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Author: Norman Simms
Publisher: Cambridge Scholars Publishing
ISBN: 144386076X
Category : Art
Languages : en
Pages : 515
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Book Description
Alfred Dreyfus saw himself caught in a phantasmagoria, a great complex enigma that needed to be solved, but all the clues seemed to be an hallucination, a will-o’-th’-wisp, or what George Sand called “orblutes”. This book examines how Dreyfus and his wife found a powerful new kind of love through Jewish themes at the same time as they were forced to conceal their true identities. To see how Jewish Dreyfus was, the book explores his background in Alsatian culture, in the cosmopolitan Judaism of Paris, and in the customs of Mediterranean Jewry. A close reading of the Court Martial in Rennes shows Dreyfus as more than the “zinc puppet” he was called; the scenario emerging as a variation of horror fantasies popular in the fin de siècle. The book asks two questions: why did Dreyfus prefer Meissonier’s paintings to the Impressionists and Post-Impressionists we admire so much; and, why, although he appreciated Zola’s efforts on his behalf, did he not refer to his novels?
Author: Norman Simms
Publisher: Cambridge Scholars Publishing
ISBN: 144386076X
Category : Art
Languages : en
Pages : 515
Get Book Here
Book Description
Alfred Dreyfus saw himself caught in a phantasmagoria, a great complex enigma that needed to be solved, but all the clues seemed to be an hallucination, a will-o’-th’-wisp, or what George Sand called “orblutes”. This book examines how Dreyfus and his wife found a powerful new kind of love through Jewish themes at the same time as they were forced to conceal their true identities. To see how Jewish Dreyfus was, the book explores his background in Alsatian culture, in the cosmopolitan Judaism of Paris, and in the customs of Mediterranean Jewry. A close reading of the Court Martial in Rennes shows Dreyfus as more than the “zinc puppet” he was called; the scenario emerging as a variation of horror fantasies popular in the fin de siècle. The book asks two questions: why did Dreyfus prefer Meissonier’s paintings to the Impressionists and Post-Impressionists we admire so much; and, why, although he appreciated Zola’s efforts on his behalf, did he not refer to his novels?
Author: Norman Simms
Publisher: Cambridge Scholars Publishing
ISBN: 1527507432
Category : Religion
Languages : en
Pages : 553
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Book Description
These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.
Author:
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 418
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Book Description
Author: Norman Simms
Publisher:
ISBN: 9781618112934
Category :
Languages : en
Pages : 0
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Book Description
This groundbreaking book focuses on Alfred Dreyfus the man, with emphasis placed on his own writings, including his recently published prison workbooks and his letters to his wife Lucie. Through close reading of these documents, a much more sensitive, intellectual, and Jewish man is revealed than was previously suspected. He and Lucie, through their family connections and mutual loyalty, were interested in and supported the artistic, scientific, philosophical and historical movements that formed their Parisian milieu. But as an Alsatian Jew, Alfred was also critical of many aspects of technological and ideological developments, making his mentality one of skepticism as well as idealism. Norman Simms addresses the way Dreyfus perceived the world, challenged many of its assumptions and contextualized it in the style of a rabbinical midrash, a process that created what Alfred called a “phantasmagoria” of the Affair that bears his name, and also interprets the man, his milieu and his mentality in the style of a midrash, a creative, transformative reading.
Author: George Malcolm Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Eric Rohmer
Publisher: Cambridge University Press
ISBN: 9780521385923
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
A collection of essays by the film-maker and critic Eric Rohmer written between 1948-1979.
Author: L. Anderst
Publisher: Springer
ISBN: 1137011009
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Eric Rohmer was a key figure in French New Wave cinema. Contributors to this volume revisit, complicate, and upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films.
Author: Carrie Mae Weems
Publisher:
ISBN: 9780979744082
Category : African American photographers
Languages : en
Pages : 0
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Book Description
Foreword by Paula S. Wallace, Stephanie S. Hughley. Text by Laurie Ann Farrell, Deborah Willis.
Author: Thomas L. Hankins
Publisher: Princeton University Press
ISBN: 1400864119
Category : Science
Languages : en
Pages : 352
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Book Description
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph Conrad
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
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Book Description
