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Author: Claudio Spadoni
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Author: Claudio Spadoni
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Author: Aldo Mondino
Publisher:
ISBN: 9788842224167
Category : Art
Languages : en
Pages : 722
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Book Description
Author: Aldo Mondino
Publisher:
ISBN: 9788836612666
Category : Art
Languages : en
Pages : 191
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Book Description
Il volume, a cura di Alberto Fiz, consente di rileggere in maniera approfondita l'indagine di Aldo Mondino (1938-2005), uno dei più significativi protagonisti italiani del dopoguerra. Attraverso 150 opere tra dipinti, sculture, disegni e installazioni, emerge una figura a tutto tondo in grado di ripercorrere, con grande indipendenza e autorità , le esperienze estetiche dall'inizio degli anni sessanta sino a oggi imponendo una matrice linguistica del tutto originale dove la stessa identità dell'opera viene continuamente messa in discussione. Annotation Supplied by Informazioni Editoriali
Author: Vittoria Coen
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 120
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Book Description
Author: Paolo Maltese
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 108
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Book Description
Author: MarinR. Sullivan
Publisher: Routledge
ISBN: 1351549677
Category : Art
Languages : en
Pages : 211
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Book Description
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Author: Catherine Dossin
Publisher: Routledge
ISBN: 1317017684
Category : Art
Languages : en
Pages : 325
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Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472471326
Category : Art
Languages : en
Pages : 329
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Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Ilaria Bonacossa
Publisher:
ISBN: 9781906576530
Category :
Languages : en
Pages : 50
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
