Author: Pushpesh Pant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Some of the world's most beautiful frescos and sculptures- Buddhist, Hindu and Jain- are found here. Beautiful photographs capture the richness of an ancient ethos.
Ajanta and Ellora
Author: Pushpesh Pant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Some of the world's most beautiful frescos and sculptures- Buddhist, Hindu and Jain- are found here. Beautiful photographs capture the richness of an ancient ethos.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Some of the world's most beautiful frescos and sculptures- Buddhist, Hindu and Jain- are found here. Beautiful photographs capture the richness of an ancient ethos.
Ajanta & Ellora
Author: Ranjana Sengupta
Publisher:
ISBN: 9789622171367
Category : Ajanta (India)
Languages : en
Pages : 84
Book Description
Publisher:
ISBN: 9789622171367
Category : Ajanta (India)
Languages : en
Pages : 84
Book Description
Ajanta
Author: Walter M. Spink
Publisher:
ISBN:
Category : Ajanta Caves (India)
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Ajanta Caves (India)
Languages : en
Pages : 40
Book Description
Ellora
Author: Gilles Beguin
Publisher: 5 Continents Editions
ISBN: 9788874398720
Category : Architecture
Languages : en
Pages : 284
Book Description
- There are few books on this subject - Features stunning photographs Thirty-four places of worship (temples, monasteries, and shrines) were carved out of the rock between the fifth and tenth centuries over an area of around two square kilometres. All the sculpture at the site is testimony to the superb skill and sheer determination of the workforce involved, as well as being evidence of the religious harmony of the time. The monuments include all sorts of architectural and decorative features that display the utmost splendor and inventiveness: columns, staircases, reliefs, stuccos, and even surviving patches of painted decoration. In the past, the extraordinary work at the site has unfortunately been eclipsed by the exceptional nature of its surroundings. The architecture and sculpture are often immersed in darkness and this has made it impossible to create the kind of photographic record that would give their stunning quality the visibility it deserves. But now Iago Corazza, with his ultra-sensitive photographic equipment, is able at last to give lovers of Indian art and enthusiasts the chance to fully appreciate this wonderful, indeed unique, group of rock-cut temples. The task of explaining the meaning and significance of these works as they emerge from the dark is entrusted to the expertise of Gilles Béguin. Following the success of Khajuraho, readers have the chance to explore another treasure of Indian art accompanied by a distinguished guide, with the benefit of photos that at last do their marvelous subjects full justice.
Publisher: 5 Continents Editions
ISBN: 9788874398720
Category : Architecture
Languages : en
Pages : 284
Book Description
- There are few books on this subject - Features stunning photographs Thirty-four places of worship (temples, monasteries, and shrines) were carved out of the rock between the fifth and tenth centuries over an area of around two square kilometres. All the sculpture at the site is testimony to the superb skill and sheer determination of the workforce involved, as well as being evidence of the religious harmony of the time. The monuments include all sorts of architectural and decorative features that display the utmost splendor and inventiveness: columns, staircases, reliefs, stuccos, and even surviving patches of painted decoration. In the past, the extraordinary work at the site has unfortunately been eclipsed by the exceptional nature of its surroundings. The architecture and sculpture are often immersed in darkness and this has made it impossible to create the kind of photographic record that would give their stunning quality the visibility it deserves. But now Iago Corazza, with his ultra-sensitive photographic equipment, is able at last to give lovers of Indian art and enthusiasts the chance to fully appreciate this wonderful, indeed unique, group of rock-cut temples. The task of explaining the meaning and significance of these works as they emerge from the dark is entrusted to the expertise of Gilles Béguin. Following the success of Khajuraho, readers have the chance to explore another treasure of Indian art accompanied by a distinguished guide, with the benefit of photos that at last do their marvelous subjects full justice.
