Created Equal But Only The Best Are Born in August
Author: Kkd Publishing
Publisher:
ISBN: 9781086174847
Category :
Languages : en
Pages : 124
Book Description
All Men are Created Equal But Only The Best Are Born in August. August Born Journal. 8.5 x 11 size 120 Lined Pages August Journal
Publisher:
ISBN: 9781086174847
Category :
Languages : en
Pages : 124
Book Description
All Men are Created Equal But Only The Best Are Born in August. August Born Journal. 8.5 x 11 size 120 Lined Pages August Journal
Congressional Record
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1328
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1328
Book Description
Collier's
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 836
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 836
Book Description
History of Kentucky
Author: William Elsey Connelley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 918
Book Description
The Complete Lyrics of Oscar Hammerstein II
Author: Oscar Hammerstein II
Publisher: Knopf
ISBN: 0375413588
Category : Music
Languages : en
Pages : 450
Book Description
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
Publisher: Knopf
ISBN: 0375413588
Category : Music
Languages : en
Pages : 450
Book Description
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
American Druggists' Circular and Chemical Gazette
Author:
Publisher:
ISBN:
Category : Pharmaceutical chemistry
Languages : en
Pages : 1060
Book Description
Publisher:
ISBN:
Category : Pharmaceutical chemistry
Languages : en
Pages : 1060
Book Description
System
Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 754
Book Description
United States Tobacco Journal
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1116
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1116
Book Description
The Autobiography of Calvin Coolidge
Author: Calvin Coolidge
Publisher: Simon and Schuster
ISBN: 1684516862
Category : Biography & Autobiography
Languages : en
Pages : 161
Book Description
"It was my hope to produce a book that would not only have some historical interest, but would be useful for those in public life, in educational work, in preparation for citizenship, and would be especially a book that parents would wish their children to read." —President Calvin Coolidge on his autobiography Today Americans of all backgrounds are on the hunt for a different political model. In fact, such a model awaits them, if only they turn their eyes to their own past . . . to America's thirtieth president, Calvin Coolidge. Coolidge's masterful autobiography offers urgent lessons for our age of exploding debt, increasingly centralized power, and fierce partisan division. This expanded and annotated volume, edited by Coolidge biographer Amity Shlaes and authorized by the Coolidge family, is the definitive edition of the text that presidential historian Craig Fehrman calls "the forgotten classic of presidential writing." To read this volume is to understand the tragic extent to which historians underrate President Coolidge. The Coolidge who emerges in these pages is a model of character, principle, and humility—rare qualities in Washington, then as now. A man of great faith, Coolidge told Americans: "Men do not make laws. They do but discover them." Although he emphasized economics, Coolidge insisted on the importance of "things of the spirit." At the height of his popularity, he chose not to run again when his reelection was all but assured. In this autobiography, Coolidge explains his mindset: "It is a great advantage to a President, and a major source of safety to the country, for him to know that he is not a great man." For all his modesty, Coolidge left an expansive legacy—one we would do well to study today. Shlaes and coeditor Matthew Denhart draw out the lessons from Coolidge's life and career in an enlightening introduction and annotations to Coolidge's text. To aid Coolidge scholars young and old, the editors have also assembled nearly three dozen photographs, several of Coolidge's greatest speeches, a timeline of Coolidge's life, and afterwords by former Vermont governor James H. Douglas and two of Coolidge's great-grandchildren, Jennifer Coolidge Harville and Christopher Coolidge Jeter. This autobiography combats the myths about one of our most misunderstood presidents. It also shows us how much we still have to learn from Calvin Coolidge.
Publisher: Simon and Schuster
ISBN: 1684516862
Category : Biography & Autobiography
Languages : en
Pages : 161
Book Description
"It was my hope to produce a book that would not only have some historical interest, but would be useful for those in public life, in educational work, in preparation for citizenship, and would be especially a book that parents would wish their children to read." —President Calvin Coolidge on his autobiography Today Americans of all backgrounds are on the hunt for a different political model. In fact, such a model awaits them, if only they turn their eyes to their own past . . . to America's thirtieth president, Calvin Coolidge. Coolidge's masterful autobiography offers urgent lessons for our age of exploding debt, increasingly centralized power, and fierce partisan division. This expanded and annotated volume, edited by Coolidge biographer Amity Shlaes and authorized by the Coolidge family, is the definitive edition of the text that presidential historian Craig Fehrman calls "the forgotten classic of presidential writing." To read this volume is to understand the tragic extent to which historians underrate President Coolidge. The Coolidge who emerges in these pages is a model of character, principle, and humility—rare qualities in Washington, then as now. A man of great faith, Coolidge told Americans: "Men do not make laws. They do but discover them." Although he emphasized economics, Coolidge insisted on the importance of "things of the spirit." At the height of his popularity, he chose not to run again when his reelection was all but assured. In this autobiography, Coolidge explains his mindset: "It is a great advantage to a President, and a major source of safety to the country, for him to know that he is not a great man." For all his modesty, Coolidge left an expansive legacy—one we would do well to study today. Shlaes and coeditor Matthew Denhart draw out the lessons from Coolidge's life and career in an enlightening introduction and annotations to Coolidge's text. To aid Coolidge scholars young and old, the editors have also assembled nearly three dozen photographs, several of Coolidge's greatest speeches, a timeline of Coolidge's life, and afterwords by former Vermont governor James H. Douglas and two of Coolidge's great-grandchildren, Jennifer Coolidge Harville and Christopher Coolidge Jeter. This autobiography combats the myths about one of our most misunderstood presidents. It also shows us how much we still have to learn from Calvin Coolidge.