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Author: Peter Rigby
Publisher: Routledge
ISBN: 1000183831
Category : Social Science
Languages : en
Pages : 129
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Book Description
This controversial book is an impassioned African response to the racial stereotyping of African people and people of African descent by prominent white scholars. It highlights how the media contributes to the growth of racist ideas, particularly in reporting current events in Africa, and demonstrates how some of America's most revered intellectuals cloak racist ideologies in ostensibly egalitarian discourses. The author seeks to rewrite the image of 'race' in order to show the damage racism can cause serious scholarship.
Author: Peter Rigby
Publisher: Routledge
ISBN: 1000183831
Category : Social Science
Languages : en
Pages : 129
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Book Description
This controversial book is an impassioned African response to the racial stereotyping of African people and people of African descent by prominent white scholars. It highlights how the media contributes to the growth of racist ideas, particularly in reporting current events in Africa, and demonstrates how some of America's most revered intellectuals cloak racist ideologies in ostensibly egalitarian discourses. The author seeks to rewrite the image of 'race' in order to show the damage racism can cause serious scholarship.
Author: Peter Tosh
Publisher: Akashic Books
ISBN: 1617758302
Category : Juvenile Fiction
Languages : en
Pages : 31
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Book Description
A beautiful children's picture book featuring the lyrics of Peter Tosh's global classic celebrating children of African descent. So don't care where you come from As long as you're a black man, you're an African No mind your nationality You have got the identity of an African African is a children's book featuring lyrics by Peter Tosh and illustrations by Jamaican artist Rachel Moss. The song "African" by Peter Tosh was originally released in 1977 on his second solo record, Equal Rights. He wrote the song during a time of civil unrest in Jamaica as a reminder to all black people that they were part of the same community. The album is considered one of the most influential reggae works of all time. A key song from the classic 1970s era of reggae Peter Tosh was one of the founding members of the iconic reggae group the Wailers "The joyful illustrations depict young and older black people of various colors, with many different hairstyles and wearing an array of clothing styles, playing, riding, dancing, and walking...The dynamic art and text work together to form a loving ode to belonging for black people of the diaspora." --Kirkus Reviews "[A] survey of Tosh's repertoire reminds us that his best works were distinctive and impactful. When the Wailers were first starting their careers at Studio One, Tosh voiced boastful classics...When the Wailers launched their own label in 1968, Tosh became the Stepping Razor, adapting a song written by the Wailers' harmony coach, Joe Higgs, and when the trio began working with visionary producer Lee 'Scratch' Perry, he recorded '400 Years,' one of the most moving explorations of the historical injustices of slavery and its lingering aftermath...His Legalize It album was far ahead of its time in demanding the decriminalization of marijuana in 1975, while Equal Rights reminded that peace will never come without justice...[He was] one of reggae's most fiery and controversial performers, whose work remains relevant." --Guardian "Tosh's first two solo records, Legalize It and Equal Rights, are not just two of the best reggae records ever, but also two of the finest records of the '70s, period. They were inventive and deeply catchy records full of songs that could be as playful as they were defiant. Peter Tosh was always outspoken, always the rebel, but it was the way he said things--that honeyed voice, those brilliant and subtly intricate compositions--that set him apart." --PopMatters
Author: Martin Ott
Publisher: African Books Collective
ISBN:
Category : Art
Languages : en
Pages : 632
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Book Description
This is a revised and updated edition of the comprehensive study of the role of art in the process of inculturation in Africa, first issued in 2000. The study is a substantial contribution toward a theology of inculcation in Africa, and enriches the debate on indigenous African and Christian artistic traditions. It represents the first systematic theology constructed in and from Malawi that establishes a theology of symbolic expression in Africa.
Author: Deborah Willis
Publisher: W. W. Norton
ISBN: 9780393066968
Category : African Americans
Languages : en
Pages : 0
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Book Description
Showcases portrait photography of African Americans taken from the 1890s through the 2000s, along with text discussing the evolution of the idea of beauty for men and women.
Author: Lowell D. Thompson
Publisher: Arcadia Publishing
ISBN: 9780738588537
Category : History
Languages : en
Pages : 132
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Book Description
The story of black Chicago is so rich that few know it all. It began long before the city itself. "The first white man here was a black man," Potowatami natives reportedly said about Jean Baptiste Point DuSable, the brown-skinned man recognized as Chicago's first non-Indian settler. It's all here: from the site of DuSable's cabin--now smack-dab in the middle of Chicago's Magnificent Mile--to images of famous and infamous residents like boxers Jack Johnson, Muhammad Ali, and Joe Louis. Here are leaders and cultural touchstones like Jesse Binga's bank, Robert S. Abbott's Chicago Defender, legendary filmmaker Oscar Micheaux, Ida B. Wells, the Eighth Regiment, Jesse Jackson, Oprah, and much more . . . including a guy named Obama. Here is the black Chicago family album, of folks who made and never made the headlines, and pictures and stories of kinship and fellowship of African Americans leaving the violent, racist South and "goin' to Chicago" to find their piece of the American Dream. Chicago has been called the "Second City," but black Chicago is second to none.
Author: Tina Campt
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
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Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Author: Jackie Napolean Wilson
Publisher: Macmillan
ISBN: 9780312267476
Category : History
Languages : en
Pages : 148
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Book Description
Few images of black Americans in the Civil War period exist or have survived, but now the granddaughter of a South Carolina slave has assembled the most comprehensive and significant collection of such rare images ever compiled. Bringing the truth of their daily lives to light, scenes of maternal affection, matrimony, war, and the grim reality of the master-slave relationship will help readers focus their perceptions of the black American experience in ways not otherwise available in modern history studies.
Author: Lisa E. Farrington
Publisher:
ISBN: 019516721X
Category : African American art
Languages : en
Pages : 368
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Book Description
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Author: African Literature Association. Meeting
Publisher:
ISBN:
Category : African literature
Languages : en
Pages : 208
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Book Description
Author: Catherine E. McKinley
Publisher: Bloomsbury Publishing USA
ISBN: 1620403544
Category : Design
Languages : en
Pages : 221
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Book Description
Winner of the African Photobook of the Year Award A Choice Outstanding Title of the Year A USA Today "Must-Read for Black History Month" An NPR "Goats and Soda" Editors' Pick A BookRiot Favorite Nonfiction Book of the Year An unprecedented visual history of African women told in striking and subversive historical photographs-featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson. Most of us grew up with images of African women that were purely anthropological-bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty-“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870–1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans-most starkly, striking nudes-revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways-even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.