Return of a King
Author: William Dalrymple
Publisher: Vintage
ISBN: 0307958299
Category : History
Languages : en
Pages : 494
Book Description
From William Dalrymple—award-winning historian, journalist and travel writer—a masterly retelling of what was perhaps the West’s greatest imperial disaster in the East, and an important parable of neocolonial ambition, folly and hubris that has striking relevance to our own time. With access to newly discovered primary sources from archives in Afghanistan, Pakistan, Russia and India—including a series of previously untranslated Afghan epic poems and biographies—the author gives us the most immediate and comprehensive account yet of the spectacular first battle for Afghanistan: the British invasion of the remote kingdom in 1839. Led by lancers in scarlet cloaks and plumed helmets, and facing little resistance, nearly 20,000 British and East India Company troops poured through the mountain passes from India into Afghanistan in order to reestablish Shah Shuja ul-Mulk on the throne, and as their puppet. But after little more than two years, the Afghans rose in answer to the call for jihad and the country exploded into rebellion. This First Anglo-Afghan War ended with an entire army of what was then the most powerful military nation in the world ambushed and destroyed in snowbound mountain passes by simply equipped Afghan tribesmen. Only one British man made it through. But Dalrymple takes us beyond the bare outline of this infamous battle, and with penetrating, balanced insight illuminates the uncanny similarities between the West’s first disastrous entanglement with Afghanistan and the situation today. He delineates the straightforward facts: Shah Shuja and President Hamid Karzai share the same tribal heritage; the Shah’s principal opponents were the Ghilzai tribe, who today make up the bulk of the Taliban’s foot soldiers; the same cities garrisoned by the British are today garrisoned by foreign troops, attacked from the same rings of hills and high passes from which the British faced attack. Dalryrmple also makes clear the byzantine complexity of Afghanistan’s age-old tribal rivalries, the stranglehold they have on the politics of the nation and the ways in which they ensnared both the British in the nineteenth century and NATO forces in the twenty-first. Informed by the author’s decades-long firsthand knowledge of Afghanistan, and superbly shaped by his hallmark gifts as a narrative historian and his singular eye for the evocation of place and culture, The Return of a King is both the definitive analysis of the First Anglo-Afghan War and a work of stunning topicality.
Publisher: Vintage
ISBN: 0307958299
Category : History
Languages : en
Pages : 494
Book Description
From William Dalrymple—award-winning historian, journalist and travel writer—a masterly retelling of what was perhaps the West’s greatest imperial disaster in the East, and an important parable of neocolonial ambition, folly and hubris that has striking relevance to our own time. With access to newly discovered primary sources from archives in Afghanistan, Pakistan, Russia and India—including a series of previously untranslated Afghan epic poems and biographies—the author gives us the most immediate and comprehensive account yet of the spectacular first battle for Afghanistan: the British invasion of the remote kingdom in 1839. Led by lancers in scarlet cloaks and plumed helmets, and facing little resistance, nearly 20,000 British and East India Company troops poured through the mountain passes from India into Afghanistan in order to reestablish Shah Shuja ul-Mulk on the throne, and as their puppet. But after little more than two years, the Afghans rose in answer to the call for jihad and the country exploded into rebellion. This First Anglo-Afghan War ended with an entire army of what was then the most powerful military nation in the world ambushed and destroyed in snowbound mountain passes by simply equipped Afghan tribesmen. Only one British man made it through. But Dalrymple takes us beyond the bare outline of this infamous battle, and with penetrating, balanced insight illuminates the uncanny similarities between the West’s first disastrous entanglement with Afghanistan and the situation today. He delineates the straightforward facts: Shah Shuja and President Hamid Karzai share the same tribal heritage; the Shah’s principal opponents were the Ghilzai tribe, who today make up the bulk of the Taliban’s foot soldiers; the same cities garrisoned by the British are today garrisoned by foreign troops, attacked from the same rings of hills and high passes from which the British faced attack. Dalryrmple also makes clear the byzantine complexity of Afghanistan’s age-old tribal rivalries, the stranglehold they have on the politics of the nation and the ways in which they ensnared both the British in the nineteenth century and NATO forces in the twenty-first. Informed by the author’s decades-long firsthand knowledge of Afghanistan, and superbly shaped by his hallmark gifts as a narrative historian and his singular eye for the evocation of place and culture, The Return of a King is both the definitive analysis of the First Anglo-Afghan War and a work of stunning topicality.
