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Author: John O. Perpener
Publisher: University of Illinois Press
ISBN: 9780252026751
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.
Author: John O. Perpener
Publisher: University of Illinois Press
ISBN: 9780252026751
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.
Author: Thomas F. Defrantz
Publisher: Univ of Wisconsin Press
ISBN: 0299173135
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Author: Barbara S. Glass
Publisher: McFarland
ISBN: 9780786471577
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here.
Author: Thomas DeFrantz
Publisher: Oxford University Press, USA
ISBN: 9780195301717
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Author: Nadine George-Graves
Publisher: Univ of Wisconsin Press
ISBN: 029923553X
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Provocative, moving, powerful, explicit, strong, unapologetic. These are a few words that have been used to describe the groundbreaking Brooklyn-based dance troupe Urban Bush Women. Their unique aesthetic borrows from classical and contemporary dance techniques and theater characterization exercises, incorporates breath and vocalization, and employs space and movement to instill their performances with emotion and purpose. Urban Bush Women concerts are also deeply rooted in community activism, using socially conscious performances in places around the country—from the Kennedy Center, the Lincoln Center, and the Joyce, to community centers and school auditoriums—to inspire audience members to engage in neighborhood change and challenge stereotypes of gender, race, and class. Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.
Author: Lorraine Elena Roses
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 462
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Book Description
In this ground-breaking collection of literary biographies, many with pictures, authors Lorraine Elena Roses and Ruth Elizabeth Randolph chronicle the lives and works of 100 black women novelists, short-story writers, playwrights, poets, essayists, critics, historians, journalists, and editors writing in the United States between 1900 and 1945. Here are insightful portraits of famous black women, among them Zora Neale Hurston, Katherine Dunham, Angelina Weld Grimké, Mary Eliza Church Terrell, and Ida Bell Wells-Barnett. Here, too, are many thoughtful profiles of neglected writers--their works deserving to be rescued from obscurity. Drawing on extensive archival research and interviews with the writers and their families, The Harlem Renaissance and Beyond traces its subjects' contributions to literature, their concerns about race and gender, their common themes, their relationships with artistic contemporaries, and the influence of these early writers on their modern-day counterparts in American literature.
Author: Lindsay Guarino
Publisher: University Press of Florida
ISBN: 0813072115
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
National Dance Education Organization Ruth Lovell Murray Book Award UNCG | Susan W. Stinson Book Award for Dance Education An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors: LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell Durden Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Katherine Dunham
Publisher: [Los Angeles, CA] : Center for Afro-American Studies, University of California, Los Angeles
ISBN:
Category : Performing Arts
Languages : en
Pages : 112
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Book Description
Author: George Hutchinson
Publisher: Harvard University Press
ISBN: 9780674372627
Category : Education
Languages : en
Pages : 566
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Book Description
By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
Author: Dorothea Fischer-Hornung
Publisher: LIT Verlag Münster
ISBN: 9783825844738
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
A collection of essays concerning the black body in American dance, EmBODYing Liberation serves as an important contribution to the growing field of scholarship in African American dance, in particular the strategies used by individual artists to contest and liberate racialized stagings of the black body. The collection features special essays by Thomas DeFrantz and Brenda Dixon Gottschild, as well as an interview with Isaac Julien.