Our Tales on Rocks in Ellora Caves
Author: Prakash Thorat
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
The Cave Temples of Ellora, 30 KMS, from Aurangabad district of Maharashtra state, India, is a heritage site for the World and a priced jewel of Indian Civilization, as at Ellora, one witnesses the harmonious co-existence of three major religions of the modern secular India, the Hinduism, the Buddhism and the Jainism. Like Ajanta Caves, Ellora was never discovered. It was always open for visit throughout the ancient and medieval ages. Even though the architectural activities here began in 5th Century A.D., it was only with the rise of the Chalukya-Rashtrakuta rulers in 7th Century to 10th Century A.D. that art and architecture blossomed at Ellora. The Hindu Rulers in ancient times were governed by certain religious injunctions and ethical codes which promoted them to donate the funds to the temple building as the same was considered essential for attainment of worldly power and spiritual salvation. The artists at Ellora were quick to respond to the urges and demands of their society. They rose to height of their creative dynamism. They acted out of passion and feelings, faith and sensibility. They drew themes from the mythology and then transformed the rock into a cavalcade of Gods and Goddesses. While doing so, they judiciously portrayed the feelings of compassion, emotions and the fury. The temple of Kailasa is an illustration of one of those rare occasions when men's mind, heart and hand, worked in unison to build this feat. The rocks cut monuments at Ellora, essentially represent the climax of the process of cutting shrine in direct rock and fashion them into the places of worship and residence embellished with beautiful and imposing sculptural and pictorial images. This practice started by Buddhism thousands of years ago, was eventually adopted by Hinduism and Jainism.The monuments [34 caves] are numbered in a continuous sequence. Buddhist monuments (Caves 1-12) occupy the southernmost part of the site, while Hindu monuments (Caves 13-29) are located in the middle and towards the north are a small number of five Jain excavations (Caves 30-34]. The infinite lithic representations at Ellora coordinate into the greatest concentration of the sculpture, wrought at a single site, in diverse styles that art history has ever witnessed. All the aspects related to daily life, Gods and goddesses, myths and rituals related to all the three dominant religions, are exhibited in Ellora through architecture and sculptures. In most of the caves, however, the focal points are centered round the figures of divinities - Buddha, Shiva and Jain Thirthankaras. Music, dancing and erotic plays of all the carved and painted creatures turn to the central figures of divinity. Gods and demi-gods, flying nymphs, musicians, kinnaras, dwarfs, makara, elephants, bulls, lion, peacocks or aquatic creatures- whether they are in the main hall, on the roofs and walls, in the side chambers, in porches, in balconies, in galleries, whether they are standing or flying, the entire attention of visitors and devotees is attracted to them and the divinities they surround by- Buddha, Shiva or Tirthankaras.
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
The Cave Temples of Ellora, 30 KMS, from Aurangabad district of Maharashtra state, India, is a heritage site for the World and a priced jewel of Indian Civilization, as at Ellora, one witnesses the harmonious co-existence of three major religions of the modern secular India, the Hinduism, the Buddhism and the Jainism. Like Ajanta Caves, Ellora was never discovered. It was always open for visit throughout the ancient and medieval ages. Even though the architectural activities here began in 5th Century A.D., it was only with the rise of the Chalukya-Rashtrakuta rulers in 7th Century to 10th Century A.D. that art and architecture blossomed at Ellora. The Hindu Rulers in ancient times were governed by certain religious injunctions and ethical codes which promoted them to donate the funds to the temple building as the same was considered essential for attainment of worldly power and spiritual salvation. The artists at Ellora were quick to respond to the urges and demands of their society. They rose to height of their creative dynamism. They acted out of passion and feelings, faith and sensibility. They drew themes from the mythology and then transformed the rock into a cavalcade of Gods and Goddesses. While doing so, they judiciously portrayed the feelings of compassion, emotions and the fury. The temple of Kailasa is an illustration of one of those rare occasions when men's mind, heart and hand, worked in unison to build this feat. The rocks cut monuments at Ellora, essentially represent the climax of the process of cutting shrine in direct rock and fashion them into the places of worship and residence embellished with beautiful and imposing sculptural and pictorial images. This practice started by Buddhism thousands of years ago, was eventually adopted by Hinduism and Jainism.The monuments [34 caves] are numbered in a continuous sequence. Buddhist monuments (Caves 1-12) occupy the southernmost part of the site, while Hindu monuments (Caves 13-29) are located in the middle and towards the north are a small number of five Jain excavations (Caves 30-34]. The infinite lithic representations at Ellora coordinate into the greatest concentration of the sculpture, wrought at a single site, in diverse styles that art history has ever witnessed. All the aspects related to daily life, Gods and goddesses, myths and rituals related to all the three dominant religions, are exhibited in Ellora through architecture and sculptures. In most of the caves, however, the focal points are centered round the figures of divinities - Buddha, Shiva and Jain Thirthankaras. Music, dancing and erotic plays of all the carved and painted creatures turn to the central figures of divinity. Gods and demi-gods, flying nymphs, musicians, kinnaras, dwarfs, makara, elephants, bulls, lion, peacocks or aquatic creatures- whether they are in the main hall, on the roofs and walls, in the side chambers, in porches, in balconies, in galleries, whether they are standing or flying, the entire attention of visitors and devotees is attracted to them and the divinities they surround by- Buddha, Shiva or Tirthankaras.
The Ajanta Caves
Author: Benoy K. Behl
Publisher:
ISBN: 9780500285015
Category : Art
Languages : en
Pages : 256
Book Description
New in paperback, this stunningly photographed book was hailed by The Times Higher Education Supplement as one of the most gorgeous and stimulating books of Indian art ever produced.
Publisher:
ISBN: 9780500285015
Category : Art
Languages : en
Pages : 256
Book Description
New in paperback, this stunningly photographed book was hailed by The Times Higher Education Supplement as one of the most gorgeous and stimulating books of Indian art ever produced.
Cave Temples of Ajanta and Ellora
Author: Dulari Qureshi
Publisher:
ISBN: 9788180902956
Category : Ajanta Caves (India)
Languages : en
Pages : 108
Book Description
In between the 1960s and 80s Ajanta and Ellora drew the attention of many scholars, historians and researchers who explored these caves, evaluated and analyzed them, and not only wrote research papers but also books. However there were more books as well as article published on Ajanta compared to Ellora. From the 1980s to nearly 2000 and a little later the number of scholars, researchers working on these caves swindled, though a few continued to be loyal and committed to Ajanata. These later books concentrated on studies related certain theories of time span, historical perspective, an exhaustive comparative study. These were all serious studies little comprehended by the common readers. Hence the present book is mainly written with the objective of presenting a descriptive study of both Ajanta and Ellora as well as in depth study f textiles, jewellery of Ajanta etc. for the general reader audience who desire to understand details of sculptures, painting and architecture to understand details of sculptures, painting and architecture. The script is also supported by line drawings and photographs, ground plans and maps to offer a more graphic perception and appreciation of the caves. This book will serve a crore section of society who will definitely enjoy the visual commentary on these renowned cave temples. Both these world heritage sites have also the added advantage of financial aid by the Japanese International Cooperation Agency (JBICA) that has supported the development, landscaping and beautification of these monuments. For the tourists all facilities, amenities and services are provided. The book also takes note of these developments.
Publisher:
ISBN: 9788180902956
Category : Ajanta Caves (India)
Languages : en
Pages : 108
Book Description
In between the 1960s and 80s Ajanta and Ellora drew the attention of many scholars, historians and researchers who explored these caves, evaluated and analyzed them, and not only wrote research papers but also books. However there were more books as well as article published on Ajanta compared to Ellora. From the 1980s to nearly 2000 and a little later the number of scholars, researchers working on these caves swindled, though a few continued to be loyal and committed to Ajanata. These later books concentrated on studies related certain theories of time span, historical perspective, an exhaustive comparative study. These were all serious studies little comprehended by the common readers. Hence the present book is mainly written with the objective of presenting a descriptive study of both Ajanta and Ellora as well as in depth study f textiles, jewellery of Ajanta etc. for the general reader audience who desire to understand details of sculptures, painting and architecture to understand details of sculptures, painting and architecture. The script is also supported by line drawings and photographs, ground plans and maps to offer a more graphic perception and appreciation of the caves. This book will serve a crore section of society who will definitely enjoy the visual commentary on these renowned cave temples. Both these world heritage sites have also the added advantage of financial aid by the Japanese International Cooperation Agency (JBICA) that has supported the development, landscaping and beautification of these monuments. For the tourists all facilities, amenities and services are provided. The book also takes note of these developments.
Buddhist Peace Recipes
Author: Pushpesh Pant
Publisher: Roli Books Private Limited
ISBN: 9788174363121
Category : Cooking
Languages : en
Pages : 112
Book Description
This book offers a range of recipes- from hot soups and crunchy salads to lamay, tempura, relishes to accompany rich or noodies, curries and desserts. The only book of its kind!
Publisher: Roli Books Private Limited
ISBN: 9788174363121
Category : Cooking
Languages : en
Pages : 112
Book Description
This book offers a range of recipes- from hot soups and crunchy salads to lamay, tempura, relishes to accompany rich or noodies, curries and desserts. The only book of its kind!
Unfolding A Mạṇdala
Author: Geri H. Malandra
Publisher: State University of New York Press
ISBN: 1438411774
Category : Philosophy
Languages : en
Pages : 376
Book Description
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.
Publisher: State University of New York Press
ISBN: 1438411774
Category : Philosophy
Languages : en
Pages : 376
Book Description
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.